As Mou Xuan's tactical gloves brushed against the cover of "The Record of Lacquer Painting", acid rain was winding along the "Ice Plum Pattern" recorded in "Yuan Ye" on the tracker's cloak.
Wu Ernr's hands were shaking as he held the porcelain piece of "Tao Shuo" in his hand, and the straps of his shoulder bag, which smelled of ink from "The Exploitation of the Works of Nature", were digging into his thin shoulders.
"In three seconds, the mortise and tenon joints in the southeast corner of Kaogongji will be misaligned." Chen Yao's silver scissors suddenly paused at the third beat of Jingdezhen Taoge. The bronze earrings recorded in Xuande Dingyipu on her earlobes were reflecting the afterimages of thirty-seven crossbow arrows. "Mr. Lu, how many hours can your volume of Ziren Yizhi last?"
Scholar Lu coughed violently as he pressed the yellowed pages of the book on the gears of the "Wu Bei Zhi" on the mechanical corridor bridge. His skinny knuckles suddenly burst out with strength that was inconsistent with his frail figure: "If we follow the "Yingzao Fashi" to fill in the corners of the hip roof, it will be enough for Mr. Xing to sing the red lacquer ballad in the "髹饰录"."
The black shadows gathered into a jagged outline among the rockery group of "Changwuzhi". Mou Xuan suddenly threw the vine of "Fanshengzhishu" towards Wu Ernst's bag.
The moment the child screamed, the tracking mechanisms hidden in the modified crossbow from "Illustrated Explanation of Military Equipment" suddenly began to play the broken porcelain music from "Yinliuzhai Talks about Porcelain" - it was the recording of them repairing Ru kiln teacups in the workshop of old artist Xing three days ago.
"They don't want supplies." Mou Xuan used the silver scissors from the Embroidery Manual to pick open the secret pocket of Chen Yao's tactical vest and took out half of a porcelain whistle that shone with the glaze of Jingdezhen Tao Ge. "From the pottery xun techniques recorded in Tao Shuo, the firing frequency of these modified crossbows..."
The acid rain cloud suddenly cracked when the mechanism diagram in Lu Ban Jing rotated in the opposite direction to the hour of Mao, and nine hooks disguised as vines wrapped in the Herbal Rescue Book came through the air.
Propaganda Officer Qu was about to raise the megaphone in the arm armor of "Wu Bei Zhi" when Chen Yao hooked his collar with a pair of silver scissors: "Didn't you hear Zhu Sha crying in "Lacquer Record"?
These hooks are soft and not hard. "
A man wearing a mask with ice cracks from the Yuan Yeh script walked out of the shadows. The copper bell in the shape of the Xuan De Ding Yi Pu on his waist was shaking with the vibration frequency of the crossbow from the Jun Qi Tu Shuo script: "Mr. Mou, don't you think it's shabby to use the broken porcelain from the Tao Ji script to make a sound wave trap?
Why don't you hand over the silver thread of the "Embroidery Manual" restored by Mr. Xing, and I will exchange it for the complete copy of "The Legacy of Carpenters". "
Mou Xuan's pupils suddenly reflected the tiny cracks on the mortise and tenon of "Kaogong Ji" on the strap of "Tiangong Kaiwu" shoulder bag. His fingertips stroked the spine of "Lacquer Record" that Chen Yao had just repaired: "Since you have read "Tao Shuo", you should know that the red spots on the Jun kiln depend on the kiln change time." The seeds of "Fan Sheng Shu" hidden in the tactical gloves suddenly sprouted, and the thin vines drilled into the tracking crossbow arrow slot along the resonant frequency of "Wu Bei Zhi" arm armor.
When the first pursuer pulled the trigger, the broken porcelain melody of "Jingdezhen Pottery Song" suddenly turned into the vibrating frequency of the silver thread of "Embroidery Book".
Thirty-seven crossbow arrows drew the trajectory of "Qushui Liushang" recorded in "Yuan Ye" in the air, but they all pierced into the seams of the rattan armor disguised by their companion "Jiuhuang Bencao".
"Now!" Mou Xuan suddenly pushed Wu Ernr towards the old artist Xing. The porcelain piece of "Tao Shuo" in the child's arms happened to reflect the missing mortise and tenon structure of the mechanism diagram in "Lu Ban Jing".
Chen Yao's silver scissors created sparks on the painted lines of the "髹饰录", and the hooks and locks that were supposed to shoot towards the mechanical corridor suddenly turned around and entangled the copper bells of the "Xuan De Ding Yi Pu" of the pursuers.
From deep in the acid rain clouds came the roar of the meshing gears of "The Legacy of Carpenters". The scholar from Lu coughed up blood as he slammed the remaining scroll of "The Building Methods" into the corridor bridge mechanism.
When the resonance of the arm armor of "Wu Bei Zhi" reached the seventh beat of "Jingdezhen Tao Ge", all the pursuers were suddenly horrified to find that the pages of "Yin Liu Zhai Shuo Ci" in their modified crossbow of "Jun Qi Tu Shuo" were being washed away by the power of time and turned back into the original raw lacquer liquid recorded in "Hui Qi Lu".
The masked man's copper bell suddenly exploded into ice cracks in "Yuan Ye". As he staggered back, the cloak disguised as "Jiu Huang Ben Cao" was being corroded by his own crossbows, leaving the "chain mail" pattern recorded in "Xiu Pu".
The vines of "The Book of Pan Sheng" on Mou Xuan's tactical gloves suddenly blossomed into flowers in the shape of the Xuande furnace recorded in the "Xuan De Ding Yi Pu". The porcelain powder of "Tao Ji" floating out of the stamens caused the last three hooks to spontaneously combust into ashes outside the construction ruler length stipulated in the "Kao Gong Ji".
"It's time to put the Lu Ban Sutra back in its place." Mou Xuan held down Chen Yao's shoulder as she tried to chase him, his fingertips running across the cracks on the painted Lu Ban Sutra on her tactical vest.
The counter-rotating mechanism diagram in the navigation instrument suddenly made the unique mortise and tenon clicking sound of "Zi Ren Yi Zhi". The whole covered bridge, with the residual tremor of the crossbow arrows in "Wu Bei Zhi", disappeared in the "Yuan Ye"-style shadow cast by the rockery group in "Chang Wu Zhi".
When acid rain covered the sky again, the old artist Xing trembled as he picked up the "Tao Shuo" porcelain pieces found by Wu Ernr. In the glaze of "Jingdezhen Tao Ge", the thirty-six ice plum patterns woven with silver thread from "Embroidery Book" were faintly flowing.
The acid rain suddenly changed its tune the moment the covered bridge disappeared. When the raindrops hit the rattan armor disguised as "Compendium of Herbal Medicine for Famine Relief", they actually played the tune of "rain hitting banana leaves" recorded in "Tao Ji".
Wu Tonger was lying on the faded indigo apron of the old artist Xing, his fingertips still stained with the clay unique to the "Tao Shuo" porcelain pieces, but his eyes were bright as if he had discovered the Nine-Curve Corridor hidden in "Yuan Ye".
"Brother Mu, their escape route..." Propaganda Officer Qu was clinging to the railing of the corridor bridge. The telescope modified from the "Wubeizhi" in his hand was still dripping with acid rain. The grid outlined by the silver lines of the "Embroidery Manual" on the lens was reflecting thirty-seven fleeing black spots.
Chen Yao's silver scissors suddenly rubbed against the earlobe of propagandist Qu and nailed into the porch column. The half-page of "Lacquer Record" held by the tip of the scissors rustled: "Didn't you see that the mortise and tenon of "Lu Ban Jing" is sounding the alarm?" The vines of "Fan Sheng Book" on her tactical boots were climbing up along the "lifting and folding method" recorded in "Yingzaofashi", and bloomed lavender flowers in the shape of Xuande furnace in the acid rain.
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