Why does he have to pay so much attention to his clothes just when he's going to an art exhibition?

If there was a third person present, they would definitely remind him: he looks like a nervous teenager going on a first date.

Unfortunately, no one saw it and no one reminded him.

When we arrived at the entrance of the exhibition, Seiichi Yukimura was already waiting there.

Yukimura Seiichi, wearing a white suit, attracted many guests' attention when he stood at the door.

When Jingguang saw it, there were actually several girls surrounding him.

There are boys???

Jingguang puffed up his cheeks, feeling unhappy.

It’s okay for girls, but Jingshi is so pretty, why are there still boys trying to chat her up?

He had a stern face, and his expression looked even more indifferent.

He opened the car door with a bang!

The sound of the car door closing attracted Yukimura Seiichi's attention.

Seeing the young man in a gray suit coming down, his eyes lit up.

Then the polite and distant smile on his face suddenly became much more sincere.

He looked at the people around him, smiled apologetically, and said, "Sorry, the person I'm waiting for is here, please let me pass."

Walking quickly towards Jingguang,

Looking at Yukimura Seiichi who was walking towards him through the crowd, Atobe Kagemitsu glanced at the others.

The puffed-up cheeks of the villain in my heart finally disappeared. The villain put his hands on his hips and said with satisfaction: I am the one he is waiting for.

He followed Yukimura Seiichi into the exhibition.

Yukimura Seiichi likes tennis, but he also really likes painting. Tennis can ignite his fighting spirit and passion, while painting can make him calm and enjoy himself.

This exhibition was very important, and his teacher valued him very much, so he gave him three areas to hang his paintings.

He also wanted to pave the way for his beloved little disciple.

Yukimura Seiichi naturally knew this, so he spent a lot of effort to do this, otherwise he wouldn't have learned about Jingguang's return from Yanagi.

As Yukimura Seiichi quietly introduced the changes and differences in painting styles and schools along the way, Jingguang listened carefully.

I understand the differences between the so-called abstract school, realism school, and even some of the changes in the styles of writers from the early to the later periods, which are difficult for ordinary people to see.

At least Jingguang didn't see any difference at all.

But Yukimura Seiichi's enthusiastic introduction and soft and gentle voice made Jingguang unconsciously follow him and learn the stories behind those paintings.

Until I saw a painting with the following label in the lower right corner: "The Sea off Kanagawa" - Seiichi Yukimura.

His eyes lit up.

It is the work of Jing City.

Those three paintings are a series, the sea of ​​Kanagawa in the morning, at sunrise.

The Kanagawa Sea at sunset, the lone sail in the distance gradually fades away in the sunset,

Under the starry sky, there are slight ripples, and the white waves are still clear in the dark night.

It makes people feel as if they can feel the passage of time, the breeze blowing towards them, the surge of waves, and the magnificence and tranquility of nature.

It is a feeling that can cleanse the restless human heart.

Jingguang liked it very much.

When he learned that the painting was going to be auctioned for charity, his index finger moved slightly and he had an idea.

Before the exhibition was over, Yukimura Seiichi received a call and learned from his teacher that someone had bought his paintings.

In a good mood, he took Jingguang to the fireworks display at night.

Jingguang put away his phone and happily followed Jingichi away.