Beckman raised his gun, aimed at an incoming slash, and said, "Guys, let's not let the captain handle this!"
Bang!
As he spoke, he fired a shot, the bullet carrying an imposing aura instantly shattering a powerful slash, creating a shockwave in the air.
The remaining cadres followed suit, launching attacks with guns, fists, and knives, which collided with the domineering slash, neutralizing it and causing the seawater to surge up again, bursting out large amounts of water droplets that mixed with the rain falling from the sky.
Kuro stopped and glanced at Beckman, who was firing his gun. "Wow? Not bad."
“Don’t be careless, Shanks.” Ben Beckman raised his gun and said in a deep voice, “This one is not easy to deal with.”
"Ah...I know."
Shanks responded and looked up at Kuro. "I was just a little surprised. That attack stance and that sense of oppression... Kuro, when did you learn Mihawk's swordsmanship?"
That imposing aura that seems poised to strike, and the swordsmanship that noticeably hesitates for a moment before deciding where to strike, is Mihawk's swordsmanship!
He and Mihawk were longtime friends, and they even fencing together before his arm was broken. Shanks was very familiar with Mihawk's swordsmanship.
There's no mistake, that sense of oppression is absolutely real.
"Well, who knows? Maybe I was born with it." Kuro grinned smugly.
Kuro learned Mihawk's "Fast and Slow Blade" sword technique during their last swordsmanship contest.
The key to fast and slow swordplay lies in observing the enemy's reaction and the intense pressure of the opponent about to strike but not yet striking. This principle can be learned after just one fight.
It's not a difficult sword technique to learn, but the key is the sense of oppression, and coincidentally, Kuro's killing intent can maximize this sense of oppression.
But this thing is risky. If a slightly weaker swordsman uses the 'fast and slow sword' technique, he can easily be killed by someone without thinking.
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