After things stabilized in the micro-world, Yin Weilin began discussing the movie with Chen Yang.
Yin Weilin has already discussed the general plot of the film with Chen Yang, and the casting is relatively easy to determine. The three age groups of the main characters will be played by Chen Liu, Jing Wu, and Chen Yang respectively.
Chen Liu would naturally play the child, while Jing Wu is more robust than his peers, and with the mask on, his age is hard to discern; he looks about fifteen years old. So he can play the teenage stage, and Chen Yang will naturally play the adult protagonist.
The main character is the "European Emperor" (欧皇), but it takes simple makeup, a little special effects, and the European Emperor's own performance to distinguish between his young and old stages. Also, after the main character grows up, the wolf played by the European Emperor dies.
The most captivating aspects of the entire series are undoubtedly the protagonist's growth, the stunning natural environment, and the wildlife.
During the protagonist's growth phase, he will travel to many places, and Yin Weilin wants to film all the different areas of the micro-world in the movie.
The scenic Moyuan Plain, the continuous Tianyin Mountain Range, the majestic snow-capped mountains, the desolate Loess Plateau, the sacred Sky Mirror, the dense rainforest, the vast grasslands, the boundless desert and the ocean.
Every location in the micro-world is infinitely beautiful, even more beautiful and pure than many places in reality. They can create the effects they want without even needing special effects.
Another huge advantage is the presence of wild animals that are not commonly seen in reality, and the process of the protagonist interacting with them.
The camp currently houses three types of fierce carnivores: tigers, leopards, and bears, as well as many more herbivores. Even elephants can be controlled. Chen Yang's natural inspiration ensures that no accidental injuries will occur during filming.
They can also take photos in various places in the micro-world, such as the galloping horses on the plateau, the whales in the ocean, the polar animals in the far north, and the snow monster that only exists in legends - the Snow King.
These are things that cannot be compared to in reality.
Anyway, they can say it's special effects, especially since they can make Xue Kui appear, so no one will doubt that these things are real.
Yin Weilin had already conceived the plot countless times in his mind and had been considering how to maximize the advantages of the micro-world.
Furthermore, Chen Yang himself possesses a significant advantage; he can perform superhuman feats without any special effects or props. Yin Weilin is already considering how to get Chen Yang to defeat the elephant, and how to fight the black bear, Xue Kui, and even the polar bear.
Just thinking about it gets my blood pumping! This kind of realistic battle surpasses any special effects, plus the animals' heartfelt performances.
However, Yin Weilin has always been an investor and has had relatively little experience as a director.
His idea was to learn more about how to shoot videos from his subordinates, and then completely hand over the editing and other post-production work to them, with him only responsible for supervision.
After thinking about it for a while, Chen Yang finally agreed. He couldn't resist the temptation. Yin Weilin described the movie as so cool, and he was getting excited just thinking about some of the plot.
Yin Weilin, as expected of a man who was once worth hundreds of billions, is indeed very charismatic. Even a steadfast person like Chen Yang was moved by him.
Moreover, he persuaded Xiao Chenliu to whisper sweet nothings in his ear every day, often coming over to ask to sleep with his father, and then constantly talking about what would happen if a movie were made about it.
As for Li Su'er, she was the first to fall for him because Yin Weilin promised to give her a role. In the final scene of the first season, Li Su'er was shown with her back to the camera, setting the stage for the second season.
Although it was just a silhouette, Yin Weilin described it vividly, even detailing the specific scene. He convinced Li Su'er in no time.
With his son and wife whispering sweet nothings in his ear, who could resist? Plus, Chen Yang himself was already somewhat tempted, so he agreed to Yin Weilin's request to make a movie.
Yin Weilin also began preparations, but since the initial part of the plot was in reality, he planned to take a shortcut and use a still comic style to briefly describe the background in three minutes before transitioning to the micro-world.
This format is quite popular now, introducing the background in a unique way before transitioning to the main plot.
Chen Yang had no need to worry about Yin Weilin's vision and ability; he had no doubt about someone who could earn tens of billions by investing in movies.
"This film is destined not to be a huge hit, but it won't be a complete flop either. I want to make a film with a rating of 9.0 or higher. Just based on this unprecedented level of realism, it can reach a rating of 8.0 or higher. The remaining 1.0 will have to be earned by ourselves," Yin Weilin said to Chen Yang.
He also began preparations in reality, having several of his subordinates create a plan. Of course, Yin Weilin wouldn't reveal the actual filming process or the source of the final video; as the boss, his employees couldn't say anything.
To this end, Chen Yang reserved a month's worth of slots for immersion, and Yin Weilin went abroad to have a camera custom-made that met both the filming and immersion requirements.
Fortunately, Microworld now has its own solar power generation room, so there's no need to worry about charging anymore; otherwise, some functions would definitely have to be sacrificed.
Yin Weilin was originally in this industry and had reached the top level. The camera he specially customized was much better than the original camera from Weijie, and the difference in shooting effect was immediately apparent.
Everyone was very excited when they learned that Chen Yang was going to make a movie, and they all offered suggestions on how to make use of the scenery and animals in the Microworld. They even gave Yin Weilin a lot of ideas, since Yin Weilin didn't know much about the Microworld.
Chen Yang also told Yin Weilin about the stone cave that let in the light of the sky that he had seen on the Eastern Emirate Grassland, and took Yin Weilin to see it for himself. Yin Weilin was amazed, saying that this was a beautiful scene that special effects could never create.
He immediately decided to make this place the starting point for the protagonist's survival and development. It would leave a deep impression on the audience.
Imagine a lonely wilderness boy and a wolf standing by the pool in a sinkhole, with sunlight shining down and the surrounding flowers and plants exuding vitality. Just imagining this scene is enough to give you goosebumps.
They also got the people in the Little Western Ocean to start paying attention to the whale pod's movements. If they could get the whale pod to cooperate with their filming, that would be even better.
Chen Yang had mentioned the deep-sea monster to Yin Weilin, and Yin Weilin was very interested. However, such a sea monster wouldn't be so obedient, and it was hard to say whether they could even get footage, let alone get it to cooperate with the filming.
In short, the film project is finalized, the cast is confirmed, and the specific plot will be arranged by Yin Weilin.
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