Chapter 772 My hands tell me: No, you won’t!
The difference between the two is quite obvious. As soon as Lin Fan explained it, everyone understood it, and their interest was also aroused by Lin Fan.
“Is this sand painting troublesome?”
"Yes, yes, Brother Fan, if it's not too much trouble, Brother Fan, can you demonstrate it to us on the spot?"
Anyway, you are holding on now anyway, so just think of it as a way to digest the food.
Lin Fan inexplicably understood the hidden meaning of Xia Yan and Zhou Xiang. Although he was a little speechless, the fact proved that he was indeed holding on, so he just painted! Sand painting is actually not complicated. It is just based on a painting, using the corresponding sand to cover the places that should be filled with color.
Of course, sand is not a pigment that can be directly attached to a painting. Sand is solid, so sand painting requires glue to firmly stick the colored sand.
There are also details such as contour lines, which also need to be carefully outlined with sand or gold wire. However, it is okay to outline with sand. If you use gold wire to outline, then it is not called sand painting. It has a special name called: gold wire colored sand painting.
Or it is called cloisonné enamel painting.
This cloisonné enamel painting is a new type of craft painting derived from the cloisonné craft. Compared with the traditional cloisonné production method, it does not require embryo making, firing and polishing, and has a special texture due to its colored sand, and its appreciation value is still very high.
What Lin Fan purchased were various materials and tools for cloisonné enamel painting.
But now he just wanted to perform for Xia Yan and Zhou Xiang, so Lin Fan didn't plan to make a too complicated painting.
Lin Fan took out a round wooden board, and then used a pencil to outline two flowers with regular shapes and rounded lines on it, then traced three green leaves and a butterfly on top. In two or three strokes, the draft was complete.
Then use a needle-mouth dropper bottle to evenly apply glue along the outline of the line drawing, and apply a small amount of sticky glue on the lines.
While applying the glue, Lin Fan explained: "After applying the glue, let it sit for about 20 seconds before sticking the gold wire on. This way the glue will have better adhesion and will stick more firmly."
After applying the glue, Lin Fan took out a roll of flat wire used for filigree painting, and used a wire clamping board, which was two small wooden boards, to clamp the gold wire in the middle and straighten it. This way, when the gold wire was glued to the lines of the drawing, the outline would be more rounded and smooth.
"When applying glue to the lines, you should not apply too much at a time, and you must be careful to apply it evenly, and not leave any glue lumps. Then straighten the metal wire, leaving no bends or twists. After preparing these things, you can start to stick the metal wire to the lines of the draft little by little."
In the show, the camera zoomed in on Lin Fan's hands and the round wooden board. Lin Fan was seen holding the metal wire in his left hand and a small pair of tweezers in his right hand, clamping the gold wire and fixing it little by little on the glue-coated line.
The lines of Lin Fan's previous sketch were relatively round, so the audience saw Lin Fan using gold thread to outline the outline of a beautiful flower with a pinch, a stick, a turn, and a twist.
The whole process was smooth and graceful, as if Lin Fan was holding not a gold thread but a familiar paintbrush, without any sense of sluggishness.
But when it came to outlining the green leaves, Lin Fan's movements were not so smooth.
The petals have rounded and full contours, but the leaves are not. They have many sharp angles and veins, and Lin Fan needs to use small scissors to cut the gold wire, then change the angle and connect the lines tightly.
It’s just that Lin Fan connected the interface of the broken wire very tightly, and under such a close-up high-definition camera, the audience could not see any broken gaps.
Just like that, after Lin Fan glued all the lines in the drawing with gold wire one by one, he was ready to color them.
Coloring is also fun.
"First, let's adjust the color. Yes, sand painting also requires color adjustment."
Lin Fan took a small bowl, poured an appropriate amount of colored sand into it, and then poured in an appropriate amount of sand-adjusting glue, stirred it evenly, and made the colored sand appear thick and semi-fluid. At this time, he could start coloring.
To color the colored sand, you can't just apply it with a brush. Instead, you need to use a small shovel to carefully fill the prepared colored sand into the grooves outlined by the gold wire.
The key to this step is to fill the colored sand evenly. It is best to fill all the colored sand to half the height of the gold wire. Do not fill it too slowly and overflow, or have potholes and bumps that affect the appearance.
"Once the sketch is filled in, the painting is almost done. The next step is the background color. You can choose to fill it in or not according to your personal preference."
However, for the final effect of the whole painting, Lin Fan still filled in the background color.
However, filling a large area with background color is much more difficult than filling a small groove. After all, filling such a large area into a flat surface is quite a test of the author's hands-on ability.
"After all the colors are filled, in order to make the finished product more stable and solid, it is best to apply a layer of sand-fixing glue on the finished product after it is completely dried. After the sand-fixing glue dries, the cloisonné enamel painting is done!"
There is no mistake in the poem, post, content, and read the book on 6, 9, and bar!
Xia Yan and Zhou Xiang's two little heads came over, looking at Lin Fan in amazement as he used a pile of sand, a roll of wire, and some other strange things to create such a beautiful work. Looking at Lin Fan's eyes, they couldn't help but burst into a warm glow.
In the program, the high-definition camera was focused on the cloisonné enamel painting that Lin Fan had just completed. The whole painting had a three-dimensional sense, with metal wire and colored sand integrated into one. The picture was flat, smooth and solid, and the colored sand grains were clearly visible.
The golden wire outlines the flowers and leaves. The red and green colors complement each other, and a butterfly flutters in the air, making the whole painting vivid and three-dimensional.
The rough colored sand particles, bright colors and refined workmanship give the whole painting a feeling of simplicity, elegance, high-end and luxury.
Moreover, the entire production process gives people a particularly relaxing and peaceful feeling.
[Zhao, the sun is in the sky: So beautiful! I just want to ask Brother Fan, is there anything in this world that you can't do? I thought I knew enough about Brother Fan's awesomeness, but I didn't expect that Brother Fan would give me such a big surprise the next second~]
【One Guo stew can't be finished: Seeing Brother Fan easily make a cloisonné enamel painting, my heart gave me an illusion that I can do it too. However, when I excitedly went online to order a complete set of tools, my hands told me: No, you can't! 】
[Who Moved My Little Egg Gao: Watching the show "Longing for the Yard", I am running wildly on the road of schizophrenia every day. Whenever Brother Fan makes something, my brain says: It's too easy, place an order quickly! My hands say: No! You can't! ]
(End of this chapter)