After writing the letter, Zhang Qiurui did not mention writing Mandarin songs for Deng Lijun. She insisted that Cheng Shufen would at least publish her novel in Hong Kong before she would continue to write songs for her.
Given the quality of her novels, it would be impossible for them not to be published in newspapers in Hong Kong. If Cheng Shufen couldn't even do this, then there was no need to continue their cooperation, and she didn't mind changing her partner.
In the late 1970s and early 1980s, the most popular Hong Kong literature was martial arts novels, science fiction novels and "framed" essays.
Hong Kong is deeply influenced by Western culture and art, and its creations are more inclined towards exploration and experimentation. They are particularly fond of science fiction literature, a literary genre that combines scientific elements and fictional stories. It explores themes such as the future world, the mysteries of the universe, and technological progress through the combination of imagination and scientific principles.
In Hong Kong today, science fiction literature never goes out of style.
"Mutated Evil" is Zhang Qiurui's first science fiction novel published in Hong Kong.
It tells the story of a future world where genes determine destiny, where Vincent and Jerome, who both have genetic defects, exchange identities to realize their dreams of flying.
In order not to reveal his true identity, Vincent has to prepare supplies every day for the strict genetic verification of the space center, such as urine samples, blood samples, and even hair and dandruff... However, just when everything is going well, a homicide case postpones the launch plan.
"The Mutant" was made into a movie in 1997. Based on his memories and imagination of what he had seen before, Zhang Qiurui restored "The Mutant" into text and wrote a 100,000-word novel.
At the beginning of the article, Zhang Qiurui uses the famous line from the movie "The future does not belong to us, it belongs to those whose genes have been optimized" as an introduction, instantly pulling readers into the future world where technology is highly developed, but social classes are rigid and genes determine destiny.
After writing the letter to Cheng Shufen, he put the manuscript of "The Mutant" into an envelope and gave it to her third brother to send out.
........
Before Cheng Shufen received a reply from Zhang Qiurui, Deng Lijun had already recorded the Cantonese album. The songs recorded were all ten Cantonese songs written by Zhang Qiurui.
At this time, Teresa Teng was signed to PolyGram Records.
The person in charge of PolyGram Records in Hong Kong is Feng Tianzhi.
Feng Tianzhi originally attached great importance to the first Cantonese song released by Deng Lijun, and asked senior lyricists and composers as well as the four great talents of Hong Kong to write songs for her, hoping to promote Deng Lijun's first Cantonese album.
However, not long after Deng Lijun finished her concert, I heard that she had already completed an album of ten Cantonese songs.
Feng Tianzhi was a little bit disapproving of the fact that the recording was completed so quickly. He thought that Deng Lijun did not attach much importance to the release of the Cantonese album. After all, the songs Deng Lijun had sung before were mainly in Mandarin, and she also released a small number of Japanese and English songs.
After the recording was completed, when Deng Lijun handed him the demo tape of the new album.
He pressed the play button and was instantly attracted by the unique melody of the first song and Zhang Qiurui's delicate lyrics.
"These lyrics..." When the melody of the first song "Wandering on the Road of Life" slowly flowed out, his eyes couldn't help but become moist.
"The rhythm is clear and the dynamics are strong. The lyrics are so inspiring that they hit the heart." Feng Tianzhi's eyes lit up.
As the second song played, the rhythm gradually became cheerful, and the third song...
After Feng Tianzhi finished listening to these ten Cantonese songs, he found that these songs not only had catchy melodies, but also had lyrics that were deeply touching, as if they were tailor-made for Teresa Teng, perfectly showcasing her unique voice and emotions.
Although some of the songs do not conform to Deng Lijun's style, Deng Lijun still interprets these songs in a unique way with her unique voice and charm.
As a singer, one should not only stick to one's own musical style, but also be brave enough to try and challenge different types of music. Only in this way can one continuously broaden one's artistic path and bring more surprises to the audience.
“This album is going to blow up.
Hey, the same person wrote both the lyrics and the music." As the head of PolyGram in Hong Kong, Feng Tianzhi does have some appreciation for music.
These ten songs are all classics, and they were all completed by one person, which made him very interested in the creator.
If he signs a contract with Starry Sea and works as a full-time lyricist and composer for PolyGram, their singers will have one more person to invite to write songs when they want to release albums in the future.
Feng Tianzhi thought to himself that such talent could not be easily let go. He immediately ordered his assistant to investigate the identity and background of this mysterious creator, making sure to investigate thoroughly.
Feng Tianzhi listened to Teresa Teng’s first Cantonese album, which seemed to be a hit.
Feng Tianzhi immediately began preparing for the album's release. Knowing the importance of publicity, he decided to invest heavily in promoting the album. He contacted major radio and television stations in Hong Kong, arranged a series of interviews and promotional events, and planned to hold album auditions and autograph sessions in major shopping malls and public venues.
At the same time, Deng Lijun also actively cooperated with the company's publicity plan. She not only participated in various program recordings and interviews.
In 1976, there were not as many APP charts as in later generations. Promotion relied on radio stations and recorded programs.
........。
Somewhere in Hong Kong.
“I didn’t get into HKU this time. Should I take the exam again next year?” Li Ming looked at the drizzle outside the window, feeling conflicted and hesitant.
After falling into deep thought, a sound came from the black and white TV.
"Push your goals far ahead, keep your ideals always ahead, and even if the road is bumpy, don't be afraid of the hardships.
........。
Even if you give us a test, little raindrops, don't worry! I have already made up my mind.
Even if the road ahead is bumpy, I'm not afraid of hardships. I'm willing to experience both pain and joy in my life. It was Deng Lijun's song "Walking on the Road of Life" that immediately touched Li Ming's heart.
He failed to get into HKU this time, and his goal was far away from him. However, even though the road was bumpy, he was not afraid of the hardships. Going to HKU was his lifelong wish. Even though the road ahead was long and full of thorns, he would face the difficulties. Inspired by this song, Li Ming's heart gradually became firm.
He recalled the countless days and nights of hard work, the mountains of books, the lonely struggles late into the night, and his endless yearning and desire for HKU. All of this made it impossible for him to give up easily.
"I can't be defeated by one failure. The road to my ideal will never be smooth. Only by moving forward continuously can I get closer to that distant goal." Li Ming swore secretly in his heart.
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