"yes."
After Wutong took the order and left, Su Chenyu felt a little uneasy: "Yanqing, let's go check on Yin Jiuniang tonight."
After arriving in Fufeng Town, only Yin Jiuniang made Su Chenyu feel something was wrong, and she had always regarded her as a breakthrough point.
That night, Su Chenyu and Bai Yanqing changed into night clothes and went straight to Yin Jiuniang's house.
Yin Jiuniang lived away from the hustle and bustle of the city, in a large house in a deep alley.
At night, only the lights were on in the workshop in the backyard. Su Chenyu and Bai Yanqing lifted the tiles on the roof and saw the view inside the workshop clearly.
Yin Jiuniang never worked in the workshop behind Shen Fei. She always completed custom-made things alone in her home workshop. But Su Chenyu looked around, puzzled, and frowned slightly. It seemed like something was missing here?
The two of them watched from the eaves for a long time. Yin Jiuniang was busy making a screen, and her flying needle embroidery was dazzling.
Bai Yanqing covered the tiles, glanced at Su Chenyu, and the two left to check other rooms.
Yin Jiuniang's bedroom was not big and was decorated in a conventional way, but looking at the size of the room, it seemed much smaller than it did from the outside.
Bai Yanqing knocked on the four walls and found that the sound of one wall sounded different from the other three. He glanced at the potted plant next to him, stretched out his hand and turned it. Sure enough, a secret door appeared on the wall.
After the two walked in, they found that the dark room inside was used to worship ancestors.
The incense in the incense burner on the altar was half burned, and the fruits on the plate were also very fresh. It seemed that Yin Jiuniang worshipped very frequently.
There were a dozen nameless tablets on the altar, and it was impossible to tell who Yin Jiuniang was commemorating.
However, there was a painting hanging on the wall. The scene in the painting was a happy family scene. Below the portrait, the date of the painting was marked, which was seventeen years ago, but the name of the painter was intentionally blurred, so Su Chenyu couldn't see it clearly.
The two of them looked at the scene in the painting intently. Su Chenyu pointed at a woman sitting on a chair in the painting and asked, "This woman looks a bit like Yin Jiuniang. It should be her."
Seventeen years ago, Yin Jiuniang should have been just a little girl of thirteen or fourteen years old. The painter had superb painting skills and made the figure vivid. But it is not difficult to see that the figure that the painter devoted the most effort to was Yin Jiuniang.
It seems that at that time, the person the painter was most concerned about was Yin Jiuniang.
Bai Yanqing leaned in to look at the painting. There was a spot in the upper left corner that looked out of place with the rest of the painting. "This should have been burned down, and then repaired."
The nameless tablet that Yin Jiuniang set up showed that she was very cautious, fearing that others would find out who she was worshipping. But the person in the painting should be the one that Yin Jiuniang was worshipping.
She was so cautious, how could she not worry that others would recognize the person she was worshipping through this painting?
Su Chenyu thought that it was probably because these people had been dead for a long time, so long that many people had forgotten what they looked like. However, their names were well known to many people, so their names could not be written on the tablets.
However, it can also be seen that Yin Jiuniang has deep feelings for this painting. In other words, she has deep feelings for the person who painted this painting!
My thoughts turned to this painting again. More than a dozen people had died, leaving only Yin Jiuniang. It was impossible that they died on their own. It was more likely that they died in a disaster at the same time.
Disaster, the painting was burned...
Following these clues, Su Chenyu and Bai Yanqing thought of a family at the same time, the Yin family!
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