An earthquake caused Jiang Xia, who had just written his name on a divorce agreement, to be reborn into a parallel world. Just as he planned to make up for his past regrets, he suddenly discovered ...
I don't know if everyone likes this kind of slice-of-life story, I really don't know how to write a career storyline.
I read other people's articles about making similar animations.
Two chapters about preparations before the animation starts, two chapters about industry criticism after the animation's release, two chapters about overwhelming audience praise, two chapters about the celebration banquet, two more chapters about the celebration, and then the next animation begins, continuing the cycle.
Look at me, I've written over 600,000 words and I'm still writing Tom and Jerry.
Waaah, I really can't write like that. Writing long, drawn-out pieces about careers just feels empty to a homebody like me. Even I find it tedious to write.
As for those who say I don't write main plot filler, readers who have followed me since "The Fairy" know that I prefer to give the supporting characters around the protagonist an ending. They also have their own experiences and lives, which makes the characters feel more real.
Before I started writing the book, my idea was to treat it as a career essay, and I prepared more than a dozen animations to make it as long as possible.
After starting the book, damn it, I can't write, or rather, I can't do it.
Because the same animation script can be given to different animation directors, resulting in different storyboards.
The protagonist's task is to recreate the animation from his previous life. So even if an animation director is hired to do it, and multiple projects are done simultaneously, the final animation will still be different from the original work. The protagonist has to personally draw the storyboards, which results in a very long timeline.
In this way, one's career path will be diluted significantly, while the importance of daily romantic relationships will be greatly increased.
Or perhaps it's because I'm too incompetent and lack writing skills, which is why others can get tens of thousands of subscriptions while I'm a complete flop.
However, from the very beginning, my goal was for Jiang Xia and Lin Yanwan to fall in love, so the core of the story is actually about romance.
So, if you prefer a more everyday style, please keep reading.
This book probably won't be too long. I won't write about finishing a dozen or so animations, becoming a force to be reckoned with by Disney and Marvel, investing in various industries, and making Qitian Animation the world's number one. There are no villains in this book, and I'm too lazy to write them.
Jiang Xia isn't the kind of person with ambition. Being able to do what he loves and having the people he loves by his side is enough for him.
I slowly started writing about daily life, occasionally interspersed with my career, and then, after a suitable plot development, I suddenly finished the book.
Why don't you all take a guess?
south wind.
.