You may not know the name of the song or who sings it.
But when the melody sounds, you will recognize it at once and react: I have heard it before!
After many years, the last time such a spectacle appeared in the Chinese music scene was in the era of Teresa Teng.
Chen Ya took out his phone and said, "I want to see what Yingzi has been talking about during our seven days of seclusion."
Soon, he found Yingzi's latest interview and clicked on it.
"...Excuse me, Queen, what do you think of Jiang Xinhai's recently released album 'Meeting'?"
Yingzi sat in front of the camera, looking proud: "I've listened to a few of them, and I can only say that different fields are like different worlds. That's all I can say."
"Could you be more specific?"
"Her vocal range is too narrow," Yingzi gestured with her hands. "Her singing voice lacks explosiveness and is too fragile, as if she's about to die at any moment."
The reporter asked, "Is it possible that this is also a style? Perhaps the audience also likes this..."
"That just shows the audience has no taste," Yingzi scratched her ear. "Just because a few catchy songs are easy to sing and anyone can sing them, they're said to be good. That's wrong. They're easy to sing, not good to listen to. You have to make the distinction."
"Can you tell me about your favorite song on this album?" the reporter asked.
"Like? No." Yingzi said decisively, "I like music that is more technical, the kind that can bring fresh blood to the music scene."
The reporter seemed to have heard "Meeting" before and couldn't help asking, "Haven't you heard many of these songs? Actually, there are many songs on this album that are very skillful..."
Yingzi immediately interrupted, "Are you from the music department?"
"No, I'm from the journalism department."
Yingzi spread out her hands and shrugged, and the people around her laughed.
"I'm going to give you this saying too," Yingzi said. "I haven't heard many poems, but if an egg is rotten, do you have to eat it before you know it's rotten?"
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