Chapter 443 New Millennium
The heroine of "Mission Kashmir" is Tabu, who, as Chopra said, is a very charming woman.
When Ron saw her for the first time, he was attracted by the pair of murder weapons.
It’s so loud that every vibration will create a shock wave in your mind.
In the later movie "The Guilty", even the uniform could not restrain her proud figure.
As the big boss behind the scenes, Ron naturally met with the crew when the film was about to be completed.
As the heroine, Tabu has to have a drink with the producer according to Bollywood rules.
The two sides had a very pleasant conversation, and the atmosphere became more and more lively as they drank and chatted.
Ron admitted that he was careless and was ultimately defeated by the pair of weapons.
All night long, the image of it jumping up and down was in my mind.
Well, Tabu has good physical strength and is willing to work hard.
Look, the filming of the scenes at Kama Compound is about to start, but the two of them are still in the business car.
Chopra was directing the crew to set up the set and plan the camera positions for filming.
As one of the few academic directors who can gain a foothold in the commercial film industry, he was extremely excited to be able to start filming in the slums.
The crew members were all afraid of the gangs, but Chopra and his sister Anu, who was watching the fun, remained calm.
"I...I should go down." Tabu panted.
"It's okay, Chopra will wait for us." Ron was reluctant to give up the wonderful feeling.
"I don't think this is a good thing. The entire crew has stopped working."
"They won't mind. They're even afraid of disturbing me." Ron patted her plump figure. "Come on!"
The extended commercial vehicle shook even more violently, and then the car shook as if it shivered.
A few minutes later, Tabu, who had packed up, got off the car first.
Wearing sunglasses, she exudes an alluring aura as she walks quickly forward while answering the phone. The cordon formed by a human wall cannot stop the roaring crowd.
The crew members were even worried that they would launch an "siege" at any time. Johnny led his men to scold them repeatedly, and anyone who dared to scream would be slapped.
Tabb's inconspicuous female assistant struggled to push back the crowd, and people who didn't really buy into the police or Johnny's men actually succumbed to the assistant's small body.
"This is called showing off one's female power." Tabu said with emotion.
Ron smiled and walked out of the business car in a low-key manner.
He now only cares about his body and not his heart, and he feels no burden when communicating with Bollywood stars.
Today's filming shows the scene where Tabu goes to the gang's lair and meets the leader.
She sat down next to Chopra and listened to him talk about the next scene.
Tub asked Johnny with great interest: "Have they ever killed anyone?"
Johnny nodded and said that many of them probably had murder cases on their backs.
Tab's eyes widened. "Can you point out to me who they are?"
She was as fascinated by the gang as he was by her.
People wanted to see her beautiful face, her figure in a white crew neck sweater and thick-soled running shoes, but what she wanted to see was the true face of a gangster killer.
It must be said that with Mr. Sur's support, Tabu is now very courageous.
Gangsters and dancers are curious and yearning for Bollywood, and vice versa.
By its very nature, cinema is an intrusion into the illicit world, a glimpse into the forbidden.
Most people go their entire lives without ever seeing a murder, except perhaps on screen.
Most people will never see an affair in their entire lives, except on the screen.
Movies are a medium for people, things and events outside the law, and are flashlights that people use to explore the dark areas deep in their hearts.
For criminals and call girls who roam outside the law, movies are close enough to reality.
For example, the dancer Mona Lisa and Johnny, the movie is a true portrayal that is based on life and slightly higher than life.
Chopra and others greatly underestimated people's enthusiasm for Bollywood, and the entire Kama compound was surrounded by people.
When Ron came over, Johnny stretched out his legs and said, "Look at my feet."
They were an unnatural brown, with wrinkled skin, and for most of the day people had been stepping on Johnny's feet as he tried to stop them.
Johnny's men are in trouble from today onwards. They threw punches at civilians and stood by while the police swung their batons.
But today they are still with the crew, they are part of the film world, helping to realize their own dreams.
Of course, the most excited people were the people in Kama Compound, especially Ashish and Anand.
It was the first time for these two guys to have close contact with the Bollywood crew, and they were so excited running around, as if they were part of the film team.
At this moment, it was true. They were the leaders of the Kama compound, and today's photoshoot was a small gesture of hospitality.
Anand kept getting close to the crew, asking questions about the filming while secretly comparing it with his own Happy Beans Media.
We are all making movies, and there is nothing wrong with learning from others to improve our professionalism.
Just when everyone was busy with the crew, the police suddenly arrived. The leading police inspector asked the crew to evacuate quickly, saying that the crew had failed to obtain the relevant filming permits.
The person in charge tried to put on a smile, but it was no use. The senator who followed closely behind, a burly man resembling a gangster, waved his cane and added insult to injury: "Stop filming immediately! Clear the area and leave! You're disrupting the normal lives of the people."
Qiao Pulai didn't understand why, so he had to hurry up and try his best to finish filming the scene of the gangsters eating rice with their hands.
A large plate of greasy rice sat before the actor, and Chopra could be heard shouting, "Keep eating! Don't stop!" at a raised voice.
Whether it was the police inspector or the councilor, their purpose in coming to cause trouble was to collect bribes, but Chopra did not realize this, so he had to withdraw the crew before lunch.
As the scene became more and more chaotic, someone suddenly stepped out from the crowd.
It was Anil! Tall and built like a movie star, he walked straight up to the police inspector and the councilman.
Before the other party could react, he slapped him several times.
The superintendent's hat flew off and the councillor's cane fell to the ground.
Their mouths half-opened in shock. The gangster-like congressman flew into a rage.
He waved his fist and was about to fight back, but when he saw the person in front of him clearly, he suddenly stuttered "Uh uh."
"How dare you come here to collect protection money?"
"I didn't know it was you." The congressman turned pale.
"Take your people and get out now!"
"Yes, yes." The congressman fled with the confused police inspector.
They suddenly heard that a Bollywood crew was filming here, so without thinking, they brought people here to take advantage of the situation.
This kind of thing is very common in Mumbai. Any crew shooting in the slums will have to pay some protection money.
This little episode didn't bother Ron at all. He only heard the detailed report from his subordinates five minutes later.
The police inspector who rushed in rashly was not Ajie's subordinate, and his jurisdiction was not here.
The MP is a newly elected member of the Congress Party and does not have sufficient knowledge of the deep background of this area.
They were just passing by and accidentally broke into the Kama compound with the mentality of making a quick buck and leaving.
Chopra didn't understand the rules at the grassroots level. His first reaction when he saw the police and parliamentarians was to avoid trouble and leave as soon as possible.
Although the trouble was resolved, he was still forced to cut the street scenes.
Because there were so many onlookers, zooming out again and again was of no avail.
His delusion of dispersing the crowds in Mumbai is a bit unrealistic.
Bombay is a huge city with an endless population that can never be driven away.
Even if Shiv Sena chief Kamath came to help soon after, no one could deprive Indians of their love for movies.
While the final footage used was small, that morning of shooting at the Kama compound held far more significance than one might imagine: for Johnny, Anand, Ashish, Kamat of the Shiv Sena, and everyone else who helped make it happen.
After this incident, Anand was asked everywhere to help people get them a meeting with movie stars or to cast them in a film.
Participating in the production of the film changed the status of Anand and his friends in people's hearts.
The barber still shaved Anand every day, but refused to accept any money. He only hoped that Anand would tell him to take a photo with one of the celebrities when they came again.
Kamat's wife is also preparing to enter politics. She doesn't believe that her husband has really met these big stars. She always thinks he is bragging.
This is a topic they will talk about with great relish even when they are old, and it is also a topic that their children will talk about with great relish: "My father met Tabu. Sanjay Dutt came to our store and sat down and ordered a Coke."
Whether they are making art films or mainstream commercial films, filmmakers are all big dreamers.
In India, their dreams are bound to be bigger than those of ordinary people.
In India, they are dreaming a collective dream, a dream of a billion people.
This distorts the character of filmmakers and leads to their extreme expansion.
The arrogance of Bombay's filmmakers stems from their agonizing desire for publicity and their inability to obtain it.
At the turn of the new millennium, the entire Indian entertainment industry was worth $3.5 billion, a fraction of the $300 billion global industry.
But in terms of production and ratings, India has the broadest market prospects, with 1,000 feature films, 40,000 hours of television programs and 5,000 songs exported to 70 countries around the world.
Every day, 14 million Indians watch films in 13,000 cinemas across the country.
Worldwide, a billion more people buy tickets to see Bollywood films each year than to see Hollywood films.
The television industry is also booming. India has 60 million households with televisions, of which 28 million watch cable television, which has more than 100 channels and is popular in both urban and rural areas.
During his visit to India this year, Bill Clinton noted that "Mumbai has more TV channels than most American cities."
This greatly satisfied the vanity of the Indians.
The days unfolded one after another, and finally the millennium arrived.
(End of this chapter)
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