Anyway, the nine Yuan blue and white porcelain jars that have been unearthed are all of different sizes. Even the two Yuan blue and white porcelain jars with the same theme patterns of Yuchi Gong riding alone to save the Lord have different specifications. In other words, the nine Yuan blue and white porcelain jars with figures that have been unearthed were produced in different years, and even the kiln workers were probably not from the same batch.

And these two big jars are obviously a pair!

If it was a single large Yuan blue and white porcelain figure jar, its value might be measured in money, but when this pair comes out, the value is really hard to say!

Some things are better the more unique they are, and the more valuable they are, such as the imperial seal and the "Preface to the Lanting Poems"; but some things are better the more complete they are, and the more valuable they are, such as the Nine Cauldrons of Yu the Great and the Twelve Golden Men of Qin.

If there had been two imperial seals in Chinese history, I am afraid that the emperors of all dynasties in China would not have been so persistent in pursuing them. If Wang Xizhi had written two or even more "Preface to the Lanting Poems", this calligraphy would not have become "China's No. 1 Running Script".

Similarly, if one of the Nine Cauldrons of Dayu was missing, what would that mean? Also, there were clearly twelve golden men, but suddenly there were only ten left. I'm afraid everyone would try their best to find the missing two golden men and try every possible means to put the twelve golden men together as a complete set.

The same principle applies to these two large Yuan blue and white figure jars.

This kind of porcelain was a kind of decoration in ancient times, so it is naturally beautiful only when it is in a set. These two large jars were obviously made as a set, so if only one of them was taken out without the other one, it would also cause a sensation, but it would definitely not be as shocking as if these two large jars were brought out together!

Yang Jing was absolutely satisfied with these two unexpected Yuan Dynasty blue and white porcelain jars. In all the treasure hunts, the least Yang Jing got was porcelain. Whether it was the earliest Mu Guogong treasure, Gaddafi treasure, or the last Tsar treasure, or the subsequent treasure hunts, there was almost no ancient Chinese porcelain in those treasures. Except for some extremely rare Tang Sancai in Wu Zetian's Mausoleum, Yang Jing never got any other ancient Chinese porcelain, which made Yang Jing very disappointed.

Although there are many treasures in the treasures we have found before, and any one of them can be called a national treasure, but as the most representative antiques of China, it would be a pity if there were not a few outstanding porcelain pieces.

However, Yang Jing could understand this situation to some extent. After all, porcelain is not easy to preserve. Besides, Chinese porcelain, especially ancient official kiln porcelain, is priceless in modern times, but it was nothing in ancient times. For the ancient royal family, porcelain was just a daily necessity and decoration. Its practicality was far lower than some other important materials, such as gold.

Therefore, it is inevitable that among those treasures left over from ancient times, the number of porcelains is very small or even almost non-existent.

But what Yang Jing did not expect was that during this trip to the Philippines, he actually discovered two extremely precious Yuan blue and white porcelain jars in the basement of a church in a city. This finally made up for the regret of not finding precious ancient Chinese porcelain before.

Although there are only two of these two large Yuan blue and white porcelain jars with figures, they are definitely the treasures of the Palace Museum. If these two large jars were exhibited in their own museum, their weight would be absolutely heavy.

Satisfied with placing the two large jars carefully in a corner of the space, Yang Jing started to work on the next large iron box.

As a result, when the fourth box was opened, the rotten thatch that caught his eye shocked Yang Jing again!

"Could there be porcelain in this box?" Yang Jing wanted to laugh out loud. If there were still porcelain in this big iron box, that would be great.

I was just worrying that there weren't any heavyweight porcelain pieces in my collection, but I didn't expect to find two boxes of porcelain here. Is this like someone giving me a pillow when I'm sleepy?

Yang Jing carefully pulled away the rotten thatch on the upper layer. Sure enough, under the protection of the thatch, there were porcelains wrapped in oil paper lying quietly...

PS: I would like to thank "很懒的鱼" for the reward of 100.