As the verse ended and the chorus began, Quan Huai thought it would be the same as the previous songs, at least it would rise in rank.
But what followed the singing was not a high note, but a high-quality weak mixed singing.
After the first part, there was no transition with any instruments, but the second round of singing went straight to the end. If it was a normal lyrical song, most of the second part of the main song would be more relaxed and casual than the first part.
But this song doesn't follow the routine.
Because the singing is too rigorous and serious, there will be an unpleasant feeling of "academic singing" that is too demanding on details.
Perhaps because he had heard too much about following the rules, Mr. Ning's unconventional move actually made Quan Huai's eyes light up.
Listening to this song, Quan Huai really admired the singer's strength. The control of weak mixing itself is relatively difficult. Compared with the "brute force" of strong mixing, weak mixing pays more attention to the control of the details of the vocal cords.
A little more will result in a balanced mix, while a little less will result in head voice distortion.
This time, the word "da" in "let the wind blow and the rain hit" is sung much softer, like the feeling of drizzling rain hitting the face.
Only then does the song begin to enter the second gear.
Listening to the sound in the headphones at this time, I have to admit that the quality of this strong mixed singing is very good. Although it is not a very high note, its resonance and penetration can be said to be MAX, and it is not harsh or oppressive, like a spring breeze, and it is refreshing to listen to.
“I still marvel at how big the world is.
Also intoxicated by childhood love stories
No more true or false
Don't struggle
meaningless jokes
I finally gave her my youth back
Along with the midsummer that pops up on your fingertips
What the heart moves
Just go with the wind
In the name of love
Are you still willing?"
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