Chapter 858 Luqiqin

Yu Jingjing followed Director Li to the restoration studio in the back.

"We just restored an ancient zither today. This zither was found in the main tomb chamber when a subway was being built in Chang'an more than 13 years ago. It was a burial object of the tomb owner and was placed outside the tomb chamber. It should be the Aegean in his lifetime."

Director Li spoke as he walked, his voice soft and gentle, as if he was telling a story.

"After the tomb was rescued and excavated, a number of guqins were left in the Chang'an Museum for restoration, and a number were sent to us. This guqin was obtained by the previous curator with great effort. When the guqin was excavated, the body of the guqin had already broken into several pieces. We relied on the marks on the silk that the guqin was placed on to restore it bit by bit. This is the result of three generations of people, and the restoration was just completed today!"

It's strange!

The ancient zither was broken into several pieces, but because the archaeological team arrived in time, the main tomb chamber suffered little damage.

Although the wood of the guitar is slightly decayed, its original appearance can still be seen.

It is precisely because of this that their museum tried every possible way to bring the restoration work of the guqin over.

Yu Jingjing followed Director Li into the room. There was a dustproof glass cover on a medium-sized table, and underneath the table was a specially designed storage table.

It was said to be broken into several pieces, some small and some large. After the repair, there are still obvious cracks on the body of the guitar.

The wooden body of the guitar also looks very mottled, which is definitely not good-looking from an aesthetic point of view.

But these ugly things are the traces left by the long river of history on this guqin.

"The color of this ancient zither has faded, but we have inferred through machine detection that the color of the zither should have been completely black with a hint of green. The most important thing is!" When Director Li said this, his voice was trembling and tears were about to fall, "When we were repairing it, we found an inscription inside the zither, 'Tongzi Hejing'!! It was 'Tongzi Hejing'!!!"

Yu Jingjing was also startled. He subconsciously looked at the guqin covered with cracks after being repaired in the glass case and said in amazement, "Is this the Luqiqin? Sima Xiangru's Luqiqin?"

The famous song "The Phoenix Seeks the Phoenix" was played by Sima Xiangru with the Luqi harp, in which he proposed to marry Zhuo Wenjun, the most talented woman in Bashu!

According to legend, after Sima Xiangru's death, the Luqiqin was in the hands of Zhuo Wenjun, but with Zhuo Wenjun's passing, no one knew the whereabouts of the Luqiqin.

Some people say that Green Qiqin has long been buried underground with Sima Xiangru.

Some people also say that the zither was buried with Zhuo Wenjun.

But in the end, no one knows the whereabouts of this piano.

Just like the other three legendary guqins, it disappeared in the long river of time.

"Yes!" Director Li wiped his tears, knowing that he had lost his composure a little, and said embarrassedly: "I was a little excited!"

"I understand!" Yu Weiwei shook his head slightly, looking at the Luqiqin in the glass cover, and suddenly said: "I have an idea for the theme of the first issue."

Director Li didn't react immediately. "What do you think?"

"Music, right?" Yu Weiwei said, "We originally wanted to promote the stories behind these cultural relics through music, so the theme of Kaimenhong is music. Does this Luqiqin belong to the Chang'an Museum or the Kyoto Museum now?"

This is a very important question.

If it is the Chang'an Museum, then the Luqiqin must be included as a cultural relic of the Chang'an Museum.

Of course, Yu Jingjing would never allow anyone to perform on a show with a newly repaired piano.

"Does Director Li know about holographic technology?"