Chapter 508: In the next two months, the domestic film and television industry will be on the decline!

Wang Chen could not deny this.

Because in a sense, Li Yun looks like a person with "faith".

One, stick to your own principles.

There is no one who is confused in his heart.

Such people are actually very dangerous.

Even Zhang Mouzi, the "best in the world", has his own confusion and lack of confidence.

The same goes for Lu Haishi. Deep down in his heart, this literary middle-aged man actually regards Western art as the truth, and in fact, he often looks down on himself.

It's something in our bones.

Li Yun is different. He has no confusion in his heart about his goals and purposes.

Not confused.

If he wanted, he could have gone to Hollywood early with all the temptations, but he chose to stay in this barren land.

This is also what Xie Qingya said, the most terrifying thing about Li Yun.

He will not be moved by external things, or in other words, he knows what he wants and what he needs to do and where he is from the beginning to the end. "Indeed, you didn't make a mistake this time." Wang Chen said lightly at this time: "He is indeed a terrible and difficult guy. His will is unwavering. In the face of temptation, he always thinks of his goals and what he wants."

"He has his own feelings, his own patriotic enthusiasm and sentiment." Xie Qingya said, seeming to be very satisfied with his own views and vision - in his opinion, what drives Li Yun is probably sentiment and enthusiasm.

"It's different from someone like you who has no stance."

However, Wang Chen smiled.

He laughed heartily as if he had heard something very funny.

He laughed happier than anyone else, laughing so hard that tears came out.

This made Xie Qingya very unhappy. The middle-aged man in front of her, who usually maintained his demeanor most of the time, laughed heartily this time without caring about his image.

"Have you laughed enough? Are you laughing at your own demise?"

"Young man, you can't predict where you'll end up, but you're right about one thing: I haven't laughed enough."

At this time Wang Chen said lightly.

"You can ask me why I find it so funny. It's your patriotic enthusiasm and sentiment that make me laugh. It's not that I deny this emotion, but this is not the emotion that Li Yun would have."

"You speak as if you know him very well. You haven't even spoken to him face to face. And I'm his partner. How can I know him less than you do?"

Xie Qingya felt unhappy just by looking at Wang Chen, who seemed to know Li Yun very well, even though they hadn't spoken much.

Why do you say you understand him?

"I, Wang Chen, don't have any other abilities, except a pair of eyes that are good at discovering things and legs that are good at standing in line. I can always see the essence of things. This time, Li Yun is the same. He is indeed qualified to be my opponent and the real opponent of the interest group I represent."

"But don't get one thing wrong. The reason he became my opponent is not because of those weird and lofty sentiments you mentioned. He chose to develop in China and chose not to rely on anyone, simply because his desires were so great that you couldn't see clearly."

"He did this for only one purpose."

“That is not to be inferior to anyone.”

We also want to be number one in the country.

wrong.

What he wants to do is to be the best in the world.

Then the whole world cheered wildly as his thoughts did.

Everyone was celebrating his work, and everyone in the world would remember that he had been there.

This is what Li Yun wants.

Hidden corners, suspenseful colors, and tiny patterns.

Suspense dramas rarely have a grand scale; most of them tell a small story from a small perspective.

Science fiction dramas are different.

Especially Li Yun’s science fiction. From the introduction, it seems that the Three-Body Problem actually refers to a civilization.

It can be confirmed what kind of science fiction The Three-Body Problem is. It is an orthodox grand science fiction.

A grand perspective to show something macroscopic.

It is completely incompatible with the suspenseful small perspective .

In other words, it is difficult for people who do grand science fiction to deal with suspense, and it is also difficult for people who do suspense to deal with science fiction. In fact, their two temperaments seem to be difficult to reconcile.

This time, Li Yun chose to open both offices.

Many people prefer hidden corners.

Currently, Li Yun is the most popular director in China. The phenomenal popularity generated by "Dying to Survive" is such a phenomenon that enough data can bring about rational analysis.

Let’s analyze what type of director Li Yun is.

Let’s analyze the current data.

Judging from the current data support in the industry, Li Yun is a director who excels in delicate emotions and small-scale scenes, following the path of Zhang Mouzi.

He is a very typical director of this genre.

Big-picture stuff.

He is not a good photographer.

Delicate emotions and grand emotions are difficult to reconcile.

Li Yun is a talented guy. He tried various subjects when he was young. This is the privilege of talented people. He can withstand failure.

At present.

"The Three-Body Problem" is more like an experimental work, while "The Bad Kids" is the highlight of this show.

This is Li Yun’s trump card in this TV drama, telling a small-scale story in the small-scale theme that he is good at.

"A work used to defraud subsidies, and a suspense work that carries its own true thoughts. Science fiction works are used as the sacrifice of pioneers."

Right now.

On the other side, Tang Min was watching Li Yun's movements.

She finished watching the movie "Dying to Survive" and gave a review that was almost the same as what was said online. It can indeed be called a great work.

Describe it as great.

It’s not an exaggeration.

At the same time, he was also quite shocked by Li Yun and his vision.

It is definitely not a coincidence that this movie, which reflects the medical insurance situation, was broadcast when the new medical insurance was launched. It was done intentionally.

This is intentional.

Maybe it was to take advantage of this super popularity, or maybe it was because he knew the rhythm his movie would go through when it was released, so he provided cover in advance. No matter which one it was, Li Yun thought about it very carefully and achieved twice the result with half the effort.

It even turned the bad rhythm this time into a counter-force.

This is what is most admirable.

Perhaps after this reverse rhythm, the emotions aroused will allow his results to reach a higher level, even breaking the 1 billion mark, or even not just the 1 billion goalkeeper position, but truly being able to reach the 1.2 billion position.

This is the result calculated by actuaries in the Shanghai circle of Tangren Film and Television based on various data.

According to their precise calculations, 1.2 billion is the most optimistic result.

This box office is almost catching up with The Avengers at that time. The domestic box office has reached this level, which can be described as a miracle.

I used to think that in the commercial film industry, only Western works could reach this level.

But now.

Li Yun proved one thing with the movie "Dying to Survive".

The expression of ideas and commerce can coexist. Not only can they coexist, but the box office can also reach a very impressive level.

This sets a precedent.

If we have to say it is a great work, it may be that netizens have exaggerated it. After all, even if it was able to achieve a box office of 1.2 billion, it was the result of leveraging the momentum.

But it is definitely a masterpiece rarely seen in the past 10 years.

Tang Min can absolutely guarantee this.

"So what are you going to do next? After analyzing Li Yun's work." Li Liguo, who was haggard next to Tang Min, spoke with a haggard look.

He looks weak, frail, and this is the result of exhausting his energy. His "Wesley" has also entered the mid-to-late stage of promotion and is in the same schedule as "The Three-Body Problem" and "The Bad Kids".

It can be said to be a level where gods fight each other.

"Withdraw the file."

Tang Min simply and directly stated his next idea, which was to announce the withdrawal and postponement of the film in the next period of time.

She is self-aware.

When encountering a strong opponent, the smartest choice is definitely not to fight head-on, but to retreat temporarily.

Although escaping seems a bit shameful, it is indeed an effective thing. After all, in front of real money, she doesn't want to be a cannon fodder.

And she was not just afraid of Li Yun.

Li Liguo and his colleagues' Wesley also has the dual elements of suspense and science fiction, and can be considered a relatively niche and small-scale science fiction.

It's somewhere between suspense and science fiction.

There is no mistake in the poem, post, content, and read the book on 6, 9, and bar!

It is a soft science fiction that focuses on the interactions between characters.

In fact, from Tang Min's perspective, in this competition for science fiction themes, his Wesley can have a great advantage, and the three directors are all moving forward in their comfort zones.

They complemented each other and helped each other to create the work.

Therefore, in this month when the gods are fighting, she will temporarily avoid the spotlight. Besides, the imported works this time are also very strong.

An adaptation of "White Night Walk", based on the original work by Keigo Higashino, the leader in the island country's suspense field.

There is also a science fiction TV series called "Westworld". It was also introduced during this period. We don't know what it is about yet, but judging from the production lineup and funding, it is expected to be a hit.

The production of these 10 episodes alone cost as much as 100 million US dollars.

Big production.

Big cost. And the original work is the driving force.

Both of these works are adaptations of original works, and both have extremely excellent original works as their basis.

Quite tricky.

This is also why Tang Min feels that the times have changed. Let's avoid the forefront for the time being.

I can’t beat those inside or outside.

What else is there to say?

Why not avoid the spotlight for now?

Still making trouble.

Moreover, this time, these two works will be broadcast directly on TV stations and directly on central channels.

That is to say, nowadays it is not just an online channel.

The broadcasting rights were directly delegated to the TV station.

Rather than simply an online channel.

It was a real direct head-on collision, with no room for buffer at all.

Fight with real weapons.

For this reason, high hopes are placed on the work "Wesley".

A work that is highly anticipated and can compete head-on with the Western television world.

Sometimes classics are also a weapon.

A classic.

This is also the reason why Li Liguo has been under a lot of pressure recently.

The reason is probably that Liu Shanhe told him that high hopes were placed on them this time.

This is the expectation that Wesley has placed on this.

I just hope this work.

It can become the strongest this time, and can turn the tide when Western works are coming in full force.

This work may be able to dampen their arrogance.

This is Liu Shanhe’s pattern.

The layout of the Bayi Factory.

Instead of focusing on subsidies and glory, we should focus more on social responsibility.

After listening to what Li Liguo said, Tang Min was still a little bit unbelieving and asked in confusion.

"Sniping Westworld, you guys? Seriously?"

"Yes, we snipe Westworld."

"You really have a vision."

Lu Zhengguang poured Liu Shanhe a cup of tea.

The two people's positions are not completely consistent.

But now, Lu Zhengguang had to admire one thing, that was Liu Shanhe's vision.

He chose this period for no other reason than that this month is the month when Western works officially enter China.

The kind that can be broadcast properly on TV.

For domestic audiences, this is undoubtedly a feast for the eyes. For audiences, the more good works there are, the better and more comfortable they will be.

But for those working in the film and television industry, it is not such a good thing.

Especially on your own turf.

If you get beaten to a pulp.

What does that matter?

How about that kind of shame?

No.

Dignity does not allow this to continue happening.

The film industry has fallen to its knees, and it has fallen quite smoothly and thoroughly. Now, the box office of "Dying to Survive" is only comparable to that of a decent Hollywood movie.

Moreover, due to the special nature of the subject matter, this movie can only achieve box office success in China. For foreigners, there is no sense of immersion, so it can be considered a work with quite strong local characteristics.

Generally, this kind of work has great regional limitations.

But it's enough.

For Liu Shanhe.

Li Yun did exactly what he was supposed to do, as an artist, someone who conquered the local audience.

It is quite shocking that he can "guard the national gate".

"The one in your family has done such an outstanding job, how can we be willing to lag behind?" Liu Shanhe said with a smile at this time.

At this critical juncture, many domestic TV dramas have more or less moved their release dates or withdrawn their release dates and postponed their broadcasts for the sake of profit, or brought in their own cannon fodder second-tier products to fill the gaps.

In fact, isn't the reason for feeding them just to avoid a collision with Westworld and Day and Night?

These two films are scheduled in consecutive schedules.

Although the target audience is different, the age range covers audiences aged thirteen to thirty.

Lu Zhengguang just shook his head slightly.

"For two months in a row, all they produced were second- and third-tier works. They didn't even have the idea of ​​going head-to-head."

Those who are straightforward become cowards.

Scared.

(End of this chapter)