Feihan chose a location near the kitchen, which was closer to the cave entrance, had good ventilation, was suitable for females, and was convenient for her to enter and exit the kitchen and show off her cooking skills.
The hard mountain wall was as fragile as tofu under the bird's claws, and a big hole was soon dug out.
Looking at Feihan's speed and strength, Bai Jing said to Mo Zhou, "I didn't expect Feihan, who has just reached adulthood, to have such good strength."
Mo Zhou was now very dissatisfied with Fei Han and didn't want to agree with the words of praise for Fei Han. He said disdainfully: "What's good about him? He's so weak, humph!"
Fei Han knew that Yu Wanwan needed some strange things called furniture to improve her quality of life, so she paid close attention to the shapes of the stones when digging. She kept the big ones and made them into cabinets and tables according to the shapes she had seen. The small ones were either made into bottles or simply cleared away.
Without drawing a design, Feihan quickly dug out a cave of about 20 square meters next to the kitchen and opened a window on the wall to ensure light.
The bed is in the middle, not a straw nest like other bedrooms. Feihan left some space here, and covered it with a mattress and quilt woven by spider orcs, and bed sheets made of animal skins. The other furniture is placed against the wall.
The mattress woven by the spider orcs is several dozen centimeters thick, and is no worse than a spring bed. If the furniture is replaced from stone to wood, it will really have a Japanese minimalist style.
After sorting out the general direction, Feihan selected a piece of spotted animal skin to serve as a curtain, and then placed some plants and the dried fruits that Yu Wanwan often ate. The room was then complete.
Yu Wanwan walked around the room, looking up and down.
Sitting on the bed, you can see the scenery outside, and there are food and drinks on the table. The whole layout makes Yu Wanwan very satisfied.
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