His lukewarm tone diverted the topic to another track. He remained calm and secretly turned the topic back to Lu Hao.
In a sense, the relationship between him and Lu Hao can be said to be one of mutual respect and love and hatred.
Because they collaborated on a variety show some time ago and are now in a short honeymoon period, Lu Hao has made a lot of efforts to become the new president.
But this occasion is obviously not the place to talk about personal feelings, so we should treat each matter separately.
What Jiang Qianfan is most interested in now is DreamWorks' overseas channels, and he is very clear about this.
In Southeast Asia and the Indian market, DreamWorks has become a dominant player. Its three consecutive films have all been huge hits, and they are extremely popular. Even the Indian government has awarded DreamWorks an honorary award.
In addition, DreamWorks and the island market also have extremely close ties. From Lu Hao's first "The Dancing Girl of Izu" to "No Longer Human", they are all phenomenally popular works. Lu Hao's influence and prestige are no less than those of local bigwigs.
As for North America...
Needless to say, although Qilin Film and Television has channels and resources, it has no works.
As for overseas cultural exports, there are only a handful of domestic directors who can handle it at present, and the most successful one among them is naturally Lu Hao.
In the past, this thing could not be mentioned. After all, DreamWorks could handle it themselves, so why should they share the spoils with others?
And now...
Since Lu Hao has become the president, can he give some meat to everyone so that everyone can have a taste?
After all, the foreign market is truly a virgin land full of milk and honey for Chinese-language films. Compared with the current fierce competition in the country, it also has plenty of opportunities and space.
After hearing Jiang Qianfan's words, many people agreed at once, and everyone couldn't help but look at Lu Hao.
This question really hits the nail on the head.
If DreamWorks can really take everyone overseas, then the project funds supported by the state will be just a penny, and the profit can probably be recovered with just one movie.
Don’t you see, the overseas profits of the movie “Swordsman” alone reached at least 500 million US dollars!
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