Together with the special effects artists, she re-examined every detail of the effects, from the texture of the scales of the fantasy creatures to the lighting effects they created as they flew, offering suggestions for improvement bit by bit. Based on these suggestions, the special effects team worked day and night to revise and refine the effects, sometimes spending several days polishing a single few-second special effects shot.
Meanwhile, to better showcase the unique landscapes and architectural styles of the cross-border filming scenes, the visual effects team needed to communicate closely with the on-location crew to obtain the most accurate details. Due to time differences and communication methods, there were instances of inaccurate information transmission, causing some detours in the visual effects production. However, everyone persevered, constantly adjusting and experimenting, all to achieve the best possible visual effects and enhance the film.
Chapter 5: Marketing and Promotion Challenges
While worrying about the filming schedule, Ah Yu also began to consider the project's subsequent marketing and promotion. After all, marketing and promotion play a crucial role in the success of a film or television work.
However, this is a work aimed at the international market. Different countries have different film and television marketing channels, audience preferences, and cultural taboos, so the difficulty of developing an effective marketing plan is self-evident. Ah Yu organized a market research team to go deep into various target countries, collect data on local audiences' preferences for film and television works, analyze the traffic characteristics of major film and television platforms, and the interaction habits of users in different regions on social media.
Based on the research findings, Ah Yu drafted a preliminary marketing plan, intending to collaborate with well-known film bloggers and critics from various countries for pre-release promotion, and simultaneously release engaging trailers on major international film and television platforms to attract audience attention. However, problems arose when negotiating collaborations with some international film bloggers. Some bloggers demanded excessively high fees, exceeding the budget, while others were not convinced of the film's style and positioning and were unwilling to cooperate.
Ah Yu could only rely on his communication skills once again, explaining the film's highlights and unique features to the bloggers in detail, trying to persuade them with a more reasonable compensation plan. At the same time, he was constantly adjusting the marketing strategy, looking for more cost-effective promotional channels that better suited the film's style, striving to ensure the film gained sufficient exposure globally.
Chapter Six: Funds Running Out Again
Just as everyone was working hard in their respective positions to overcome difficulties and keep the project moving forward, new funding problems emerged. Due to the previous delays in filming, various costs increased, and coupled with the high costs of special effects production, the previously eased financial pressure became tight again, and there was even a trend of renewed crisis.
Su Yao's heart, which had just breathed a sigh of relief, tightened again. She knew that securing funding this time would be even more difficult. But she didn't back down at all and embarked on the arduous journey of seeking investment once more. She reorganized the latest progress of the project, creating presentation materials from completed highlights and special effects demos to showcase the project's potential and value to more potential investors.
This time, she not only targeted traditional investment institutions and film funds, but also set her sights on some emerging technology companies and cultural industry groups. Although these companies are relatively cautious about film investment, if you can impress them, they can often provide substantial financial support and unique resource advantages.
Su Yao traveled to various cities, attending one business negotiation meeting after another. Faced with all sorts of tricky questions from investors, she tried her best to give satisfactory answers. Sometimes she would run to several places in a single day, leaving her voice hoarse from exhaustion. But as long as she thought that the success or failure of the project depended on her efforts, she was filled with motivation again.
Chapter Seven: Turning Point and Hope
Perhaps perseverance pays off. Through Su Yao's persistent efforts, several reputable companies finally developed a strong interest in the project. After in-depth investigation and negotiation, they decided to invest additional funds. This new injection of capital was like a beacon in the darkness, illuminating the project's path forward once again.
With funding secured, filming progressed much faster, special effects production went more smoothly, and marketing and promotion efforts were able to proceed steadily as planned. After initial adjustments, the staff from various countries worked together with increasing synergy, all striving towards the same goal.
During the filming of the final few international scenes, despite encountering unexpected situations such as sudden weather changes and last-minute location changes, the team's efficient collaboration and experience in handling such situations resolved them all. Each and every brilliant shot was captured on camera, and the special effects team seamlessly integrated fantastical and dazzling effects, making the visuals breathtaking.
Ah Yu looked at the footage, his heart filled with satisfaction. He knew that this work, which embodied the hard work of countless people, was steadily moving towards success. Zhong Hua was also excitedly discussing the details of post-production art direction, while Su Yao began planning the premiere. Everyone was filled with anticipation.
Chapter 8: On the Eve of the Premiere
As the project neared its end, preparations for the premiere were in full swing. Ah Yu contacted renowned film stars, directors, and key figures in the industry from various countries, extending invitations to the premiere. He hoped that a grand premiere would create a sensation in the global film and television industry.
Zhong Hua was in charge of the art design for the premiere. She incorporated classic elements from the film into the venue's decorations, creating a fantastical space with cultural characteristics from various countries. From the stage backdrop to the lighting effects, every detail reflected her dedication, making everyone feel as if they were in the film's fantastical world.
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