When these words were spoken, everyone was stunned.
Zhou Xingzheng whispered to Zhou Yanshi, "Dad, we are running out of time. We have to start the meal on time. There are still four minutes left."
The time for the birthday banquet to start is also very particular, it must be at exactly 12 o'clock.
Although we are all materialists, everyone is very particular about auspicious times.
Huang Qinian said: "Beijing opera performed by one person? What a joke!"
Zhou Yanshi frowned, thinking that it was really inappropriate for these two juniors to be so noisy on the stage.
The people in the audience also felt that Shen Xian was a little crazy.
What's the point of singing Peking opera alone?
"Mr. Zhou, would you be willing to give me some time for a song?" Shen Xian asked.
Zhou Yanshi was stunned.
Wait, this voice looks familiar, I have heard it somewhere before.
I remember now, it was at Ning Zheng’s house!
The young man who made Jiang Tianji unable to raise his head!
"Xiao Shen?" Zhou Yanshi asked.
Shen Xian nodded.
Huh?
Chen Xian knows his grandfather?
Zhou Wan was also stunned for a moment, then suddenly remembered that Chen Xian had been to Ning Zheng's house, and they must have met at that time.
Zhou Yanshi laughed: "Okay, I'll give you three minutes to see how you perform!"
"Music teacher, no need to prepare, I will sing a cappella!" said Shen Xian.
So arrogant!
Huang Qinian looked at Chen Xian's disdainful face and wanted to throw the shoe horn at his face.
"A song of 'The New Drunken Concubine' for everyone!"
"The New Drunken Concubine" belongs to the Peking Opera genre, also known as "The Hundred Flowers Pavilion". It is a single-act play based on the story of Yang Guifei, a historical figure from the Tang Dynasty of China. The play is widely known for its creation and performance by Mr. Mei Lanfang, a famous Peking Opera performing artist in China, and is one of the representative plays of the Mei School.
This world also has the stories of Yang Guifei, Mawei Slope and Huaqing Pool, which many historical figures do not have, but the historical process is basically the same.
"The New Drunken Concubine" is a Mandarin pop song released by Li Yugang on December 28, 2010. The song features the classic "male and female dual voice" singing style, which was the first time that pure male and female voices were used, inheriting the traditional Chinese culture. It is the first to perfectly combine Chinese opera with R&B, blues and other musical elements, combining Chinese and Western elements to lead a new fashion trend.
In 2011, the song won the Mainland Golden Melody Award of the Chinese Original Music Pop Chart!
Shen Xian opened his mouth slowly, and a pure male voice appeared:
That year, the snow fell and the plum blossoms bloomed.
That year, there was too much sorrow left by the Huaqing Pool.
Because there was a hint of operatic intonation in his voice, and because it was a live performance, no one could tell that Shen Xian's voice was exactly the same as that of the postman.
As soon as he opened his mouth, just two sentences made a scene appear before everyone's eyes, and they felt as if they were there.
Zhou Yanshi closed his eyes and an expression of enjoyment appeared on his face.
Zhou Wan then discovered that Chen Xian's singing was also very nice, and his voice had an ancient feel.
She suddenly remembered that Chen Xian was also a talented student who graduated from the Media College, majoring in music.
"Don't say who is right or wrong in a relationship."
"I just want to get drunk with you again in my dream,"
"The golden hairpin and jade hairpin are the gifts you gave me,"
"The song of colorful clothes and feathered robes has been sung and danced for you for many times,"
"Jianmen Pass represents your deep longing for me,"
"At Mawei Slope, I am willing to die for true love,"
When he sang to this point, Zhou Xingjian frowned.
Isn’t this still a love story?
What kind of Peking Opera is this?
This is not how Peking Opera is sung.
"Isn't this just a song? How can it be Peking Opera?" Zhou Xingzheng said.
"Hey, weren't you supposed to sing Peking Opera? Why are you singing?"
“Yes, this is not Peking Opera.”
The people in the audience were also talking about it.
Huang Qinian sneered. Is this too much?
But the next second, the sneer on Huang Qinian’s face froze!
Zhou Xingjian's face was full of impatience and he was about to call a halt, but the next second he took a breath!
Zhou Xingzheng felt his scalp tingling: "This... this..."
Zhou Yanshi suddenly opened his eyes and looked at Chen Xian in disbelief, his face full of shock.
Zhou Wan widened her peach blossom eyes with a look of disbelief.
Many people in the audience felt their scalps tingling!
Because Chen Xian didn't pause at all and went straight into the climax!
A pure female opera voice appeared: Love and hate happen in a moment.
Raise a glass to the moon and feel the love as if it were the sky.
Love and hate are both boundless,
When did you fall in love?
The chrysanthemum terrace reflects the bright moon.
Who knows that my heart is cold?
Drunk in the king's arms,
Dream back to the love of Tang Dynasty!
All the popular elements and all the preparations made before were directly transformed into traditional elements at this moment!
Chen Xian's singing skills have always been very good, and he has been learning opera singing during this period. At this moment, the switching between male and female voices is extremely natural.
Especially the female opera singing part, which perfectly displayed the classical elements!
After the song was finished, the whole audience fell silent.
After a long time, there was a burst of loud applause at the scene, which almost blew the roof off!
"It's amazing! This opera singing is amazing!" Zhou Yanshi's old face flushed with excitement. "This song not only has Peking Opera elements, but also combines Peking Opera elements with pop music. It's a perfect combination!"
"He used Peking Opera singing, it's amazing!" Zhou Xing is a master of opera, and is about to become a school of his own. "It turns out that Peking Opera can be effectively combined with popular elements!"
The formation of Peking Opera schools is an inevitable product of the development of art, and the formation of multiple schools reflects the prosperity of art. Each school has its own unique performance style and artistic characteristics, and through the inheritance and development between masters and apprentices, it has formed its own representative repertoire and style.
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