Chapter 105 Miracle Qualification Group
There is more than one spirit in Mogao Grottoes.
To be honest, when Jia Wenyan first came up with this speculation in her mind, she couldn't believe that she, who already had a certain understanding of weapon spirits, could actually imagine the possibility of such a person who had no villain or sense of existence at all.
But later, as she continued to advance in the restoration of the murals, Jia Wenyan suddenly had some general ideas. For example, whether there were any unforeseen accidents in the process of the birth of the spirit of the Mogao Grottoes.
However, according to the logic of craftsmanship and public recognition, there should not be multiple spirit objects born from the same series of cultural relics.
Jia Wenyan's words were cruel. She knew that the murals of Mogao Grottoes contained various exquisite stories with different themes. But for most people, their visual impressions were collectively referred to as Mogao Grottoes murals.
But with the reaction of Qi Ling Caihuang when Jia Wenyan was repairing the mural, Jia Wenyan suddenly felt that the whole thing began to become interesting.
Of course, she did not want to deny her past understanding of the spirit of the weapon, but because she had learned some clues through the spirit of the weapon born in the Mogao Grottoes murals.
To date, Jia Wenyan has a very deep understanding of artifact spirits. She has even roughly figured out the situation in the field of artifact spirits in the entire Xian'an, as well as other provinces in the province and even several neighboring provinces.
Fortunately, in recent years, with the continuous extension of national propaganda efforts, the birth rate of Donghuang cultural relics and artifacts is increasing. But even so, the cultural relics and artifacts still maintain a very high uniqueness.
The birth of an artifact spirit will siphon the willpower of the entire area.
The most representative of these is the Donghuang blue and white porcelain, which is obviously the most recognizable and representative object in most people's minds, but over the years, there has always been only one blue and white porcelain spirit.
However, unlike most of the spirits she had seen, this spirit born from the flying murals of Mogao Grottoes not only maintained a relatively unclear "child state", but also had almost no memory of its past.
Especially when it learned from the "Double Sheep Zun" what happened to the "Colorful Brilliance" or the Flying Apsaras mural, Jia Wenyan felt more and more strange the more she thought about it.
Logically speaking, famous attractions like Mogao Grottoes have gone through many years.
Whether in terms of size or the quality of the cultural relics, the spirit of the Mogao Grottoes should be a powerful existence full of classical charm.
However, the Caihuang in front of him now not only looked like an unintelligent child, but even the flying feather robe he was wearing was too "plain".
Jia Wenyan was very puzzled by this. After all, according to her restoration results, the flying mural in front of her should have been restored very perfectly.
Although she had no way to get more effective information from Caihuang, who had lost his memory, but judging from Caihuang's reaction to the restoration results of the mural, her restoration direction seemed to be correct.
She was puzzled, so she went to find Grandma Xu and wanted to ask her if she could get more effective information.
They even asked all the spirits around them for help, even though there were some artifacts that were older than the Mogao Grottoes murals.
However, as both are spirits of weapons, they do not know much about each other's situations.
But what they can be sure of is that the spirit artifacts represented by the Mogao Grottoes murals are definitely among the most powerful among the spirit artifacts in the entire Northwest region.
They didn't know what went wrong. However, it was this process that made Jia Wenyan realize the key to the problem.
Although that was just her speculation, it was based on the information she and Grandma Xu obtained from asking other spirit objects.
The Mogao Grottoes spirit objects they described were all the Mogao Grottoes murals, not the flying apsaras they were currently restoring.
She had reason to doubt that there was nothing wrong with her repair and that Caihuang's memory gap was not because her memory had been damaged.
This is because Caihuang itself is only a part of the Mogao Grottoes murals.
Although the themes are different, all the murals in Mogao Grottoes are a set of wholes carved in the caves.
So no matter how people divide them, the Mogao Grottoes murals should be a complete aggregate.
This means that the memories that Caihuang "awakened"/recovered during her restoration of the murals were far more complete than she had previously imagined.
In order to verify this, she took Tianxing (dragon scale jade pendant) to Mogao Grottoes for a field investigation.
As expected, there is a large amount of dormant broken energy in the Mogao Grottoes.
According to the intensity of these energies, it is entirely possible to form an extremely powerful spirit weapon.
But they have been in a dormant state.
Such a strange phenomenon made Jia Wenyan think for a moment that the original spirit of the Mogao Grottoes might have dissipated after being damaged.
It was just that the mental energy accumulated by its original body was too huge, so the scene appeared. And if we follow this line of thought, the existence of Caihuang should be the mural spirit that was reborn through human mental power after the former Mogao Grottoes spirit died.
It became a separate entity because it was chiseled out of the stone wall.
And because Flying Apsaras is the composition that leaves the deepest impression on people in the Mogao Grottoes murals, its own consciousness was born.
It's just that because the original intention of the murals was to depict a complete collection, there are cases like Caihuang, which, even though it has an independent and complete body, still only has a small part of the memory.
Even at this moment, Caihuang was most likely influenced by this impression, which was why his eyes were often empty, so much so that Shuangyangzun mistakenly thought that he was a spirit of the artifact that had completely given up on itself because of being detained in a foreign country for many years.
Jia Wenyan: "Tianxing, let me ask you, if I put the stolen murals back in place and repair them, is it possible to restore the spirit of the Mogao Grottoes?"
"It's difficult."
At that moment, Tian Xing, who had transformed from a dragon into a "general" again, turned around and said after touching the incomplete mural with his hands:
"I know what you are thinking, but the death of the Mogao Grottoes mural spirit is an indisputable fact."
"Even if the energy here is reorganized, it will no longer be the original Mogao Grottoes spirit."
Jia Wenyan: "What do you mean?"
"It's very simple. Your restoration of cultural relics is like your blood transfusion or replacement of "artificial joints"."
"If this person is alive, she can assimilate these foreign substances through natural metabolism. But if this person is dead at this moment, even if you can replace all her organs, it is impossible to bring her back to life."
"In this case, even if it survives, it will only be a brand new weapon spirit like that little guy."
Jia Wenyan: "So our best solution now is to wait for the birth of a new Mogao Grottoes artifact spirit."
Tian Xing: "Yes, but no. We really have no way to call back the spirits of the Mogao Grottoes. But right now we have something very important to do."
…
Inside the Mogao Grottoes, Tianxing, floating in the air, quietly looks at the "little girl" sitting on the flying fairy mural.
As the planner, he had never experienced such a situation before and didn't know whether his and Jia Wenyan's speculation was correct.
But he is sure that if the status quo continues, the spirit of the Mogao Grottoes will not be born due to the defects in its shape.
Moreover, since Caihuang is not completely considered an independent individual, he cannot have his own personality.
So they were ready to take a gamble and try to see if if they put the mural back in place, there would be a chance that Caihuang, who was like a walking corpse and could only act on instinct, could form a new spirit entity together with the other murals.
This is a very long process, but fortunately this time she no longer needs to work alone in the workshop like before.
From Yong'an Museum, to Yong'an College, and then to Yong'an Theme Park, Jia Wenyan's mentality has changed and upgraded to varying degrees along the way.
At the beginning, she always chose to believe in herself out of habit, thinking that as the owner of the Golden Eyes of Time, she would not make any big mistakes as long as she tried hard to distinguish.
She regards many cultural relics restoration works as her responsibility after possessing the Golden Eyes of Time.
The unique characteristics of the Golden Eyes of Time allow her to communicate and learn from the spirits of cultural relics, and she has the skills and ability to see through things that were previously incomprehensible to others.
This is her advantage, but at the same time, precisely because of this difference in ability, she began to worry about whether others, even many of her "peers" who have been in the industry for many years, can truly complete the restoration of cultural relics.
She began to mistakenly believe that the restoration of cultural relics was to restore them to their original and most "beautiful" appearance.
She gradually forgot the value of the cultural relics themselves. In addition to the exquisite craftsmanship, there were more historical traces left over from the passage of time.
What's more, even if she knew the original appearance of the cultural relic, there was no way to "rejuvenate" the wooden board that had been nailed back to its original appearance.
Because of this, she even fell into self-entanglement and confusion.
This began to change until the establishment of Yongan College.
The students of Yong'an College made her realize that as long as the teaching system and training experience of cultural relics restoration were more complete and systematic, the growth of ordinary restorers could be accelerated to the greatest extent.
Limited by technology and the pressure of real life.
Most cultural relic restorers may have few opportunities throughout their careers to improve their restoration skills to a level that would satisfy the spirits who represent the cultural relic consciousness.
However, Yongan College's practice of gathering together famous masters of traditional crafts from all over the country and outstanding students from all over the country gives everyone an opportunity.
Under the Yongan system, the park provides funds, the college provides technology, and the museum provides the platform.
She believes that one day, these cultural relics restorers trained by Yong'an College will be able to confidently carry out further restoration or transformation of the relics.
But what people didn't expect was that compared to these trivial matters at the moment, the other party's growth was the most surprising thing.
Although Yong'an College is using the traditional craft system to train cultural relics restorers.
But in most cases, ordinary students are more in the stage of creating "new objects" rather than repairing them.
Their original plan should have been to wait until this group of students graduated from Yong'an College before attempting specific cultural relics restoration work.
But what people didn’t expect was that as the first batch of students admitted to Yong’an College, their talents and abilities were beyond the college’s imagination.
During that period, Jia Wenyan was still thinking about how to make the restored works more popular. Many of the children were favored by tourists because of the restoration of the replicas.
Even some of the best ones were further improved in the process. At that time, Jia Wenyan never thought that one day the artifact spirits in the museum would resonate with the artifacts reproduced by ordinary people.
You have to know that every cultural relic carrier she had made before was the result of repeated confirmation with the cultural relic spirits.
But now, the students of Yong'an College can, without the help of the Golden Eye of Time, replicate the cultural relic carrier that is sufficient to transfer the spirit of the weapon entirely by their own ability.
This was a situation that Jia Wenyan had never dared to imagine before.
Although her homework speed at that time was definitely much faster than that of the kids now, it still couldn't change the fact that the other party, without the help of the system, produced a work that was almost the same as hers.
Even if they spent a lot of time, no matter what the process was like, the moment the finished product appeared, the reaction of the artifact spirits was enough to prove that they were qualified to create miracles.
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