Just as Feng Nan analyzed, Han Hong has certain shortcomings in both his bass range and high-pitched pronunciation.

Coincidentally, these two songs are both natural nemesis of Han Hong.

The bass range of the former is dense and deep.

The difficulty level of the chorus part is maxed out!

The high notes even reached a terrifying F5!

Not only surpasses E5!

It also has dense articulation space!

Therefore, this song is also famous for its high difficulty and is recognized as one of the most difficult songs to sing in the Chinese music scene.

The confident Lao Lin, because of his cover of "Torment", caused an extremely rare "social death scene" in his acting career, and was almost forced to go back to inherit the family property...

As for the latter, "Left Hand Pointing to the Moon".

It is a top-level divine song that is even more difficult than "Torment".

Its range reaches two octaves plus seven semitones, that is, 20 degrees! This is very rare in the world of pop music.

Its highest note even reaches the extremely terrifying E6!

Looking at the Chinese music scene, there are only a handful of people who can sing this tune, and it is even unclear whether there are such people.

Even someone as strong as Lu Chen needs to warm up his throat before he can sing this note.

In addition, the Chinese pronunciation of this song is also a ceiling-level challenge!

Therefore, we must really sing this song well and sing it with the ethereal feeling of our true voice.

The singer's own strength must at least ensure 20% redundancy.

In other words, Sa Dingding can sing this song to this level.

Her true ability is actually far beyond this song.

Lu Chen even doubted that her high notes could reach the fourth octave high range of A6.

Otherwise, she wouldn't have been able to sing this song so easily.

Therefore, either of these two songs is enough to make Han Hong drink a pot.

Lu Chen also decided to choose one of these two songs.

Although "Left Hand Pointing to the Moon" is more difficult than "Torment".

But Lu Chen actually likes "Torment" more.

After all, the trump card cannot be used too early...

As for Sun Nan, the king of male songs.

We have to choose a song that suits his style and one that he can't sing.

There are really few choices, but they are not non-existent!

His "Breaking the Wall" is the ancestor of his style. He is the number one tenor in the Chinese music scene and the ultimate representative of the high notes of the pharyngeal singing method.

The Sea by Zhang Yusheng.

How difficult is this song?

From a popular perspective, almost everyone can sing a few lines of it.

But after two or three decades in the music industry, no one has been able to sing it in its original tone.

It can be seen how difficult it is.

So, Lu Chen wrote on the paper again:

"Sun Nan - The Sea."

…

As for Wang Feng.

First of all, the biggest label on him is rock.

Then naturally we have to find the corresponding "breakthrough song" in rock music.

Just as Feng Nan said.

Wang Feng’s characteristic is his tearing singing style that is a mixture of pharyngeal and mixed voices.

The characteristic of this singing style is its strong emotional intensity.

At the same time, Wang Feng is also good at creation.

It can be said to be half of the first-tier domestic entertainment industry.

In terms of creative ability, he is the strongest among these five people, no doubt about it.

It was probably because of this reason that he felt confident and put forward the most demanding and unreasonable participation requirements among the five.

"But it's too difficult to make me lose!"

Either don’t do it, or do it thoroughly!

He wanted to bring down Wang Feng on two levels.

If Lu Chen doesn’t sing some truly killer songs, it won’t work.

So he wrote the third line without hesitation:

"Wang Feng - "Boundless Oceans, Vast Skies" or "Glory Days."

These two songs are forever classics and the eternal kings of kings.

As for Li Jian, the musical poet.

The king of connecting bass, midrange and treble.

A superb master of mixing strong and weak sounds.

Lu Chen didn't intend to bully him with his high notes.

Under fair competition.

Lu Chen decided to compete with Li Jian in terms of song style and artistic conception, as well as Li Jian’s areas of expertise.

Lu Chen also has the answer to this song.

…

“Li Jian – The Ordinary Road.”

…

Don’t underestimate “Ordinary Road”; this song is a typical example of being easy to hear but extremely difficult to sing.

Even countless cover singers encounter the same problem: either the bass goes down and the high notes can't reach up.

Either the high notes go up, but the low notes don't come down.

This song has extremely high requirements for the connection of tones! Even when Pu Shu sang the live version himself, he often failed.

In addition, the most difficult part of this song is not the singing itself.

But the artistic conception of the song is extremely rare.

The clarity and tenacity in the desolation and the philosophical thinking about life are the fundamental reasons why this song became popular all over the country and even triggered a cover by the famous foreign band Western Boyz.

Therefore, there is also a saying in the entertainment industry.

Park's songs can only be sung by Park himself.

Because his songs are integrated with his soul.

It is almost impossible for others to imitate.

This also earned him the title of "Music Poet".

So this song is also quite a challenge for Lu Chen.

Not only do you have to incorporate the techniques, but you also have to use the most subtle methods to control the closure of the vocal cords to reach the corresponding vocalization point.

At the same time, you have to fully integrate your emotions into it.

It is also a huge challenge.

But Lu Chen always enjoys challenges!

…

As for the last one, Nai Ying.

"Nei Ying - Maple."

This is one of Lao Zhou's slow songs, the most difficult and the one with the most stories.

The overall difficulty is even higher than that of "Stranded".

Because the chorus of this song continues in the voice change range, if you don't use the support of your waist and abdomen, it will cause your voice to be squeezed if you are not careful.

That is, the laryngeal muscles are overly tense or used improperly, resulting in a decline in voice quality and unstable pitch or timbre.

The next step after squeezing the card is breaking the sound!

This song is also one of the few songs sung by Lao Zhou that always stays in the high pitch range.

The treble part reaches the strongly mixed high B4, and the falsetto also reaches C5.

Although from the perspective of a single note, it is not as terrifying as the C5 in "Stranded" that cuts in seconds.

But the exaggeration of this song lies in the fact that there are a terrifying 51 F4s, 19 #F4s, 17 G4s, 8 A4s, and 6 Hi B4s throughout the song!

It can be said that the whole process is high energy! It can be called a hell-level vocal cord training!

So, you can say that Lao Zhou’s singing skills are not the best, but there is absolutely no need to doubt his singing ability.

This song can stretch the vocal cords of 95% of the singers in the domestic entertainment industry to the point of exploding! It is a typical example of a song that uses a blunt knife to cut meat in almost all of Lao Zhou's songs.

Even Lao Zhou himself has only performed live in a single-digit number of shows out of 400 concerts.

And they are all concentrated at the peak strength stage.

After his voice became deaf in the later period, he never touched this song again.

This shows how terrifying the song "Maple" is.

Moreover, Lao Zhou's timbre is quite similar to Nei Ying's, both have a granular sandy sound.

Therefore, the style is more suitable.

It depends on whether Nai Ying can stand up to the training of this song now.

This song is very demanding on the voice!

And after singing, people tend to feel exhausted...

And it’s not the kind of short-lived intense fatigue that comes after singing a high note.

But it is a deep soft fatigue.

…

By this moment, Lu Chen had already put together a list of songs that would break through the barriers.

Next, we just have to wait for the show to begin and see how many can advance to the segment of breaking wall songs.

At the same time, Lu Chen couldn't help but sigh that Feng Nan's previous proposal to cut the song was indeed foresighted.

He has done a good job as the music director.

The styles of these songs, except for "Maple", are quite different from the mainstream style that Lu Chen has anchored.

If no separation is made, the music style and singing style will probably become more and more chaotic as time goes by.

Not like now.

Lu Chen no longer has to be restrained and can do whatever he wants.

This is the importance of clear “positioning”.

It may seem like a vague concept, but the effect is real! …

at the same time.

On the other hand, the negotiations between Zhao Ling and Hangzhou Culture and Tourism are also coming to an end.

"Mr. Zhao, I wonder if Mr. Lu Chen has finished his work. If it's convenient, why not ask him to come over."

"Wait a moment, Director Lu."

Zhao Ling called Lu Chen and asked him to come to the conference room.

After a while.

Lu Chen arrived.

Lu Changming stood up with a smile.

Zhao Ling made an introduction.

"Hello, Director Lu!"

"Hello Mr. Lu Chen, I have heard a lot about you."

"You're welcome, Director Lu."

After some greetings.

Zhao Ling handed the cooperation agreement to Lu Chen.

"I have already discussed it with Director Lu. The third concert will be held in Hangzhou. The venue is the Olympic Sports Center, which can accommodate 80,000 people. Come and take a look."

Lu Chen took the agreement, read it through, and couldn't help but widen his eyes slightly.

I didn’t expect that the conditions for cultural tourism in Hangzhou are so favorable!

No wonder Zhao Ling was taken down.

"Mr. Lu Chen, I hope that for the third concert, you can continue to prepare for it and make persistent efforts to present another unique and wonderful concert for us and the audiences across the country. If there are any requests, as long as it is within our ability, we will definitely provide our full assistance and make the third concert a success together!"

Lu Changming said in a firm voice.

…

Farewell to Hangzhou’s cultural tourism.

Now the problem of the third site has been solved.

Zhao Ling patted Lu Chen on the shoulder and said, "Come on, young man. You had such a great time in the second show, you must keep working hard in the third. No matter what, this is a concert at the base camp."

Lu Chen rolled his eyes at her and said, "Don't just talk and don't do anything. Why don't you invest an additional 20 million to make the concert more luxurious?"

Zhao Ling: “…”

Lu Chen: "It's just talk, look at your capital!"

…

Time flies and it’s the next night.

An airplane from Sijiu City landed at Xiaoshan Airport.

Then the group got on the arranged bus and headed to the hotel.

When Qian Keli stood in front of the floor-to-ceiling window of the hotel, he overlooked the lights of thousands of homes outside the window.

He was also suddenly filled with emotion.

"We'll see each other tomorrow, young man!"

Qian Keli narrowed his eyes slightly, and the corners of his mouth couldn't help but rise.

Apparently, I'm already looking forward to meeting Lu Chen tomorrow...

The first two chapters are a bit more complicated.

But it provides the logic for song filtering.

If I don’t write, I always feel like something is missing.

So after much thought, I decided to write.

The groundwork is basically done.

The transition chapter is almost over.

From now on, if nothing unexpected happens, the whole process from the beginning of the show to the concert should be high-energy.

Request another wave of data.

Please read and subscribe!

The recent decline in data is too obvious. I really have to hold on to my determination to complete all the preparations and advance the plot.

I am also very grateful to every book friend who has been reading and subscribing.

It is you who support me and keep me going! 　　Thank you so much!! 　　 　 (End of this chapter)