"The actor who plays Li Yunlong? Wow! This is really difficult..."
Upon hearing this, Lin Huowang also touched his head.
Because, in his mind, the person and image of Li Yunlong have been completely fixed.
It has to be Teacher Li Youbin!
Why have so many anti-Japanese dramas been remade in later generations, like "Snow Leopard", which had two versions, but no one dared to remake "Drawing Sword"?
The most fundamental reason is that no male actor dares to challenge the role of Li Yunlong.
It is really because Mr. Li Youbin's performance as Li Yunlong is so classic. Over the years, so many TV stations have rebroadcast "Drawing Sword" in turn, and people all over China have no idea how many times they have watched it.
Teacher Li Youbin's image of Li Yunlong is so deeply rooted in people's hearts.
So much so that, later when Lin Huowang watched other plays performed by Teacher Li Youbin, even though Teacher Li Youbin's acting was obviously quite good, he often still felt that he was Li Yunlong, the commander of the Eighth Route Army Independent Regiment who kept shouting "We are going to do something big this time".
"Yes! Our Director Su and his colleagues are getting as anxious as ants on a hot pot.
After all, the filming period of "Drawing Sword" is the longest. The other actors and costumes are basically ready, but the protagonist Li Yunlong has not been decided yet."
The man who came to shout "Forest fire is booming" is also a senior stagehand at Spring City Film Studio. He has been working in Spring City Film Studio with his parents since he was a child, so he is very familiar with the processes and progress of film shooting, and has deep feelings for Spring City Film Studio.
The workers at this time and the workers who were exploited by the "capitalists" in later generations can really be said to be two completely different individuals.
At this time, the workers truly regarded the factory as their home.
If the phrase "treat the factory as your home" was hung on the wall of a factory in later generations, people would laugh at it as a show and a joke.
But in the following thirty or forty years, the social status and material living conditions of the workers in our country can be said to be the best.
No matter it is a large factory comparable to a prefecture-level city or an ordinary small factory, as long as you enter the factory, you will become one of the glorious workers.
Then, the factory will almost completely take care of your birth, aging, illness and death.
You get a salary when you work, you get a house when you get married, and when you have children, the factory has its own daycare center, and even kindergartens, primary schools, and junior high schools.
Larger factories have their own shops, hospitals, cinemas, etc. To exaggerate a little, a person can study, live and work in this factory from birth to death, and there will be no problem at all.
The factory director and other factory leaders did not have as much power as they did in later generations. Although they were in charge of the factory, the workers themselves were the ones who called the shots.
If you are dissatisfied with the factory manager, you can go directly to the office or write a letter of complaint.
It is also very clear and transparent who gets how much salary and what kind of benefits they enjoy.
Even if you are seriously ill, you don’t have to worry about not having money for treatment, as the factory has made clear arrangements for you.
so……
That’s why the subsequent reform of state-owned enterprises was so difficult and gave rise to so many tragedies.
The welfare benefits of large state-owned factories are too good, but the subsequent profits and earnings cannot guarantee the normal operation of the enterprise, let alone the treatment of workers.
The wheel of time rolled over, and state-owned factories of all sizes across China and tens of millions of state-owned enterprise workers became the abandoned children of the time.
So much so that, when Huang Hong shouted "If I don't get laid off, who will?" in the skit on the Spring Festival Gala, many working-class families cried their hearts out on New Year's Eve!
"With reform, there will be pain! There will be losses on one side, especially in our three northeastern provinces, which are old industrial areas. The more glorious it was before, the more difficult it will be to reform in the future..."
Looking at the film studio kids who were leading the way, as well as the painters around them who had just been recruited into the factory to make animations, even Lin Huowang, a reborn person, felt that smoothly reforming the Northeast's industry was a very difficult and headache-inducing task.
…
Soon, Lin Huowang rushed over, but he didn't expect Gong Xue and others were also there.
Director Su enthusiastically took his hand and introduced him: "Comrade Lin Huowang, come on! Let me introduce you to Comrade Gong Xue. She is a Shanghai girl from Beijing, working in the drama troupe of the General Political Department. She will star in your Scars and Bright Sword. Take a look, doesn't she fit the image of the heroine in your novel very well?"
"Comrade Gong Xue, hello!"
Lin Huowang smiled and stretched out his hand, pretending not to know him.
Gong Xue also held back her smile, shook hands with Lin Huowang very formally, and said: "Comrade Haizi, it is my honor to be able to act in the movie adapted from your novel."
"And this one, Director Chen Huaikai, is a senior director from Beijing Film Academy. He will direct your Scars, and together with another director from our studio, he will direct the 20-episode Bright Sword."
Director Su then introduced Director Chen Huaikai who was standing nearby to Lin Huowang.
"Hmm? Director Chen?"
Lin Huowang really didn't expect to see director Chen Huaikai here.
I had always heard of this great director's name in my previous life, but I didn't expect that I would have such an intersection with him so early in this life.
"Comrade Haizi, your poem Scars really touched my heart.
This time, I heard that Spring City Film Studio was going to shoot your film, so I immediately recommended myself."
Chen Huaikai had only been an ordinary person for a short time, so he could empathize with Lin Huowang's "Scars".
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