Chapter 19 News Live National Museum Order

Zhenxin Animation was very efficient. They completed the entire company's relocation in just three days. At the same time, the staff recruited by President Zhen also arrived at the same time.

The "Star Bridge Museum", which had been vacant for a long time, instantly became popular after its official name change.

On the day of re-registration, under the live broadcast of CCTV-10, the science and education platform, the chariot and terracotta warriors restored and reproduced by Jia Wenyan were finally officially settled in the Yong'an Museum.

For a moment, countless netizens gathered under the Weibo news.

[So the Yongan Museum has moved? It is no longer in the original courtyard? ]

[Although it is a bit regrettable, it is true that the current Yongan Museum is more like a museum. ]

[And did you notice that there is an animation company on the map of Yongan Museum? ]

[The animation company...could it be the same one that produced Ruby? ]

[It's possible. Hongyu's cartoon image is so detailed that it can't be a small-scale work.]

[I found out that this animation company was registered three years ago and just completed the change of company address two days ago. Then they have an animation registered under the company called "The Legend of the Stubborn Stone". ]

【"The Story of the Stubborn Stone", what is the theme? 】

[I don’t know, but according to the information found on Tianyan, the legal representative of Zhenxin Animation is named Zhen Shuwang.]

[Zhen Shuwang... Really cool? This name is interesting. ]

[This is not the point. The point is that his last name is Zhen. Don’t forget that Director Jia’s teacher, the director of the Xian’an Museum, also has the last name Zhen.]

[Fuck, that family member has confirmed it. ]

Netizens made associations and linked the "cultural relics family" that Jia Wenyan had previously mentioned publicly with Zhenxin Animation as a whole.

This is a result that no one had ever imagined before, and in the eyes of many fans, this Legend of the Stubborn Stone is likely to be the debut movie of the Wenwu family.

Stone is stone, stone is stone material, stone material is raw material, and it is the origin of making handicrafts. This... makes sense!

However, compared to these minor episodes, what netizens are most concerned about right now is the all-ceramic chariot and terracotta warriors that alarmed CCTV.

If what they saw in the Qin Emperor's Mausoleum Museum before were just parts that had not yet been fully integrated, then what is now shown in the CCTV news video is the complete appearance that countless netizens have been waiting for for a long time.

This is the first time for many netizens to see the Terracotta Warriors in color.

At this time, they are no longer the gray earth color that people imagine.

Four jet-black war horses were looking at the "enemy" with an indomitable momentum as the vehicle was moving forward. Especially the extremely fine glaze color fluctuations, at the beginning many people thought it was a mistake caused by uneven coloring.

But when they moved further away, the uneven glaze looked like the fine hair on a war horse.

At that moment, everyone knew that the other party was just a dead object made of crafts, but they could not help but sense the unstoppable murderous intent in the war horse's eyes from its lifelike expression.

Although they are pottery with a soft texture, at this moment they very intuitively give the audience a sense of sharpness as if they were on a battlefield.

This is a unique piece of ceramic handicraft that is exclusive to the Terracotta Warriors.

The human-shaped terracotta figurines standing or sitting on the chariot are even more outrageous.

Because from the audience's perspective, they have already learned the true appearance of the wreckage from the videos uploaded by tourists and they are very clear about it.

The driver who was driving the chariot had only half of his body left when he was first discovered. But now, after putting on a new set of armor, he has regained new vitality.

Under the guidance of the host, the camera in the live broadcast room kept moving and zooming in on the waist of the terracotta soldier.

That's where the crack in everyone's memory is.

However, at this moment, thanks to Jia Wenyan's superb restoration skills, no traces can be seen there.

This is why Jia Wenyan insisted on coloring the terracotta warriors, not just because the weathered terracotta warriors no longer have their original appearance.

The more important point is to be able to cover up the cracks left by the reshaping and splicing by increasing the thickness of the glaze.

The exquisite craftsmanship amazed countless viewers. Just when everyone took it for granted that this set of all-ceramic chariots and terracotta warriors would become the most representative treasure of the Yong'an Museum.

The jade pendant with dragon pattern on the central exhibition stand of Yong'an Museum attracted everyone's attention at the moment the camera swept across it.

The dark green dragon pattern and claws are matched with the dark green dragon scales on the back of the jade pendant.

Although it was just a palm-sized jade pendant, the spinach green color that seemed to be free of impurities, and the dragon claws that made people want to observe them carefully under a microscope, far exceeded the imagination of netizens.

[Oh my god, did you see that? When the dragon claw on the jade pendant is magnified, not only can you see the nails on the dragon claw, but you can even see the fine scales and pores.]

[Director Jia, what did you use to carve this? A nano-carving knife? ]

【Suddenly I have an understanding of the so-called supernatural craftsmanship. 】

[Really, a few days ago I was still saying that there was nothing to see in a bunch of imitations, but now I want to slap myself twice. ]

[Yes, regardless of whether it is real or fake, the craftsmanship alone makes it worth exhibiting as a cultural relic.]

[I heard that the jade pendant was Director Jia’s graduation thesis, a double degree thesis jointly launched by the archaeology and cultural relics restoration majors. My God, I am kneeling down.]

[So the red jade porcelain box that was first made public was just a toy that Dean Zhen made.]

Hongyu: Are you polite, netizen? This baby is the masterpiece of Director Jia after further study in the Three Kings Pot Space.

Dragon scale jade pendants, red jade porcelain brocade boxes, fish scale celadon and the latest all-ceramic chariot and terracotta warriors.

These are the four cultural relics currently held in the Yong'an Museum. In addition, as a CCTV host, the other party has obviously done his homework on the Yong'an Museum.

"Director Jia, I'd like to ask you about the current status of the ice-patterned celadon vase that you showed in the live broadcast room..."

"It is still under restoration. Although the parts have been sorted out, I have been working on the restoration of the Terracotta Warriors during this period, so it has been delayed for some time."

"I will complete the assembly as soon as possible, and aim to hold the first cultural relic exhibition of the Yong'an Museum during the Mid-Autumn Festival, so that it will have the opportunity to be officially unveiled to everyone."

Host: "Mid-Autumn Festival? So the Yong'an Museum has already determined the date for the first public exhibition? I remember you said before that you would wait until all eight exhibits were collected before the official public exhibition, right?"

"Does this mean that the Yongan Museum still has exhibits that have not yet been made public waiting for everyone?"

Upon hearing this, the host did a quick calculation of the time. With the arrival of the new semester, they were only about two weeks away from the Mid-Autumn Festival.

Then according to Jia Wenyan's current production schedule and standards, she obviously has no way to produce such a large-scale cultural relic as she did in the previous restoration of the Terracotta Warriors.

She wanted to confirm whether Jia Wenyan had other cultural relics like the Terracotta Warriors or the Dragon Scale Jade that could attract everyone at first sight.

However, it was obvious that Jia Wenyan did not have any extra inventory. Even if the ice-patterned celadon porcelain that had not yet been fully assembled was included, there were only five pieces.

To produce three cultural relics that meet the exhibition standards in two weeks is an absolutely impossible task in the eyes of ordinary people.

But Jia Wenyan did not have too many concerns about this. She just bowed slightly to the camera and continued:

"Yes, I did set eight exhibits as the target number for the Mid-Autumn Festival. Although time is a bit tight, I have already had a rough idea of ​​the remaining three cultural relics, and I believe they will be available to everyone soon."

"Okay, thank you Director Jia. We also look forward to witnessing the first public exhibition of the Yong'an Museum during the upcoming Mid-Autumn Festival."

The CCTV interview ended here, and many netizens began to wonder what the last three exhibits that have been hidden in the Yong'an Museum are.

They even began to count whether there were any new discoveries in Xian'an City recently, or cultural relics suitable for restoration and reproduction. However, what they didn't know was that the source of the last three exhibits of Yong'an Museum was not Xian'an, but an order from the Imperial Capital Yanjing National Museum.

It turned out that after the Terracotta Warriors incident, Jia Wenyan finally gained official recognition for her works one after another. And she also received the first official cultural relic order in her life.

At first, the official idea was to hope that Jia Wenyan could make a one-to-one replica of the current all-ceramic chariot and terracotta warriors and send it to the National Museum of China in Beijing.

But later, when they learned that Jia Wenyan would target the Mid-Autumn Festival and speed up the completion of the remaining three exhibits, the National Museum suddenly changed its mind.

The reason is that the last three exhibits that Jia Wenyan prepared for this Mid-Autumn Festival exhibition are not only Terracotta Warriors, but will also challenge the use of Ru porcelain craftsmanship to create brand new porcelain Terracotta Warriors.

Jia Wenyan first thought of this plan because the current construction schedule was really tight.

The daily operating costs of the Yong'an Museum forced her to put the museum's exhibition on the agenda as soon as possible. The Mid-Autumn Festival holiday is the most suitable time to attract visitors after the summer vacation.

But this also meant that Jia Wenyan had to complete the production of the last few exhibits within an extremely tight time frame, which reminded her of the remaining molds from her previous production of pottery figurines.

She planned to use this set of molds to create another set of all-ceramic terracotta warriors and horses that could match the all-ceramic chariot terracotta warriors and horses. This plan immediately attracted the attention of the National Museum. Jia Wenyan also took this opportunity to exchange a once-in-a-lifetime opportunity from the National Museum.