Good stuff! Absolutely good stuff!
Even though he had already discovered a set of two large Yuan blue and white figure jars, a set of four Chenghua doucai chicken-glazed cups, and a set of five-color twelve flower god cups, the appearance of this Jun kiln cinnabar red glaze halberd-shaped vase still made Yang Jing very excited.
This thing can also be regarded as the treasure of the museum!
This is the best of the Five Kilns of the Song Dynasty!
He originally thought that he was lucky enough to get such a Halberd-Changing Lord, but he didn't expect that there were more top-notch items in this big box that made him excited.
Because the second piece of porcelain is also a Jun kiln porcelain, this is a Jun kiln grape purple glaze plate with a diameter of about 23 cm.
Two pieces of Jun kiln porcelain, one red and one purple, contrast well with each other!
As for the third piece, the surprise it brought to Yang Jing was no less than the previous two pieces of Jun kiln porcelain, because the third piece of porcelain was a Ru kiln porcelain!
The Ru Kiln, being the first of the five famous kilns in the Song Dynasty, is not just a casual remark. When the Chai Kiln porcelain has disappeared without a trace, the Ru Kiln is the first of the five kilns in the Song Dynasty!
This Ru kiln porcelain is a Ru kiln azure glaze round wash basin, and its shape is similar to the Ru kiln azure glaze round wash basin collected by the Palace Museum. The exquisite azure color can make people intoxicated just by looking at it...
In the winter of the year before last, Yang Jing used the restricted time travel for the first time to travel to Panjiayuan in 1994. He had collected a pile of broken Ru kiln porcelain pieces from a street stall. According to the appraisal of the Holy Ring, those broken Ru kiln porcelain pieces were fragments of a Ru kiln azure glaze hand-pulled Kung Fu tea shadow moon cup. Later, after the Holy Ring recognized its master, Yang Jing mastered the "repair" skill, so he had already repaired the pile of broken porcelain pieces.
In other words, Yang Jing now also has two pieces of Ru kiln porcelain in his hands!
The fourth, fifth and sixth pieces of porcelain in the box are actually fine products from the five famous kilns of the Song Dynasty, except that these three pieces are all white porcelain, and all three pieces of white porcelain are Ding kiln porcelain, including two bowls and one plate.
The successive discovery of Jun kiln porcelain, Ru kiln porcelain and Ding kiln porcelain made Yang Jing very suspicious. Could it be that this iron box was filled with porcelain from the five kilns of the Song Dynasty?
Sure enough, when the next porcelain pieces revealed their shapes one by one, Yang Jing's cock not only got excited, but even his penis got hard!
As expected, the seventh and eighth pieces of porcelain are Ge kiln porcelain, the rarest of the five kilns of Song Dynasty!
One of these two pieces of porcelain is a flower pot, and the other is a fish-ear stove. The most important thing is that Yang Jing has used the holy ring to identify these two Ge kiln porcelains. They are not Longquan kiln or Di kiln Longquan Ge kiln, nor are they the so-called handed-down Ge kiln in later generations. They are porcelain fired in the real Ge kiln!
When Yang Jing traveled to 1994 in the winter of the year before last, he not only collected a bunch of Ru porcelain fragments, but also spent 16,000 yuan to buy a Longquan kiln imitation black-bodied Ge kiln flower-mouth plate. However, that plate was just a Longquan Ge kiln produced by Di kiln, not a real Ge kiln porcelain.
Now, the real Ge kiln porcelain is almost the same as the legendary Chai kiln porcelain, which can only be heard of but never seen!
Unexpectedly, two pieces of Ge kiln porcelain were found in this large iron box that had been buried deep underground for more than 70 years.
Moreover, Yang Jing took out the Longquan kiln imitation black-bodied Ge kiln flower-mouth plate that he had bought before and compared it with the two genuine Ge kiln porcelains. The result was really that there is no harm without comparison.
Originally, Yang Jing thought that the Longquan kiln imitation black-bodied Ge kiln flower-mouth plate he bought was already excellent, but when compared with the real Ge kiln porcelain, the difference was immediately apparent!
Although this Longquan kiln imitation of Ge kiln black-bodied flower-mouth plate was also made by a man named Zhang Liren, who has the same surname as the two brothers Zhang Shengyi and Shenger who founded Ge kiln and Di kiln, and it is even very likely that Zhang Liren is the direct descendant of the brothers Zhang Shengyi or Zhang Shenger, the craftsmanship of this Zhang Liren obviously did not reach the level of surpassing the brothers.
This Longquan kiln imitation black-bodied Ge kiln flower-mouthed plate was fired in 1227 AD, ninety years later than the two Ge kiln porcelains. Although this Longquan kiln imitation black-bodied Ge kiln flower-mouthed plate is also a fine product, in front of the real Ge kiln porcelain, Zhang Liren, the descendant, really cannot compare with his ancestors...
The appearance of these two pieces of Ge kiln porcelain also fills many gaps in the current domestic knowledge about Ge kiln porcelain, and their archaeological value is inestimable.
After a casual rummaging, he actually found eight pieces of Song Dynasty porcelain in this big box, and all of them were top-grade porcelain from the Five Kilns of the Song Dynasty. How could Yang Jing not be excited?
The appearance of these eight pieces of fine porcelain from the Five Kilns of the Song Dynasty was obviously not the end, because although these eight pieces of porcelain were wrapped very heavily, they really did not take up much space, so Yang Jing continued to dig down, and as a result, he dug out a sky-blue bottle...
The shape of this bottle is a narcissus vase, about fifteen centimeters high, not very big, but the sky blue color of this bottle made Yang Jing stunned.
"Is this another piece of Ru porcelain? No, that's not Ru porcelain. Ru porcelain is not this beautiful!"
Yang Jing looked at this small sky-blue narcissus vase, and the feeling he had was even more amazing than the feeling he had when he saw the halberd-shaped vase just now. Yang Jing was also a well-informed person. He had seen at least 800 national treasure-level porcelains in the Palace Museum. But to be honest, even Yang Jing himself had to admit that after seeing this narcissus vase, the national treasure-level porcelains he had seen before were really nothing.
This feeling is really hard to describe in words. Even though this narcissus vase is of ordinary shape, small size, and has no gorgeous patterns, just such a simple vase placed there makes Yang Jing feel like it is a real Queen Mother of the West in plain clothes!
My dear, there is more to this chapter. Please click on the next page to continue reading. It’s even more exciting later!
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