He kept pulling her along, with only one thought in his mind.
Take her home and put her in her own place, and never let her see these messy things or say these messy words again.
Jiang Wanwan could feel that Lu Xiao was a little unhappy, and she also knew that there was a huge generation gap between the thinking of people of this generation and her generation, so she didn't expect to influence him.
But she was just expressing her own opinions and making a few small talk. Was there any need for him to get angry and turn his face away?
A man's heart is as unpredictable as the sea.
Jiang Wanwan felt that her little husband's temper was so sudden and unpredictable that she couldn't figure it out.
Because a criticism and denunciation meeting was about to be held, the brigade leaders felt that ideological education work was more important and that they didn't have to do the afternoon work.
It just so happened that the lamb chops bought in the morning had not been stewed yet, so Jiang Wanwan went home and started stewing the lamb chops.
Lu Xiao was tinkering with the piece of wood in the yard. I don't know where he borrowed the carpentry tools from, but he broke the wood into pieces of planks.
Jiang Wanwan stewed the lamb chops in the pot, then squatted at the kitchen door, looking at the fire in the stove while watching him work.
The man's face was cold and silent, as if he was still angry.
But the man was really skillful. She just lifted it casually, and he acted very properly.
The wooden boards have been divided into appropriate lengths, and one of them is being grooved upwards, apparently making mortises. The board that was just put down already has two tenons made out of it, indicating that it is intended to be used to make furniture with a mortise and tenon structure.
Jiang Wanwan became interested and walked over to him to pick up the wooden board and take a closer look.
She has always liked ancient Chinese architecture, especially the mortise and tenon structures in ancient buildings, which have always made her sigh with admiration.
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Mortise and tenon (sun, pronounced thirdly) is the main structural method of ancient Chinese architecture, furniture and other machinery. It is a connection method that combines concave and convex parts on two components. The convex part is called tenon, and the concave part is called mortise. The tenon and mortise bite together to play the role of connection. This connection method does not require any nails.
The tenon is yang and the mortise is yin, and yin and yang are interdependent.
Therefore, our ancestors are truly cultural and wise.
The mortise and tenon building has a four-way appearance, which is implicit but not obvious, revealing the Confucian peace and moderation, and contains yin and yang, mutual generation and restraint, and balance, shining with the brilliance of Taoist thought.
Some people also say that the Chinese are undoubtedly the ancestors of playing with building blocks.
The most amazing mortise and tenon building is undoubtedly the Hall of Prayer for Good Harvests in the Temple of Heaven in Beijing. Of course, the corner towers in the Forbidden City are no less impressive.
If you have the chance, you can go and have a look.
Love you guys, muah.
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