"Teacher Yue Heng, how did we sing just now? Was it acceptable?"

After stepping off the stage, Zhang Han and Zhou Qian, still in their costumes, immediately went to Wang Yueheng's side and asked him questions.

I want to be the first to hear the original singer of "Red Silk" comment on her performance.

"The two teachers sang very well, but there were some minor flaws in their coordination in a few places. They can get better after a couple more rehearsals."

“For example, in the chorus, ‘I’m used to hiding my joys and sorrows in makeup,’ Zhou Qian’s voice has a distinct sense of separation, as if it’s a collage of timbres from two different vocal cords.”

"For example, when Teacher Zhang Han sang the line 'Though I am of humble status, I dare not forget my country', there were some traces of him taking a breath when he transitioned between notes in the opera style."

“Traditional opera requires the breaths to be completely hidden within the vocal tract, but Zhang Han’s breathing technique, which follows popular singing styles, also creates a sense of disjointedness.”

"Of course, this may also be related to the fact that Teacher Zhang Han uses classical singing techniques relatively little."...

Looking at the two senior singers who were humbly seeking his advice, Wang Yueheng first praised them.

Then he pointed out the flaws in the other party's performance on stage.

These flaws are almost impossible for the average viewer or even other singers to notice.

But to Wang Yueheng, who possesses domineering music theory skills...

The flaws and shortcomings of the two singers were almost laid bare before us.

"Oh~"

"Teacher Yue Heng, you are absolutely right. I also felt that there were some problems when singing this part."

"Just as I stepped off the stage, I was talking to Teacher Zhang Han about practicing the chorus chorus again in a bit!"

Upon hearing Wang Yueheng's comments, Zhou Qian, dressed in her costume, widened her eyes and exchanged a glance with Zhang Han before praising him repeatedly.

In fact, these flaws in the breathing or transition sections are masked by the background music.

Even the live music director, Chen Hong, might not be able to tell.

Only the singer himself will realize where he fell short of expectations.

Zhou Qian never expected that Wang Yueheng, who was so much younger than her, would find out the subtle flaws in their singing after only listening to it once!

"Indeed, I rarely come into contact with this kind of opera-style singing, so this is a challenge for me."

"Thank you for your guidance, Yue Heng. I need to practice with Teacher Zhou Qian later and rehearse before going on stage again..."

Zhang Han, who had received guidance from Wang Yueheng, spoke with the same sincerity.

For a singer of her caliber, it's rare to hear anyone point out the shortcomings in her performance on the spot.

Most of it is unconditional praise and flattery.

Singers and artists like Wang Yueheng, who are so incisive and speak the truth directly, are truly rare.

Zhang Han subconsciously regarded Wang Yueheng as a close friend in the industry with whom he could truly communicate about music.

After communicating with Wang Yueheng about the shortcomings in the duet of the entire song.

Zhang Han and Zhou Qian then temporarily applied for a practice room to continue their private choral rehearsals.

The rehearsals on stage are still proceeding in sequence.

finally.

After the "moonrise" and "moonlight" segments are completed.

The rehearsal finally reached the final "Moonlight" segment.

In addition to well-known domestic artists, the contestants who appeared on stage in this segment also included other artists.

Another well-known international pianist is Richard Pechis from France.