After inspecting the site, the municipal leaders left due to official business, leaving only Liang Liang, Banya Huolong, and the construction workers who were working there.
These infrastructure workers are all from nearby areas, many of them from Pingshan Village.
If there's money to be made, of course we should help our fellow villagers.
"Work hard. There are large areas of construction to be done on the south side of Nanda Mountain, and a lot of construction will also be developed in the area from the north side of the mountain to our village. If you do a good job, all these buildings will be yours. I'm just worried that you won't be able to handle it all."
Liang Liang's words were just meant to comfort him; many of the buildings in the film studio were in the ancient architectural style, and the bricklayers who built these houses really couldn't lift them.
But that's alright. They can't handle the big buildings, but they can keep themselves full from those small, miscellaneous jobs.
From here to his home, there's only this one mountain, Nan Da Shan, so of course he has to go home and visit.
We should also take the opportunity to see Nanda Bay, which is located north of Nanda Mountain, and make good use of it.
He originally wanted to build the film and television city in Pingshan Village, but the villages in Pingshan Village were too densely packed and it was too much trouble.
But that doesn’t mean he didn’t leave any survivors in Pingshan Village.
There's a bend in the mountain north of Nanda Mountain, covering an area of several hundred acres. Could a neighborhood be built here?
Is there a mountain road that's not very easy to walk on, but still passable by vehicles?
Ban Ya drove along the mountain road, bypassing the Nanda Mountain, and entered the Nanda Bay.
Two ridges extend from the north side of the mountain, one to the east and one to the west, forming a mountain valley about 400 meters long from east to west and about 300 meters wide from north to south, covering an area of nearly 200 acres.
Liang Liang had Ban Ya stop the car, got out, and stood on a high point, looking down at the South Bay.
There is a stream in the game area, which is formed by the control of the mountain water. In the middle of the game area, there is also a pond with an area of several acres.
"Brother Ya! Brother Long! What do you think we should do with this bend in the mountain?"
Fang and Fire Dragon shook their heads: "Our heads have little to do with what you're asking. You should ask yourself!"
Liang Liang only asked the two of them because she didn't know what to do with it; she should have just asked her own Bo Gai instead.
If the film and television city in Shannan really makes a name for itself, then even if we just build some two-story buildings in this mountain valley and rent them out, we can still earn astronomical amounts of rent every year.
Let's put this aside for now and make plans when Shannan has reached a certain scale.
After passing Nanda Bay, there is a county-level highway, and Liangshuiwan Village is on the other side of the highway.
Liang Liang's car stopped briefly in front of Xu Mei's house.
Liang Liang is back but Xu Mei isn't. Of course, her mother's eyes will light up. He has to go in first to say hello and explain.
There was also a package that Xu Mei brought back.
I don't know what's in all of it, it's a big, bulging bag.
It seems to be internship clothes and some food or something.
Liang Liang handed the things to Xu Mei's mother and then went home.
Liang Liang's mother was overjoyed to see her son return and quickly began preparing a meal.
While his mother was cooking, Liang Liang took a stroll around the front and back of the house.
There wasn't much to see in front of the house, but once you left the yard and crossed the main street, you'd reach the guitar factory, which he planned to visit after lunch.
There was a lumber yard about 20 meters away from my house.
Surrounded by asbestos tiles a meter and a half high, the interior was neatly filled with stacks of timber, each more than a meter tall.
Each stack of timber also has a sign that says the name of the type of timber and the date when it was first piled up.
These pieces of wood are intended for making high-end guitars in the future, and the drying time will probably be quite long.
This venue is guarded by two people during the day and two at night; fire prevention is the top priority.
Theft prevention is secondary.
From this place, heading northeast, you'll reach Xiaodongshan Mountain.
The former orchard has now become Liang's timber yard, where stacks of timber processed into various specifications are piled up.
Liang Liang almost had a phobia of trypophobia after just one look.
Liang Feng has actually stockpiled so much wood for making high-end guitars in the future; he's really preparing to develop high-end guitars.
When Liang Feng got off work at noon, he returned home from the factory and recognized his older brother's car parked at the gate, so he knew that his older brother had come back.
Pingshan Village has now begun to form an industrial chain led by Liangjia Guitar Factory.
In particular, almost every household in Liangshuiwan Village has become a link in this industrial chain.
There are businesses that transport timber, process timber, process various parts of electric guitars, and package and transport products.
Moreover, two other companies have started making their own guitars. Although the quality is not as good as the guitars made by the Liang family, they are qualified to enter the market and can easily make 30 or 40 yuan per guitar.
In terms of sales channels, in addition to domestic sales, most of the products have already begun to be exported.
Exported to Africa, Central America, South America, and Southeast Asia.
The best guitars Liang Feng is making are now starting to enter Europe and North America.
Of course, it's the lowest-end product, and it even has someone else's brand on it.
In any case, this industry is already taking shape. With a few more years of development, Pingshan Village will become a true hometown of Chinese guitars.
Liang Feng's guitar factory can now produce 6,000 electric guitars a month. He said that in August, the production of another 1,000 guitars can be increased, and the annual profit is expected to exceed 10 million yuan.
"When you turn eighteen next year, you can take over this factory and run it yourself!"
At eighteen, one is considered a grown man, capable of standing on one's own.
After lunch, Liang Liang did not stay at home. He said goodbye to his parents and took a car back to Lianwan.
He went back to Lianwan to wait for Yan Su to bring someone over.
He might go back to Yahe again in the next few days.
Liang Liang returned to Lianwan and immediately began recording for his band's new album. He had just recorded three songs when the person he was waiting for arrived.
The person who came was naturally serious, and there were six or seven people accompanying him, among whom an elderly man in his seventies was particularly eye-catching.
The old man wore glasses and looked like a university professor.
When discussing the most famous film directors in China during the 1980s and 90s, Xie Jin is an indispensable name.
Director Xie Jin was absolutely famous in China in the 1990s. In the late 1980s, many of his films won awards.
For example, there's "Legend of Tianyun Mountain," which won the Best Director Award at the first Golden Rooster Awards; "Hibiscus Town," which won the Best Feature Film Award at the 7th Golden Rooster Awards and the Best Feature Film Award at the 10th Hundred Flowers Awards; and other excellent films such as "The Herdsman" and "Garland Under the Mountain."
He is now preparing to shoot a film about the Opium War.
While he was frantically searching for a filming location, an old friend in Beijing recommended a man named Yan Su, saying he could give him a surprise.
So, he and his directing team ended up in Lianwan without really knowing what was going on.
Liang Liang naturally gave him a warm welcome.
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