The latest special issue of the literary supplement of Ta Kung Pao, "Literary Creation by Women in the Republic of China", has caused a sensation in the academic community. Zheng Wanqing's unique academic perspective, profound literary insights and delicate analysis of the creative context of women in the Republic of China have won praise from the academic community and readers as soon as the publication was published.

The special topic not only showcases the literary achievements of intellectual women in the Republic of China, but also redefines the position of women in literary history and pushes the academic reputation of the Ta Kung Pao literary supplement to a new peak.

While the newspaper was immersed in the joy of the success of the special feature, the pen name "Qingwu" gradually emerged in the literary world.

At this time, a gold-stamped invitation letter was sent to Zheng Wanqing's desk. Initiated by the most influential "Qilu Literature" magazine in Jinan, the "Qingwu" editor was invited to attend the "Trend of Republican Literature under the Clash of Eastern and Western Cultures" Summit Forum. This academic event, which brings together top scholars, literary critics and well-known writers from all over the country, will become the most important ideological confrontation in the literary world this year.

For Zheng Wanqing, this is undoubtedly a once-in-a-lifetime opportunity for communication and learning.

Liu Shizheng attached great importance to this. Considering the importance of this seminar and the hope to better showcase the style and strength of Ta Kung Pao, Liu Shizheng specially arranged for Ji Chen and Zheng Wanqing to go together to attend the event as representatives of the newspaper.

On the day of departure, Zheng Wanqing carefully selected an outfit that combined academic style with Shanghai style. The lake blue windbreaker was well-cut, and the faint lace at the neckline and cuffs added a touch of elegance. The waist design outlined her slender waistline. Under the beret worn at an angle, her long black hair fell like a waterfall. The black lambskin high heels stepped on the wooden floor, making a crisp and pleasant sound.

When Zhu Yinlin learned that Zheng Wanqing and Ji Chen were going to Jinan, she couldn't help but feel a little envious. After all, such a grand gathering of many literary masters is an opportunity that every literature lover dreams of, and it's with her cousin. However, this envy was soon replaced by her heartfelt joy for Zheng Wanqing.

She leaned against the door, her eyes sparkling with admiration, and said with a smile: "Mr. Qingwu will surely amaze the Jinan literary world one day. Sister Wanqing, you are representing our newspaper, so you must show all your talents." After a pause, she winked playfully and continued: "Cousin Ji is waiting downstairs. I heard that he specially changed three suits this morning before deciding on this outfit."

Zheng Wanqing laughed and opened the window to see Ji Chen standing next to the car. The morning light gilded his tall figure, and the well-tailored black suit set off his tall figure. The lapis lazuli collar pin on the peaked lapel was shining with a faint blue luster. The collar of the white shirt was slightly open and he wore a dark blue silk tie. His eyes behind the gold-rimmed glasses were as deep as a pool.

As the train passed through the northern Shandong plain, Ji Chen took out a gilded copper kettle from his cowhide suitcase and poured a cup of steaming Keemun black tea for Zheng Wanqing. The edge of the white porcelain teacup was rimmed with gold, and the tea soup was bright red. Her silhouette flipping through the documents was reflected in the swaying carriage.

"Wanqing," Ji Chen tapped the table lightly, his voice low and solemn, "This seminar is undoubtedly a great opportunity for us to fully demonstrate the core concept of the newspaper's literary supplement to the national literary world. The column you founded is just like turning the traditional embroidery silver needle into a fountain pen for writing the era, which just hits the topic that the current literary world is eagerly paying attention to and discussing."

Zheng Wanqing took a sip of tea, and the warm tea slid down her throat, bringing a warm feeling. She narrowed her eyes slightly, and a wise and determined light flashed in her eyes: "I have thought about it carefully. I want to use several typical cases we have published to show how female writers in the Republic of China opened up new paths between tradition and modernity."

As the train slowly approached Jinan Station, this thousand-year-old ancient city was bathed in the golden sunset.

In the square in front of the station, a wonderful and harmonious picture comes into view.

The quaint teahouse with blue bricks and gray tiles, with its flying eaves and brackets, shows the elegance and solemnity of Chinese-style architecture, and is located next to the Gothic church with a spire. The old man in a long gown, with a steady pace and a folding fan in hand, exudes a sense of elegance. The young girl in a dress, with a light step and flying skirt, exudes youthful vitality and fashion. They pass by each other in the square, forming a sharp contrast and a wonderful fusion.

At the same time, the rickshaw drivers' shouts, full of the atmosphere of the market, and the crisp honking of cars interweave one after another. This ancient yet young city is like a cultural palette, blending the colors of the East and the West to create a unique charm.