Mou Xuan pressed the reverse-rotating "Ziren Yizhi" mechanism diagram in the navigation system with one hand, and suddenly grabbed the strap of Wu Ernst's shoulder bag with the other hand.
The scent of ink from The Exploitation of the Works of Nature in the child's arms mixed with the broken porcelain from The Song of Jingdezhen Pottery, condensing into thirty-six ice cracks in the fluctuations of the supernatural power: "In three minutes, we will pass by the 'Cold Spring Pavilion' recorded in The Record of Superfluous Things, and let Mr. Xing prepare to sing the Red Lacquer Ballad from The Record of Lacquerware."
The scholar from Lu curled up in a mechanical wheelchair converted from the "Wubei Zhi" and coughed violently, but his withered fingers were tightly grasping the remaining scroll of the "Yingzaofashi".
When the covered bridge passed through the acid rain clouds, he suddenly pressed the page of the book on the gear of "Illustrated Explanation of Military Equipment" on the armrest of the wheelchair. The yellowed vertical characters suddenly turned into "Golden Button Seal" recorded in "Kaogong Ji" and flowed along the mechanism to the entire covered bridge.
"Here it comes!" Chen Yao suddenly turned around and threw out the silver thread of "Embroidery Manual" from her tactical vest. Thirty-six silk strings accurately entangled the "Yuan Ye" style beasts on the eaves of the corridor bridge.
The porcelain piece of "Tao Shuo" in Wu Tong's arms suddenly made a clear sound, which resonated with the ancient red lacquer ballad tremblingly hummed by the old artist Xing, forming the variation of the seventh beat of "Jingdezhen Tao Ge".
When the pursuer's last bronze bell from the "Xuan De Ding Yi Pu" was blown into powder by the sound waves, the vines from the "Book of Fan Sheng" on Mou Xuan's tactical gloves suddenly produced the refreshing fruit recorded in the "Herbal Medicine for Famine Relief".
He picked two and threw them to the scholar from Lu who was coughing up blood. The moment the fruit touched the page of "Yingzaofashi", it turned into a lost mist in the shape of the "Seven-Aperture Lock" in "Zi Ren Yizhi".
"Leave some for me!" When Propaganda Officer Qu rushed over, the "Illustrated Explanation of Military Equipment" crossbow box on the tactical belt automatically popped open, and three modified arrows accurately hit the copper bell fragments remaining in the air.
He proudly waved the "Military History" telescope: "When we get back to the base, I will broadcast the video of these bastards running away on the radio station... Ouch!"
Chen Yao retracted her long legs that were about to kick someone, and the silver scissors on her fingertips were picking up the tracking chip that she had taken from the collar of propagandist Qu: "The third volume of "Lacquer Record" said that people who get too proud of themselves cannot even cover their mouths with raw lacquer." When she turned around, her ponytail swept across Mou Xuan's shoulders, and the "Xuan De Ding Yi Pu" earrings jingled in the aftermath of the supernatural power.
Wu Tongnong suddenly pointed at the navigator and screamed.
In the center of the mechanism diagram in Lu Ban Jing, the ink outline of the base appeared. The originally neat column base markings in the Construction Methods were now covered with "broken thread patterns" recorded in the Embroidery Manual.
The porcelain piece of "Tao Shuo" held by the old artist Xing cracked into fine lines, and the clay fragments condensed into the shape of "Yuan Ye" rockery in the acid rain.
"Slow down!" Mou Xuan suddenly pulled off his tactical gloves, and the vines of "Book of Fan Sheng" on his palm grew wildly into the shape of "Qi Qi" recorded in "Kao Gong Ji".
Three hundred meters away from the base, the covered bridge emitted the unique mortise and tenon friction sound of "Zi Ren Yi Zhi". Chen Yao's silver scissors had simultaneously cut off twenty-seven "Wu Bei Zhi" transmission cables.
As everyone stumbled out of the stopped corridor bridge, the base observation tower suddenly sounded the poetic farewell melody adapted from "Jingdezhen Tao Ge".
Twenty-three guards holding crossbows modified from "Illustrated Explanation of Military Equipment" came out from behind the "Records of Superfluous Things" style screen wall. The crossbow arrow slots were filled with acid capsules soaked in "Yinliuzhai Shuoci".
"It's us!" Propaganda officer Qu held up the remaining fragment of "Yingzaofashi" and shook it. The cinnabar color of "Lacquer Record" on the pages in the acid rain immediately put the guards off the silver threads of "Embroidery Manual" on their crossbows.
Wu Ernr took the opportunity to take out a piece of malt sugar from the apron pocket of old artist Xing. The sugar, which was sticky with the porcelain powder of "Tao Shuo", melted on the tip of his tongue with the sweetness recorded in "Compendium of Materia Medica for Famine Relief".
As the cheers shattered the rain curtain, Chen Yao quietly hooked her finger around Mou Xuan's.
The cracks in the "髹饰录" painting on her tactical vest are healing, and the copper-green luster recorded in the "Xuan De Ding Yi Pu" is faintly flowing through the scars stained with ink from "天工开物".
Mou Xuan grasped her wrist, which smelled of gunpowder, with his backhand, and his fingertips brushed against the "Gold Embroidery" pattern recorded in the "Embroidery Manual" on the handle of the silver scissors.
The moment the heavy "Lu Ban Jing"-style gate of the base opened, the Lu scholar suddenly jumped up from his wheelchair.
The old man's fingers, as thin as the gears of "Wu Bei Zhi", tightly grasped the "Yingzao Fashi" book box where the materials were stored. His cloudy pupils reflected the skylight coming in through the "Yuan Ye"-style lattice windows: "No... The humidity of this box of "Zi Ren Yi Zhi"..."
The jubilant crowd suddenly froze.
The porcelain pieces of "Tao Shuo" held by the old artist Xing made tiny cracking sounds, and the ice plum patterns flowing in the glaze of "Jingdezhen Tao Ge" were fading rapidly according to the "Nine Returns Method" stipulated in "Kaogong Ji".
The vines of "The Book of Fan Sheng" on Mou Xuan's tactical gloves suddenly bloomed abnormal ink-colored flowers, and the agricultural proverbs of "The Book of Fan Sheng" on the petals were blurred as if corroded by acid rain.
Chen Yao's silver scissors hovered above the copper lock of the data box, and the tips of the scissors reflected the "rhinoceros skin wrinkles" recorded in "Lacquer Records" on the surface of the box, which were inexplicably swelling.
When Wu Ernr's cheers with maltose stuck in his throat, Mou Xuan had already torn off the protective layer disguised as the "Compendium of Herbs for Famine Relief" - the mulberry paper that had been soaked in the acid-proof coating of the "Illustrated Explanation of Military Equipment" was now oozing out strange water droplets that even the silver thread of the "Embroidery Manual" could not sew.
Suddenly, a distorted alarm melody of "Jingdezhen Pottery Song" was heard from the watchtower. The loudspeaker that was originally playing triumphal music suddenly emitted the sound effect of "sudden rain hitting the lotus leaves" recorded in "Yuan Ye".
Mou Xuan held down the wildly vibrating navigator and saw thirty-seven flashing red dots appearing on the mechanism diagram in the "Lu Ban Jing" - these were the positions of the pursuers that had been marked by the crossbow arrows in the "Wu Bei Zhi" during the previous rout.
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