Chapter 269 God is very busy (3rd update)
"Hello, are you from the Overseas Channel team?" The young couple hurried forward to greet them with a smile. The other villagers crossed their arms and looked curiously, while the children walked around the bus.
An Zhixia smiled and took out a handful of fruit candies from her bag and gave two to each child.
The group greeted the host and carried the machine from the car. An Zhiqiu, with sweaty hands, recited the manuscript in a hurry. If it weren't for the girl's enthusiastic look, he really wanted to back out.
An Zhixia touched her brother and said, "Brother, this is not a live broadcast. Who can succeed in recording for the first time? Let's try a few more times to get a feel for it. Don't you usually say it well when talking about cooking? Just treat the black lens as a fine iron pot, and your old friends and the filming staff as green onions and garlic cloves. You can do whatever you want!"
As An Zhiqiu thought about it, he couldn't help but burst out laughing, and the tension that had accumulated in his body also subsided. "It's not a question of how I will perform at that time, I will have to laugh."
"That's perfect. A smile that comes from the heart is more contagious," An Zhixia said with a grin, "Let's change our clothes. I'll accompany you to record today and cheer you up."
She snatched the manuscript from her brother's hand and threw it aside, then pulled him out of the car. "Brother, take a few deep breaths, we're about to start filming, be natural, follow my rhythm!"
After all the staff were ready, An Zhixia began to talk about the content of the recording of "Tao Tie". They all had a copy of it and had reviewed it many times, and even in the car, Shao Tongfeng took them to familiarize themselves with it twice.
However, no one showed any annoyance on their faces and they listened very seriously.
After the director called for the start of filming, An Zhixia, who was wearing a bun and a white shirt, a red polka dot and a brown wool skirt, walked around the green wall with her hands behind her back. With a mischievous smile on her lips, she tiptoed to the young man who was sleeping in a rocking chair with a book on his head, and suddenly took the book away.
As the sun shone down, the young man frowned slightly, then he jumped up in the next second, turned around, and revealed his noble and cold appearance. He stared at the girl, helpless and doting, and reached out to rub the top of her soft black hair.
The girl was like a cat with its fur standing on end. She waved her short arms around, but she couldn't hit the person in front of her no matter how hard she tried.
Seeing this, the employees tried their best to hold back their laughter, covering their mouths with their hands, for fear of revealing any sound or image. I didn't expect that Teacher Xiao An could be so cute.
…
Starlight gradually filled the young man's eyes, and a smile spread across his face.
The girl smiled flatteringly, put her hands on her stomach and said softly, "Brother, I'm hungry."
"Taogui" adopts a small theater mode. At the beginning, it is a sweet interaction between childhood sweethearts. The little childhood sweetheart cooks the simplest farm dishes for the little childhood sweetheart, such as bacon fried with dried vegetables, scrambled eggs with tomatoes, Dongpo pork and thick and fragrant corn paste. There is also a guest appearance by a blind grandmother. Although the old woman can't see, she has a smile on her face that is precipitated by time and soaked in labor, which is particularly touching.
A lost foreign couple followed the scent and came here, and the enthusiastic Xia people invited them to sit down and have dinner together.
Although color TV is available now, most TVs are still in black and white, so they need to explain the deliciousness of farm dishes to overseas audiences from many aspects, including filming techniques, filming content, and their interactions with foreign couples.
Ruth was originally a host on location, so she was very good at livening up the atmosphere. She was also a typical foodie, and she and George played a fake couple. Although they explored around Kyoto to uncover Xia Hua's veil, everyone was always reserved and superficial in their reception because of their identities.
Therefore, they rushed forward recklessly but all they got from Xia Hua was not what they deserved, and they didn't know how to complete the filming task assigned by their superiors.
Originally, they helped the overseas channel to launch the program out of kindness to Li Hanqian, and they didn't really have high hopes. However, the moment the food entered their mouths, they felt the madness from Beilei and the trembling of their souls.
"Hmm," George stared with his eyes wide open and clumsily stuffed mouthfuls of food into his mouth with chopsticks, pointing at the food and nodding constantly, but he was reluctant to speak.
Ruth just took the time to utter: "Oh My God. It is very delicious!"
An Zhixia smiled and taught them how to pour the scrambled eggs with tomatoes over the rice and mix well. The sweetness of the tomatoes and the tenderness of the eggs wrapped around the crystal clear rice, and it was so delicious that the two of them ate three large bowls of rice.
People outside the venue were also drooling.
The clean and quiet courtyard is filled with dappled sunlight divided by towering trees. Time seems to be frozen at the most beautiful moment, and laughter is tinged with honey.
The director said "Cut", and everyone relaxed and started preparing for the next part of the shooting.
An Zhixia took out two sets of clothes, which turned out to be Hanfu. The men's version was a black suit with auspicious cloud and wild crane patterns sewn with gold thread on the cuffs, collar and belt. The women's version was a white top with a stand-up collar and wide sleeves embroidered with red peonies and a red long skirt.
They changed their clothes in the room, and An Zhixia quickly put on some light makeup, making her already beautiful features more three-dimensional and delicate, which was in line with the aesthetics of foreigners, and also had Xia Huaguo's graceful beauty. Two red ribbons were tied around her double bun, her neck was white and slender, and she was wearing red embroidered shoes. When she opened the door and walked out, stepping on the spring breeze of April, she looked like a peony in full bloom, which made people freeze in their place for a long time.
An Zhixia chuckled and ignored them. She pulled her brother to sit in the yard, then put on a wig made by a master barber in the barber shop and put some light makeup on his face.
Hanfu wraps the curves of people, showing the most beautiful posture. Men in tight clothes walk with a dashing manner, holding a sword in their hands and becoming cold-blooded killers walking in the rivers and lakes. An Zhixia has shoulders like a knife, waist like a slender waist, steps lightly, and a round fan makes her look like a graceful girl in the boudoir.
An Zhiqiu had An Zhixia as his martial arts action director, and he actually performed a set of smooth and impressive moves. In addition, staff members climbed up the tree and scattered broken leaves, and a 50-cent slow-motion special effect was made in the later stage, and a generation of knights was born.
The previous stories were close to reality, but this time, with ancient costumes, An Zhixia directly performed a 20-minute love-hate short play of children of the underworld, during which the "Eight Beijing Stories" were cleverly inserted.
These eight Beijing delicacies are not mass-produced in a store, but are made by a knight who has laid down his butcher knife using a kitchen knife and a simple stove.
They filmed until the last rays of light were submerged in the sky, and then they excitedly called it a day and went home. Although a 40-minute program took them a whole afternoon, and they had to spend another half a day editing, they still didn't feel tired, but rather couldn't wait to see the results.
(End of this chapter)
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