Eros naturally saw the complicated look in Deacon Isa's eyes, but he did not explain anything.

He simply reached out to take the box that was pushed over and thanked Deacon Isa again.

The two then talked about the hunting of Black Dog Gang members last night, and Eros briefly described the process.

Of course, this process definitely involves water.

After talking about the Black Dog Gang, Eros seemed to have remembered something and asked casually:

"When I was reading the information before, I saw that warlocks in the actor path can disguise themselves as other people."

"But I discovered yesterday that sorcerers of the Flesh Path seem to be able to manipulate their flesh and blood to change their appearance. Do you know the difference between these two paths, sir?"

Deacon Issa did not see anything wrong with the question.

I thought it was really Eros who saw the Black Dog Gang members yesterday using their ability to manipulate flesh and blood to change their appearance.

Therefore, he only hesitated for a moment and then told what he knew about the two paths.

"The flesh and blood path changes one's appearance in the physical body."

"But the further actors go through their sequence, the more they become cognitive and destiny-oriented."

"For example, a Sequence 7 singer can temporarily affect people's cognition, making them see you as the person you are pretending to be."

"Once you reach Sequence 4 and advance to Transcendent, a sorcerer of this path will be able to completely tamper with other people's cognition and steal their fate."

"He can completely replace a wife's husband, a father's child, and a child's mother."

"All of them will think of you as their husband, their child, their mother, and they won't think there's anything wrong with that."

"Those warlocks on the actor path love to do this kind of thing, stealing other people's fates and then getting along with their families in their identities."

"Occupying everything that originally belonged to others, using this absurd and evil joke to please their Thousand-Faced God in order to obtain more gifts."

"And the existence they replace either becomes lifeless, deprived of the value of their own existence, and falls into self-disappearance."

"Or they will make you into a puppet for them to control."

Eros nodded in understanding and said with deep conviction:

"This behavior of stealing someone else's destiny and using their identity to play tricks on their family and friends is really bad."

Deacon Isa smiled bitterly: "It's far more than that!"

"Those heretics usually get tired of playing role-playing games and then use their identities to kill the relatives and friends of the person they are playing."

"They really like to see those people's confused and puzzled eyes. At the same time, they also use this method to further please the Thousand-Faced God in order to obtain more gifts."

Eros frowned after hearing this: "Then is there any way to see through their disguise?"

"In the list you gave me, there seem to be quite a few warlocks belonging to this path."

"Although they have not reached the extraordinary level, they already have the ability to temporarily tamper with other people's cognition and disguise themselves as someone else."

"If there is no way to distinguish it, this may cause me a lot of trouble in the future."

Up to this point, Deacon Isa hadn't noticed anything wrong with Eros's question.

Because the questions Eros asked were all very normal, nothing out of the ordinary.

There are indeed some actors’ targets on his list, and they will indeed meet in the future.

Know this in advance, isn't this normal?

Therefore, Deacon Isa was very responsible and carefully explained to Eros the method of identifying actor path warlocks.

"The simplest and most direct method is to seek help from a mid-sequence or high-sequence expert whose abilities involve the realm of destiny."

"This powerful person directly peeks into the target's fate. A low-sequence warlock of the actor path cannot perfectly disguise his own fate."

"These inconsistencies in fate will be very conspicuous in the eyes of those mid- and high-sequence experts whose abilities involve fate, and they will be able to tell at a glance that something is wrong."

“The second method is to observe the target’s daily habits.”

"When a sorcerer of the actor's path pretends to be another person, he or she may not be able to completely follow the behavior habits of the person being played."

“This can be distinguished by the person being played being familiar with!”

"The third method is to kill the warlock from the actor path before he sneaks into the crowd and hides."

"The fourth method is to leave a mark on the actor's path warlock that is difficult to remove before he hides."

"This way, even if he disguises himself as someone else, we can still distinguish him through the mark."

"That's how we deal with that path warlock."

Deacon Issa told several methods he knew.

After listening to this, Eros fell into deep thought.

Barbara seemed to have discovered that something was wrong with the leader of the Black Dog Gang by observing fate.

This should be the first method.

So, I actually already have a way to find the actor path warlock?

And it’s the most direct kind!

But this efficiency is a bit slow, and it requires close contact.

Assuming that the sorcerer of Mitor is still alive, if I want to find him, wouldn't I have to wander around the city of Maya every day and try my luck?

Oh! Yes! The premise is that he has to stay in Maya City.

If he has already left Maya City, it would be useless even if I crushed the foundation of Maya City.

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