Chapter 86: The difference between schools (seeking recommendation votes)
Feng Jie did not come to the crew.
This did surprise Yu Xiaoshu.
Because under normal circumstances, Feng Jie should have joined the crew long ago.
Although Feng Jie cannot be filmed yet at the moment, after all, Li Toyota will not be in the first three episodes, but Yu Xiaoshu is quite happy that Feng Jie wants to join the crew as soon as possible.
The faster you get familiar with it, the faster you can shoot.
But today when Yu Xiaoshu came to the festival group, he was told that Feng Jie was not there.
What are you doing? ?
Li Jia frowned and said, "Teacher Yu, could it be that Feng Jie changed his mind and didn't come?"
"No, Feng Jie is not Shao Jian."
Yu Xiaoshu shook his head: "Besides, he needs this opportunity, I'll give him a call first."
As he spoke, Yu Xiaoshu called Feng Jie: "Senior, didn't you come to the crew?"
"Ah? Teacher Yu, you're back?"
Feng Jie asked in surprise on the phone.
"I'm on the set now. Is there something wrong? Why didn't I see you? And I just asked the director, you didn't report to the set?"
Yu Xiaoshu asked with a frown.
"I've been in the crew. Please wait for me."
Feng Jie said hurriedly: "I arrived three days ago, but I did some preparation for the character, so I didn't meet with the crew."
"Oh, sure."
Yu Xiaoshu nodded slightly, then hung up the phone and smiled at Zhang Yi and Li Jia, "I'll be there in a moment."
Although Yu Xiaoshu had some guesses in his mind, he was still a little surprised when he saw Feng Jie.
Now Feng Jie no longer has the gentle and polite manner he had when he met Yu Xiaoshu in Dongyang.
Feng Jie was wearing a torn cotton jacket, had messy hair, dark green military pants, and was carrying a pair of gloves.
It was exactly like someone walking out of prison.
Let’s put it this way, the Feng Jie in front of him is no different from the old man sweeping the streets in Bingcheng.
"Eh? Lao Feng, why are you here?"
Zhang Yi looked at Feng Jie puzzledly and said, "There's no need to clean up the garbage for now."
Li Jia also waved his hand and said, "Old Feng, we still have things to do. You can just wait until we finish filming in the afternoon and then clean up."
Yu Xiaoshu couldn't help laughing and asked, "Director Zhang, Brother Li, what's going on?"
"Teacher Yu, this Lao Feng came to help us collect the garbage a few days ago. You should know that there is actually a lot of garbage in the crew, but other people have more requirements, but Lao Feng is more practical. Every time he helps to clean up, it is clean..."
Li Jia saw that Yu Xiaoshu was interested and explained a few words, then urged Feng Jie, "Old Feng, tell us later. We are busy here. You go first."
"Teacher Yu, you don't know that Old Feng doesn't usually like to talk much, he's a bit taciturn, but he's a good person."
Zhang Yi thought Yu Xiaoshu was a little angry about Feng Jie's sudden intrusion, so he wanted to explain.
"Haha, senior, you are really a talent."
Yu Xiaoshu laughed.
Li Jia and Zhang Yi on the side were confused.
What's going on?
It turned out that after coming to Bingcheng from Dongyang, Feng Jie did not choose to join the crew directly. He dressed up according to the character image of Li Toyota, and then got a small tricycle to buy scrap.
Although Feng Jie is not from Bingcheng, there is really no flaw when Feng Jie speaks Bingcheng dialect.
In this way, Feng Jie deceived the entire crew.
What did he do in these three days?
On the one hand, he took time out to collect trash from the crew and try to figure out other people's filming styles.
On the one hand, Feng Jie actually found a crematorium and experienced it for real.
For three days, in such a cold ice city, Feng Jie did his utmost to prepare for the role of Li Toyota.
Five minutes later, Zhang Yi was stunned after hearing what Feng Jie said. He looked at Feng Jie with a little admiration and said, "No, no, Mr. Feng, why am I angry? I really admire you for being able to do so many things for a role."
Li Jia also said: "I have opened my eyes today, and I was wondering why you always wear a mask when Bian Feng and Bao Nan are present."
Bian Feng and Bao Nan both know Feng Jie.
The others didn't recognize Feng Jie.
"Director Zhang, Producer Li, Teacher Yu, after all, I don't have any scenes this month, so I'll just continue to be Old Feng."
Feng Jie said at this time: "After all, Li Toyota is a character who needs to be quiet and withdrawn. He has always said very little, and I don't want to get rid of this state now."
"Senior, are you an experiential person?"
Yu Xiaoshu suddenly asked Feng Jie.
There are generally three schools of actors: expressionism, experientialism, and methodism.
Among them, the experiential school immerses oneself in the role. The actor has completely forgotten himself. He is the role, and the role's joys and sorrows are the actor's joys and sorrows.
This actually puts the actor's self-control to the test.
Some actors play a role and end up falling in love with the character in the play. There are even actors who knock on the door of a male actor during filming and say lines from the play.
Some actors suffer from depression because they play their characters too crazy.
But some actors can distinguish that a play is a play. They experience and immerse themselves in it while filming, and quickly detach themselves from it after the filming is over.
Just now, Yu Xiaoshu had some questions after listening to Feng Jie's words.
On Earth, Yu Xiaoshu has seen too many experiential actors. All of them are excellent, but some of them are unable to extricate themselves because they are too immersed in the role.
Yuanxing, although there is no systematic summary of the three major schools, they are actually similar.
So when Feng Jie listened to Yu Xiaoshu's words, he smiled and said, "Yes, but I'm not a pure experiencer. I'm mostly an expressionist. I will immerse myself in the character's situation, but I look at it from a third-party perspective. Except for Bian Feng, everyone else in our crew should be expressionists and methodists."
"I see."
Yu Xiaoshu only has a slight understanding of the three major schools of actors. After all, he is not a professional actor, so he doesn't understand much about them.
He knew that some newcomers would basically use the method school. For example, during the filming of "I Am Yu Huanshui", because Tang Yue had a scene that took a long time to get into the role, Sun Hei asked Tang Yue to treat Yu Huanshui as her prince charming.
When Yu Xiaoshu and Ying Zhao were chatting about the script in the middle of the night, why did Ying Zhao's acting skills explode?
This is why Ying Zhao thought he was Liang Annie.
Half an hour later, Feng Jie left the crew and continued to immerse himself in the character of Li Toyota.
Yu Xiaoshu took a look at the recent shooting schedule.
Bao Nan's scenes will be filmed in the afternoon.
This scene was a huge test for Bao Nan.
2 o'clock, Zhu Fulai Noodle House.
"The Undocumented Crime, Scene 58, Shot 10, Article 2."
The script supervisor slapped the storyboard suddenly.
"This restaurant is the one you mentioned before, right?"
Police officer Xiao Li asked Zhu Huiru.
Zhu Huiru nodded slightly.
Then Xiao Li turned his head and looked at Zhu Fulai next to him and said, "He is your brother Zhu..."
"Zhu Fulai."
Zhu Fulai said hurriedly.
…
This scene takes place after Huang Mao was killed, and the police officer comes to Zhu Huiru to inquire about the situation.
All of this was planned by Luo Wen, and Luo Wen also taught Zhu Huiru how to respond to police inquiries.
It's very simple.
Tell the truth, but deliberately cover up the fact that Huangmao bullied Zhu Huiru, and then tell it out when the police question you.
It's very simple. First, tell a lie, then wait for the police to expose the first lie, and then tell the truth.
In fact, in the web drama, the performance of the aunt is still a little inferior, because in the original novel, Zhu Huiru's performance is more frank.
She followed Luo Wen's instructions strictly at every step.
It is even guiding the police to further questioning.
Sitting in front of the camera, Yu Xiaoshu looked at Bao Nan's performance and nodded slightly.
"Card!"
After filming this scene, Zhang Yi shouted.
"Director, how is it???"
Bao Nan wiped her tears and asked.
"fine."
When Zhang Yi was about to say "pass", he remembered that Yu Xiaoshu was here, and hurriedly said, "Wait a moment, Teacher Yu, what do you think?"
Yu Xiaoshu nodded gently: "I think it's good."
Zhang Yi said: "Okay, then..."
"Save one more."
Yu Xiaoshu suddenly said.
Zhang Yi swallowed the word "pass" and said, "Okay, let's save one more. I also think Mr. Bao can perform better. Mr. Bao, let's save one more."
Bao Nan nodded gently: "Okay."
When shooting a TV series or film, it usually takes several takes to find the ideal state, and after that sometimes you will "keep one take".
The so-called "keep one take" means that when filming, the actors have found the right acting state that meets the director's standards, but the director hopes to find a better shooting angle or state, at this time he will say "keep one take".
It can generally be understood as a spare tire.
If the second take is not as good as the first, the first take will be used as the master film.
Another key function of keeping one line is to check whether there are any mistakes in the shots.
"I wanted to escape, but he held me tightly and insisted that I drink with him. I didn't know if he was really drunk or just pretending. I shouted for help, but he covered my mouth. I fought with him and managed to run away..."
Bao Nan got into the game again.
She was acting out the tricks that Zhu Huiru had learned from Luo Wen to fool the police.
After all, Luo Wen told Zhu Huiru that the best way to express fear was to think about the feeling of killing Huangmao.
Real fear can fool the police.
So here, Bao Nan needs two levels of acting skills.
One is to play the role of Zhu Huiru, and the other is to let everyone know that Zhu Huiru is lying.
Just one guarantee and it’s passed.
Compared with the previous one, Bao Nan's emotions in this one are fuller, and most importantly, the micro-expressions on his face are enough to convey meaning to the audience.
Continue to transition and shoot the next scene.
At around 4 o'clock, when it was dark, Feng Jie appeared riding a small broken tricycle.
Sure enough, no one in the crew treated Feng Jie as an actor.
Yu Xiaoshu did not leave Bingcheng afterwards. He was writing the sequel script of "The Undocumented Crime" while watching the filming on site.
Time seemed to speed up.
Before we knew it, it was already March.
"The Undocumented Crime" started filming on February 9th, and it has been just 20 days today.
Yu Xiaoshu was also preparing to return to the imperial capital once again.
…
…
Thank you Samui Wind for the 1,000 coins and Zhuang Xiong for the 100 coins.
(End of this chapter)
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