Chapter 136 System Course



Mou Xuan tapped the bronze-patterned wrist guard with his fingers, and the metallic vibration created three ripples on the dome of the air-raid shelter.

Behind him, the longitude and latitude lines of the projected "Heavenly Creations" were biting the light spots of the Twenty-Eight Mansions, distorting the star map into the outline of a half-scroll of "Along the River During the Qingming Festival".

"The grafted mulberry trees in the southeast corner are rioting." Chen Yao's fingertips slid across the restored manuscript of "The Book of Incense", and three twisted experimental plants of "The Book of Fan Sheng" immediately popped up in the holographic projection, "They have objections to the course arrangement of the mortise and tenon structure of "Construction Methods."

The scholar from Lu knocked open the glass door of the cultivation cabin with his white coat flying. The ancient rice seeds thrown out from his sleeves suddenly formed the seal characters of "Xuanhe Calligraphy Collection" in mid-air: "According to the deduction of "Zhou Bi Suanjing", the sundial projection at 3:30 in the morning will cut through the battle formation of "Wu Jing Zong Yao" - unless the car system lesson of "Kao Gong Ji" is moved to..."

"Can axle tenons and carved lacquer patterns fill your stomach?" The single culture enthusiast suddenly kicked over an iron box filled with fragments of "Ge Gu Yao Lun" and his tactical boots rolled over scattered lacquerware pattern rubbings.

This sturdy man who always wears "Yingzaofashi" on his waist is now using his mechanical prosthetic eyes to scan the cracked Xiangfei bamboo stick of old artist Xing.

Old artist Xing coughed and poked his bamboo stick into the crack in the ground. Suddenly, the tip of the stick blossomed into a red peony as recorded in the "Lacquer Record".

The old man's cloudy eyes swept over the glowing moss grafted on the wall using the Qi Min Yao Shu: "Back then, to make the Baibao inlay for the palace, apprentices had to study the Kao Gong Ji for three years first - now, the little brats are using the battle formation diagrams in the Wu Jing Zong Yao to play with the grafted seedlings!"

The "Dunhuang Star Map" on the top of the air-raid shelter suddenly flickered violently, and the stars in the Purple Palace crackled and hit the tactical belt of propagandist Qu.

The man who once regarded the "Survival Manual" as the Bible was now using a loudspeaker to play the treasure identification formula from "Famous Paintings of All Ages" in a loop, while his mechanical prosthetic eyes were fixed on the ink plum painting condensed on the white coat of Scholar Lu.

"Everyone." Mou Xuan suddenly pressed the time compass on the projection of "The Exploitation of the Works of Nature", and the bronze lines climbed up his tactical gloves along the longitude and latitude lines. "Three minutes ago, the plants of "Four Seasons Collection" in the northwest cultivation cabin suddenly bloomed - they received the sound waves of a quarrel seven days later."

In the silence of the room, the "Burenian Tu" communicator on Chen Yao's earlobe suddenly projected the fragments of "Wenxin Diaolong".

She folded the restored manuscript into the shape of a kite and blew it gently. The kite, holding the "Incense Book", landed on the crack of the single-culture enthusiast's tactical boots.

"The Book of Agriculture says that deep ploughing is easy to weed, and the Classic of Tea talks about roasting the millstone." Mou Xuan's wrist shook slightly, and the bronze pattern suddenly unfolded into the car map in the Records of the Craftsmen. "But what we are planting now is the grafted seed from the Book of Fan Sheng that can bloom in acid rain. Professor Lu, how many lacquerware patterns can be preserved by the rice seed juice on your white coat?"

The scholar from Lu suddenly pulled open his white coat stained with a black plum blossom pattern, revealing the glowing moss on his chest that he had cultivated using the grafting technique in Qi Min Yao Shu: "According to the system of Zhou Li Kao Gong Ji, we should start with the Yingzao Fashi..."

"When you finish talking about the Zhou Li, Mr. Xing's lacquer carving knife will be corroded by the acid rain!" The single culture enthusiast suddenly raised the laser cutter on his tactical belt and burned the cloud and thunder pattern from the "Lacquerware Record" on the ground of the air-raid shelter. "Did you see it?

The children are now using this to learn "Kao Gong Ji"! "

The bamboo stick of the old artist Xing suddenly made a sound of tearing silk, and the broken bamboo strips of the stick pieced together in the air to form the "Eighty-Seven Immortals Scroll" recorded in "Famous Paintings of All Ages".

The old man pointed tremblingly at the child who was arranging the cultivation chamber using the "Wu Jing Zong Yao" formation diagram: "Yesterday a child asked me which one is more resistant to acid rain, the "upward tile hook" made of rhinoceros lacquerware or the laser-cut nano-pattern - guess what I said?"

The air-raid shelter suddenly shook violently, and the stars that fell from the Dunhuang Star Map pieced together the remaining pages of the Xuanhe Painting Album on the ground.

The bronze patterns on Mou Xuan's tactical gloves suddenly expanded, pinning the nearly collapsed holographic image of "The Exploitation of the Works of Nature" between the twenty-eight constellations.

"Chen Yao, what is the decibel of the sound recorded when the "Four Seasons Collection" plant blooms in seven days?" Mou Xuan suddenly turned his head and looked at the heroine who was teasing Wu Tong's child with the "Fragrant Book" kite.

The grafting formula from Nongsang Ji Yao suddenly appeared on the wings of the kite.

"It's like Mr. Xing smashing three lacquerware blanks with his Xiangfei bamboo stick." Chen Yao said as she suddenly threw a kite into the air. The bird transformed from the Incense Book immediately pecked away the ink plum painting on the white coat of the Lu scholar. "But what's interesting is that the sound waves of the quarrel caused the roots of the Fansheng Book to grow the bracket structure of the Construction Method."

The bronze pattern on Mou Xuan's wrist armor suddenly shrank into the cloud-thunder pattern of Kaogong Ji. He reached out and grabbed the projection of Tiangong Kaiwu that was about to fall to the ground: "Since your arguments can lead to the evolution of crops - Professor Lu, Captain Shan, please explain the specific impact of the course plan on the air-raid shelter ecosystem."

While the rice seeds on the white coat of the Lu scholar suddenly formed the seal characters of "Wenxin Diaolong", the bamboo stick of the old artist Xing was transforming the cloud and thunder patterns burned by the single culture enthusiast into the rhinoceros skin lacquer patterns of "髹饰录".

On top of the air-raid shelter, the Purple Palace in the Dunhuang Star Map is quietly piecing together the line drawing of clothes by Wu Daozi in Famous Paintings of All Ages.

The bronze lines on Mou Xuan's wrist suddenly transformed into the ink lines in Kaogong Ji, and the light as thin as spider silk stitched together the seal characters of Wenxin Diaolong floating in the air and the rhinoceros skin lacquer patterns of Huashilu.

The "Dunhuang Star Map" on the top of the air-raid shelter suddenly collapsed into the shape of a celestial sphere, and the projection of the Twenty-Eight Mansions was imprinting the cloud and thunder patterns burned by single culture enthusiasts on the glass surface of the incubation cabin.

"Incorporate the bracket lessons of the "Yingzaofashi" into the grafting experiment." Old artist Xing suddenly broke the Xiangfei bamboo stick, and the flying bamboo chips condensed into the "Eighty-Seven Immortals Scroll" in mid-air. "I will teach you guys to use laser to carve a hundred treasures inlaid body - but each work must come with the annotations of the "髹饰录"!"

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