In reality, the difference between a strategist and a cunning advisor often lies in the right timing.
Take strategists, for example. Sometimes their advice is really helpful, but they lack foresight and are prone to misjudging opportunities.
Domestic figures like Yu Jingkang and Tangsteel are examples of this, and similar strategists exist abroad as well.
for example.
The leaders of Han Ya, Si Hai, and Rizhao.
They agreed to sit together in a top-tier private room.
The people in this private room are all prominent figures.
Itto Noda, Watanabe Ye, Zhang Zhen.
These officials were all accompanied by their trusted confidants.
For example, Kimura always followed Noda.
Noda, head of the Shikai Music headquarters.
Watanabe No is responsible for many business areas due to his outstanding abilities, including music, comics, and film.
Zhang Zhen is in charge of the Cold Crows, but he is also in charge of diplomacy.
“Filming location is not a problem, Shikai will take care of it.” Noda Kazuto saw that they were all smoking cigars, so he tried to smoke one himself, but unfortunately he didn’t know how. After he finished speaking, he started coughing incessantly.
Watanabe, holding his beautiful secretary, laughed and said, "I can handle the public opinion issues. I'll try my best to ruin Li Zhaoyang's reputation in the film and television industry. He's a musician, and if his reputation in the film and television industry collapses, even if the movie is finished, not many people will buy it. Hehe, this little idiot, he doesn't want to develop his music career, he insists on making movies. I'll crush him in the film and television industry."
Chang Chen: "Since we've reached a consensus, let's start making our move first thing tomorrow morning. Let Li Zhaoyang have a headache in the film and television industry for a while, and then in a couple of days we'll go directly to Chairman Ka and whisper in his ear that Li Zhaoyang is holding a position in the association but isn't focusing on creating music and is instead doing something unethical. This is a desecration of his status as a representative of the American Writers Association. As long as Chairman Ka's goodwill towards Li Zhaoyang decreases even slightly, the three of us will directly invest and seize control of the Chinese song market share."
"Okay, that's fine."
"Wow, I never expected you Chinese to be so ruthless, but... I like it."
"In that case, let's drink to that little fool Li Zhaoyang's downfall."
"Hehehe..."
"Ha ha ha ha……"
...
"You prepared two pieces of music?"
Sunset.
The first thing Zhang Shulan heard from Zhao Yang upon arriving at work was: "I thought you were going to outsource the theme song and ending theme song, or have other colleagues in the department do it, but I didn't expect you to handle everything yourself."
From this perspective, it seems that Zhaoyang can develop film and television while also composing music, thus not neglecting either endeavor.
only.
If development proceeds simultaneously, will Zhaoyang be able to keep up with the demand?
Zhang Shulan was very worried about Zhao Yang's mental state, that he was so tense.
"It's not the theme song or the ending theme, it's an insert song," Li Zhaoyang replied.
"Two insert songs? Have you decided who will take over the theme song and ending theme song?"
Li Zhaoyang: "I don't plan to use the theme song and ending song for this drama."
Zhang Shulan: "If there's no theme and no end credits, can it still be called a movie?"
Li Zhaoyang: "I don't think it's a big problem, as long as the plot can hold up."
Zhang Shulan: "No, the script is so good, it would be a shame to cancel the theme song and the ending song. Even if we put those two insert songs in the opening and ending credits respectively, it would be fine."
Li Zhaoyang: "I thought about it carefully. Those two songs are very suitable for two scenes in the movie."
Zhang Shulan: "I really can't bear to do this with such a good script. We can do without the theme song, but I think we still need an end credits song. After all, it's the end of the story, and even a purely instrumental piece would be fine."
Li Zhaoyang thought it was a good idea, but there was no need to spend so much reputation.
Zhang Shulan understood Zhao Yang's meaning, so she said nothing more.
Li Zhaoyang: "Director, if there's nothing else, I'll go find someone to record the interlude."
Zhang Shulan nodded and said, "Okay, Director, I believe in your creative attitude towards music. By the way, send me the files for those two interludes to my email, and I'll take a look at them for you."
"It's already been sent." Li Zhaoyang turned and left, directly informing Ling'er and Songzhou.
Ling'er was in charge of singing "The Wind Rises".
Songzhou should be able to be controlled for ten years.
The song "Ten Years" was originally intended to be sung by Zhao Tianhe.
However, Zhao Tianhe's singing style is too unique and highly recognizable. He insists on using a blurred singing style to perfectly showcase his strength.
After Li Zhaoyang left, Zhang Shulan listened to the two interludes for more than ten minutes. She felt a little dazed and even wanted to cry.
Whether it's "Ten Years" or "The Wind Rises," there's a truly relatable feeling that touches the depths of the soul.
Ten years ago, we didn't know each other, and then we became friends. This transformation really reveals what we went through in those ten years, from being the most familiar people to becoming strangers.
And then there's the wind... It's absolutely a bombshell of youthful songs.
Zhang Shulan's pretty face, bearing the marks of time, revealed a tender expression. She sat in front of the computer, shaking her head, seemingly lost in thought: "Zhaoyang's songs in this regard always manage to touch the most vulnerable parts of people's hearts."
Sometimes she even suspected that Zhaoyang had traveled back in time to dominate the music scene.
In such a short time, he already has 11 representative works, and now he has added two more: Ten Years and The Wind Rises.
Many Chinese songs, regardless of their subject matter or genre, are not popular in the United States.
However, music of the youth and emotional genres, as long as it is of good quality, will be popular in any country.
Especially in shows like "Ten Years" and "The Wind Rises," some things differ from one country to another due to cultural differences, but some things are universal, regardless of whether they are domestic or foreign.
For example, feelings, experiences, and... youth.
Unless you grew this big all at once, but is that even possible?
One cannot simultaneously possess youth and the feeling of youth; as the saying goes, one cannot have both fish and bear's paw.
When you embrace youth, it might be during high school or when you've just entered the workforce.
When you suddenly realize that you've grown up, many things you cherished in the past have become memories, and you begin to slowly recall them in the dead of night, enjoying the momentary peace that "solitude" brings.
Only in that brief moment can one remove that "mask" and be their true self.
"Director, what's wrong?" Zhang Xincheng called out a few times, but when he came in, he found that the director was crying.
"It's nothing." Zhang Shulan turned off the audio file: "Zhaoyang's new song is great, the emotion is just right, it touches the heart."
"The director heard it too? I was just about to report this to you." Zhang Xincheng felt a little unreal: "Is Zhaoyang cheating? Every song he writes is a bombshell. I just listened to 'Ten Years' and 'The Wind Rises.' I won't comment on 'The Wind Rises' for now, but 'Ten Years' is really devastating for people my age. He's only in his early twenties. How can he write a song like 'Ten Years'?"
Zhang Shulan: "You're getting more and more outrageous. Do you really think this kind of cheating is real? All I can say is that Zhaoyang's musical talent is unmatched in the global music scene."
Zhang Xincheng laughed heartily: "I was just joking, but to be honest, since the director and Zhaoyang came, our branch office has really been transformed, and the work atmosphere has become completely different."
Thinking back to how deserted the branch office used to be, and looking at it now, it's a completely different story.
"Director," Zhang Xincheng asked again, "what exactly were those two trembling words? I've been pondering them for over ten minutes and still can't figure them out."
If those two words hadn't trembled, I wouldn't have realized how much I was hurting...
Are the two words that can make people feel terrible "break up"?
But usually when people say they want to break up, they say "Let's break up," which is just three words.
Or is it hello?
Or perhaps goodbye?
Zhang Shulan: "This is the highest point of the ten years. From the perspective of musical art, these two words are left blank, allowing the audience to guess for themselves. Its art transcends technique."
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