Let You Open a Bar, You Go Destroy the Music Industry?

After transmigrating, Bei Chen discovered this body was not only disfigured but also suffering from alcohol poisoning.

What else could he do? Just give up and lie flat!

Chapter 81, "Preface to the Poems Composed at the Orchid Pavilion" (shuhaige.net)

The suspended brushstrokes are exquisite, depicting the waves layered a thousand times on the shore.

How can I interpret the word "love"? No matter how I try to write it, it doesn't feel right.

But what I lack is your lifelong understanding.

When the chorus begins, the drumbeats become more intense.

It contains the essence of traditional musical instruments, but also incorporates elements of Western musical instruments, and the arrangement is quite elaborate.

Add to that Bei Chen's singing skills, and everyone who entered the alley to listen to the music clenched their fists tightly.

The feeling of gazing upon the vast landscape, observing the sun, moon, and stars, with a thousand words in one's heart, and wanting to sketch all those lofty ambitions onto paper, is almost overflowing.

However!

A beautiful figure appeared before my eyes, overshadowing mountains and rivers, overshadowing the sun, moon and stars.

Even heroes have always found it hard to resist the charms of a beautiful woman!

How could a wandering scholar possibly overcome this hurdle?

As I put pen to paper again, the spiritedness and lofty ambitions I had just displayed were nowhere to be found; all that remained was a quest for answers…

This word!

It gave her a chilling feeling, full of atmosphere.

That kind of poetic thinking is used to construct it.

That kind of refined emotion that focuses on spiritual communication.

The way love is seamlessly integrated into calligraphy is truly ingenious and amazing!

Entering the alley to listen to the music, I never expected that the calligraphy was just an image, and the theme was actually the word "emotion"!

What surprised me even more when I entered the alley to listen to the music was the second half of the chorus.

The moment the erhu began to play again, that exhilarating operatic melody reappeared:

"Unrelated to romance, I'll inscribe this preface and await your reply."

"A masterpiece of suspended brushstrokes, depicting a thousand layers of waves on the shore."

"..."

Unlike the old male role in the previous song, Bei Chen uses a female role in this song.

However, his skill level is deeper and more solid than Lu Jiuyuan's.

Coupled with the relatively strong vocal tone in the verses, the cross-dressing in this section becomes particularly prominent and obvious.

What's even more terrifying is that, while maintaining the essence of traditional opera singing, a touch of rap has been added.

Peking Opera singing + rap!

Which composer would dare to attempt this?

But Mr. Mask dares to do it!

That's some genius!

This discovery thrilled everyone present.

Wow, is that even possible? Incorporating calligraphy while simultaneously promoting traditional opera singing—amazing!

[No, no, no, it's about promoting traditional opera singing while incorporating rap – Mr. Mask is so clever!]

[That's right, he's really really pushing the boundaries; this is what true music making is all about!]

I feel like the opera association really hit the jackpot this time. All three songs feature operatic elements, and each one is a masterpiece.

I initially felt the song was missing something, but the addition of this Peking opera-style vocal and erhu remedied that deficiency.

Just like a calligraphy copybook that was originally rather stiff, after these few strokes, it suddenly has a feeling of strength within softness and softness within strength.

With each stroke of the brush, the ink flows like a dragon in flight, graceful as a startled swan, each character a gem.

[...]