Yang Caiqian was very efficient and quickly put together a team. Moreover, the two financial sponsors, Chinese Network and Penguin Pictures, also provided generous budgets and were very straightforward.

The production team for the Legend of Sword and Fairy film and television soundtrack has been established. Yang Caiqian is responsible for the production of the theme song, interludes, and ending songs, while Li Baoshan is responsible for the production of the soundtrack music. The two teams have clear division of labor, and are professional and efficient.

In Li Changle's impression, there are quite a lot of songs in "Chinese Paladin 1", both in terms of singing and background music. The most famous ones should be "SPL", "Always Quiet" and "Rain in June". Such songs are enough to be released as singles.

As for the soundtrack, there are quite a few high-quality tracks, such as Mother Earth, Never Lost, and Chinese Paladin, especially Never Lost and Chinese Paladin, which have even become popular and are widely used in games, video editing, and Tik Tok.

Li Baoshan got all the soundtracks as he wished. He looked at the music scores attentively as if they were treasures, oblivious to what was happening outside.

"Teacher Yang, let's all finish the music tracks that Teacher Li is in charge of first. As for the performance tracks, the crew is currently busy filming the second half, and it's probably impossible to get the actors to free up their schedule to come to Shanghai to record the songs."

Li Changle discussed with Yang Caiqian in the recording studio. They originally planned to record the theme song, interlude and other songs while recording the background music.

Unfortunately, when communicating with Guo Zongming, Guo Zongming said that the actors were filming the second half, and the actors' condition and emotions were finally in place. Doing other things now would affect their condition, so this matter had to be put on hold for the time being.

In fact, it was also Li Changle's fault for not explaining it clearly to Guo Zongming. He was planning to work on the background music, theme songs and interludes together. Li Changle could only sigh that this was the time cost caused by inadequate communication.

In the end, Li Changle had no choice but to comfort herself that if she waited until they finished filming before coming back to record the song, maybe the emotions would be better.

Yang Caiqian smiled. Although he wasn't involved in the film and television industry, he had many friends and understood some of the twists and turns in the industry. He consoled her, "This won't have much of an impact. You can play the theme song and interludes for now."

After all, inserting soundtracks into TV dramas is a lot of work, while interludes and theme songs are much simpler, and the behind-the-scenes production of TV dramas happens to be seamless.

As long as we can finish the music by the time the crew finishes filming, it won’t affect the TV series’ schedule for the summer vacation.”

“Hahahahahaha…”

Li Changle and Yang Caiqian were discussing how to arrange their work, but they were both startled by Li Baoshan's loud shout.

Then Li Baoshan took out the flute he carried with him and played the song "Legend of Sword and Fairy" on the spot.

Li Baoshan didn't even care that the staff in the recording studio were looking at him in surprise. He only had the flute in his mind and started playing it with all his heart.

Suddenly, the only sound left in the recording studio was the sound of the flute. If it were a single performance, the flute would definitely be the most suitable instrument for this song, without a doubt. The sound of the flute was as crisp and clear as a sword in the hands of a swordsman, without any drag, and it was elegant and graceful.

The beginning is majestic and has a strong sense of rhythm, which makes people feel heroic and want to draw out the three-foot sword in their arms to eliminate all the injustices in the world.

As the saying goes, "Ride the sword and ride the wind, slaying demons between heaven and earth." With wine, I'm carefree; without wine, I'm still mad. This piece of music is exclusive to the Drunken Sword Immortal; no one else can master it!

After the song was over, even Li Changle and Yang Caiqian couldn't help but applaud Li Baoshan. Li Baoshan's performance of the free and easy style, the heroic spirit and the spirit of "I can be happy with wine and I can be crazy even without wine" was perfect.

Li Baoshan even felt that it was not satisfying enough, but he did not play it again. Although the flute sounded good, it was too monotonous. He could add a lot of things to make the song better and more perfect.

"Well, what a great song! I come riding on the wind with a sword to slay demons between heaven and earth. With wine I am happy and carefree, without wine I am also crazy. It's amazing, Teacher Li is so talented!" Li Baoshan also changed his address to Teacher Li when addressing Li Changle. This song touched his heart and he was convinced.

Not only that, the song "Riding the Sword on the Wind" has touched his heart, and paired with this song "The Legend of Sword and Fairy", it is simply perfect.

"I want to get him out as soon as possible. I can't wait." Li Baoshan looked excited and said to Yang Caiqian and Li Changle.

Li Changle only felt that Li Baoshan was a truly sincere person. Whatever he was thinking would show on his face at the first moment. No wonder Yang Caiqian said before that he often quarreled with Party A. With such a personality, it was really difficult to get along with others.

But with Li Changle, there is obviously no such problem. The sponsor gives money readily, Li Changle also recognizes Li Baoshan's personal ability, and Li Baoshan himself is obsessed with the music provided by Li Changle.

Talented people all have somewhat eccentric personalities, and this was verified by Li Changle in Li Baoshan. However, if he gets serious, his efficiency is really high.

The difficulty of producing soundtracks is sometimes more difficult than recording songs, because pop songs require relatively few instruments, basically just a few major ones.

But the soundtrack is different, especially the soundtrack of fairy tales and martial arts, which often requires the use of more instruments, even traditional Chinese instruments, such as pipa, guqin, guzheng, erhu, etc., and even some unpopular but surprisingly effective instruments. This type of instrument is difficult to play in itself, and such top performers are often more difficult to find.

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