"This top female singer from Canada, Janissa, is known for her high notes."
Janissa is indeed extremely talented; she reached C6 in the very first song, which was very solid.
Moreover, her aura was strong and not weak, indicating that she still had the potential to rise further.
What's even more terrifying is that this is a live stream, without any audio editing, yet it's incredibly stable.
Netizens have gained a clearer understanding of the singing level of top international artists, which is not just empty praise.
"This band is an addictive band from the United States, which has been hovering between the top and second tiers for many years."
The Tequila Music Festival might be their breakthrough opportunity.
The lead singer's explosive vocals, the guitarist's rhythmic flair, and his unique dance moves instantly ignited the entire venue.
A great band isn't just about a great lead singer; sometimes the instrumentalists are also a major draw.
The emergence of the band Addiction has once again made netizens realize the strength of European and American bands.
Millennium Falcon is probably no match for Addictive Band, and the domestic Oxygen Project is no match for Millennium Falcon.
Compared to the Addicted Band, wouldn't the Oxygen Project Band be completely outclassed?
It must be said that the West truly deserves its reputation as the origin and source of pop and rock music; their talent is undeniable!
No, no, no, actually everyone has misunderstood. It has little to do with starting from a low point; it mainly comes down to self-cultivation.
During a live variety show competition, Kyushu's queen of pop repeatedly went off-key and even trended on social media. Is this the level a queen of pop should have?
If even divas are like this, can other singers really escape the shackles of auto-tuning?
It is evident that the professional skill threshold for singing in Europe and America is far higher than that in China.
That's right!
Abroad, you can't just become famous by simply putting on a makeover; if your singing skills aren't good, you're doomed!
Secondly, Kyushu has its own money-making logic, which relies on the monetization logic of the celebrity idol market.
This has led to many significant problems.
Almost all music variety shows are just covering songs; they're good at promoting people, so what does it matter if it's original or not?
These idol stars don't need to have amazing singing skills; they just need to be handsome and cool. Even if their pitch is a little off, people will still buy their music.
If they still can't become famous, then they'll just create all sorts of personas.
This kind of operational thinking far exceeds the actual talent and ability required of a singer.
How much time do they even spend practicing their singing skills?
Thirdly, Kyushu's music charts are not authoritative enough.
A list that can be invaded and controlled by capital is no different from a shoddy list.
The Golden Melody Awards used to be so prestigious that every song could be considered legendary, but now the Golden Melody Awards are ridiculously unreliable!
In contrast, the Grammys not only focus on the quality of the songs and the singers' vocal skills, but also on the stories and humanistic concerns behind the songs.
There is a very strict system and procedure, as well as professional judges to ensure the fairness and authority of the awards.
This is why many people consider it an honor to be nominated for a Grammy.
All these factors have led to a continuous decline in the music scene, resulting in a lack of new talent.
It's not about improving singing skills, but about studying persona.
It's no wonder that the music scene was completely outmatched...
...
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