After transmigrating to a parallel world, Shen Ting activates the Detective System and even becomes the admin of a crime-solving chat group.
Inside the group are Hacker Kiko, Detective Qin Fe...
Is the pale man with crutches in Geng Bin's painting the same person as the pale man arguing with Geng Qingqing?
Guan Hongyu: “Interesting!
We previously thought that Li Xiangyun was more likely the criminal's target, but based on Geng Bin's portrait, how come the target was Geng Qingqing?
These data can prove that the pale-faced man with crutches should know both Geng Qingqing and Li Xiangyun.
Maybe he is more familiar with Li Xiangyun, or even her boyfriend?
Going to find Geng Qingqing and arguing with her might also be because of Li Xiangyun?"
Tang Tan Qin Feng: "Li Xiangyun is hiding from this white-faced man?
So he could only go to Geng Qingqing to inquire about Li Xiangyun's whereabouts?
Geng Qingqing didn't tell him, and the two of them quarreled because of this?
If that's the case, I have an idea.
Didn’t we previously speculate from Li Xiangyun’s employment and resignation records that she resigned after three to four months of pregnancy in order to avoid the child’s father, Zheng Tianli?
Is it possible that she is not only avoiding Zheng Tianli, but also avoiding the white-faced man?
Or even more broadly, to avoid men who have been drained of their money and are no longer useful to her?"
Group members left messages expressing their agreement.
Their previous overall impression of Li Xiangyun was that he was a very complex and contradictory person.
Especially after learning about her early experiences, we all felt a little sorry for her.
But now I feel that she is as cunning as she is pitiful.
At this time, Chen Yi left a message:
“Although the information obtained from the visit is vague, it also proves that the lame, pale-faced man painted by Geng Bin was not drawn out of thin air.
There really is such a person beside Li Xiangyun and Geng Qingqing.
Lameness and pale complexion are not very common characteristics.
I wonder if we can assume that the pale, lame man in the document and the pale-faced man in Geng Bin’s painting are the same person…”