Han Cheng painted the tribe in autumn.

Behind a circle of high walls is a large courtyard, enclosing the mountain. In the center of the courtyard, towards the north, there is a large blue brick and tile house.

The large blue brick and tile house in the painting is the existing one in the tribe.

In front of the large blue brick and tile house is a flat square, which is located in the center of the entire courtyard.

On the south side of the square, across the square from the large blue brick and tile house, there is a high platform with steps connecting the four sides.

In the middle of the platform stood a long pole, on the top of which hung a flag fluttering in the wind, on which a green bird was flying against the wind.

With Qingque Square as the center, the remaining courtyards are roughly divided into five areas.

Close to the mountain are rows of houses, which is the residential area of ​​the Qingque tribe.

In the center of the residential area, there is a house that looks more spacious than the rest.

There is a plaque above the door with the word "canteen" written on it.

Moving the canteen out of the cave was an idea Han Cheng had long had. Especially after he returned from Tongshan for the first time and used fireworks to smoke out a lot of small animals from the cave, Han Cheng became more determined in this idea.

But in the following days, I was so busy with the copper matter that everything fell into place.

Now that he has made up his mind to make a big plan for the entire tribe, Han Cheng will naturally not neglect the matter of the canteen.

On the east side of the square are some buildings that are different from the residential areas. They are round and dome-shaped buildings.

Outside these buildings, Han Cheng painted a square piece of paper pasted at an angle with the word "grain" written on it.

These are the places where the Qingque tribe stores food.

With the same building materials, the cylindrical shape can accommodate the most things, so Han Cheng made the new granary into a cylindrical shape.

The reason why the granary was built on the east side is because the terrain on the east side of the tribe is the highest, and grain stored there is least likely to be affected by moisture.

Adjacent to the granary is the handicraft workshop area of ​​the Qingque tribe.

For example, textiles, carpentry, stone tools, all these things are needed to build houses.

Tearing down the houses and rebuilding them is a very time-consuming and labor-intensive task, so when planning, Han Cheng tried to make use of the existing buildings in the tribe as much as possible, adhering to the principle of not tearing down the houses if possible.

For example, the granaries that were originally lined up in rows and looked not much different from the houses where the people of the Qingque tribe lived were turned into residential areas by him.

Many of the workshops in the painting already existed.

To the west of the square is the Qingque tribe’s breeding area. Deer pens, sheep pens, rabbit pens, chicken pens, etc. are all built on this side, and mixed in with them are the Qingque tribe’s toilets.

In the tribe, the east wind blows more often throughout the year, so Han Cheng moved these things with strong odors to the west, and when building them, he tried to keep them as far away from the tribe’s residential area as possible.

Behind the breeding area, many large pits are dug. These pits are used to store the dirty water flowing out of each pen.

On the one hand, it can prevent pollution and make the tribe cleaner, and on the other hand, it can accumulate a lot of fertilizer for the tribe.

On the south side of the courtyard, where the gate is, there are piles of hay, firewood, charcoal and other flammable materials.

It is very far away from residential areas, grain storage areas and livestock areas.

With the increase in population and livestock, the amount of firewood and grass on hand in the tribe has also increased. This is a huge safety hazard, and it is necessary to stay away from people, livestock and food.

Outside the courtyard is an autumn field, the ground is covered with golden millet, and the fruit trees beside the millet field are full of fruits.

In order to make these ripe millets and fruits more attractive, Han Cheng could mix the yellow paint very thickly and render it little by little, making it look extremely tempting...

Everyone who gathered together stared at all this with wide eyes, and felt it was miraculous that the Son of God could get all these things onto a piece of paper and display them.

I was shocked and delighted by such a tribe.

The eldest brother twisted his neck with difficulty and looked around, taking in the current situation in the tribe, and then compared it with the scene in the painting.

I originally thought that the tribe was very good, but after comparing it with other tribes, I found it not so pleasing to the eye.

He was not the only one who felt this way, most other people in the tribe felt the same way.

No wonder the Son of God has always wanted to expand the tribe! Who wouldn't want to live in such a tribe?

“This is where we’re going to live from now on!”

Han Cheng smiled and spoke to the stunned tribesmen in a calm voice without any allure.

In fact, there is no need for him to use any more verbal temptation at this moment. This painting is the greatest temptation to everyone.

The witch stood up straight, now trembling all over. On the one hand, it was because he was excited by the bright future of the tribe, and on the other hand, he suddenly discovered another use for paper, pen and ink!

It turns out that these things can be used not only for writing and recording things, but can also be used in this way!

Shi Tou's eyes were wide open. If it weren't for the eye sockets blocking his eyes, he might have fallen out by now. So this was the tribe that the Son of God had mentioned before!

If I had known this would be the case, how could I not agree with it!

This pattern, which the people of the Qingque tribe had never seen before, shocked them greatly. It also presented the future of the Qingque tribe in an extremely intuitive way to everyone, making everyone tremble!

"God...Son of God, in autumn...in autumn, it cannot be built..."

The stone trembled for a while and suddenly spoke.

Basically, Shi Tou is regarded as the 'teacher' of the Qingque tribe. He is the best in cultural subjects in the entire tribe except for Han Cheng.

While most others were still in shock, he had already keenly discovered that the houses and other buildings in the painting were much more than what the tribe currently had.

He did not notice the 1:200 scale. He also did not notice that the courtyard in the picture was enlarged four times by Han Cheng.

But just from the many extra houses, he roughly calculated that it would be impossible to complete the construction by the time the millet harvest came.

Because there are many things to do in the tribe now, it is impossible to use all the people to build houses.

Hearing Shi Tou's words, Han Cheng smiled. He had no intention of completing such a large project in less than a year.