Chapter 54: All members BE and ancient costume demeanor



"What's the meaning of this title? You look down on me, don't you? My name is not included in the scandal involving three people."

Wei Yang was somewhat indignant and expressed his dissatisfaction with the ranking and exposure of the title.

As for this news, although the title is sensational, the news is actually quite normal.

The general content is that the main creators of "Chinese Paladin 3" have a good relationship, and they have dinner together after the show in the evening. At most, there is a little connotation that Wei Yang is trying to please girls by trying to be nice to them, and a man is just hanging around two girls.

Wei Yang felt that the guy who wrote this article might be jealous of him, and the sour taste of the article could be smelled through the screen.

He also took a special look at the signature of the article. The news was published on Sina.com, but it didn't seem to be written by a Sina reporter. It should be a freelance contributor, most likely the paparazzi from last night.

His name is Cao Xuan, which sounds greasy and vulgar. Wei Yang decided to report this guy every time he saw his article in the future...

The small scandal did not affect the filming progress of "Chinese Paladin 3". At most, the creators just joked about it on a daily basis.

In mid-to-late April, as Hu Ge had not yet joined the crew, the scenes related to Jingtian could not be filmed, and the focus was mainly on other characters.

A few days ago, the main characters' scenes were shot, and now Group B has started filming the branch scenes with Zi Xuan and Xu Changqing. Wei Yang finally no longer has one or two scenes every other day, and the number of notices increases every day.

The reason why "The Legend of Sword and Fairy 3" is still remembered by many people is that its main theme is that it is hard to let go.

The well-behaved and sensible Long Kui sacrificed herself to create the magic sword! The honest and kind-hearted Maomao cut his flesh and died, but he never saw Chang'an! Xu Changqing and Zixuan were entangled in three lives, and they were deeply in love, but they did not end up together.

The Demon Lord Zunlou left sadly because he couldn't get the love he wanted.

The only male and female protagonists with a better ending, Jingtian and Xuejian, also have their lifespans reduced because Jingtian exchanged his life for the world, so their future is in question.

It can be said that "The Legend of Sword and Fairy 3" is a typical BE plot for everyone, and the protagonist group is almost "annihilated".

In fact, the original game "Chinese Paladin 3" has a total of five endings, some of which are regrettable, but there are also relatively perfect endings.

For example, there is one where the Demon Lord Chonglou resurrected Longkui and split Longkui into two. Jingtian became the pawnshop manager, Xuejian was his wife, and there were also two sisters, Hongkui and Lankui, who lived freely and happily...

It is actually easy to understand why the screenwriter of "The Legend of Sword and Fairy 3" chose to give the protagonists a tragic ending.

After all, in order to take down the big boss, the Evil Sword Immortal, the protagonists overcame numerous difficulties and made countless sacrifices, which made the audience cry, and then they finally finished the story.

In the end, everyone was resurrected, nothing happened to anyone, it was a happy reunion. Isn't this nonsense?

Therefore, this victory gained through a tragic victory is more impressive, and it also sublimates the essence of many characters. The most obvious one is Maomao. If he didn't die, he would be a silly little brother, but it is precisely because he can't be resurrected that many people feel distressed.

Tangren, which tasted success from Ling'er's death in "The Legend of Sword and Fairy", is obviously very experienced in this area.

In a word, it’s all about abuse, the more abuse there is, the more topics there are!

After Wei Yang got the role of Demon Lord Chonglou, he did careful research and analyzed his character traits.

Putting aside the role, this character is actually very likable. He appears to be strong and domineering on the surface, but is gentle and affectionate inside, even a bit innocent, which at one point makes Zi Xuan look a bit like a scumbag.

If this character is played well, even if he is not as good as Lu Xinghe, he will still be remembered by many people.

Wei Yang has many shortcomings, but one of his strengths is that he is serious and dedicated in his work. This is partly due to his personality, and partly due to his instinct to maintain his professional reputation.

Only if your brand is good and solid enough will people be willing to cooperate with you and you will earn more. Wei Yang never jokes about his job.

This was the case when I was a screenwriter, and it is still the case now as an actor.

Being an artist is not an easy job. Wei Yang also knows his own personality and it is difficult for him to pursue both moral integrity and artistic excellence. Since he cannot have everything, he should at least keep one of them.

For Wei Yang, he would rather be a villain with talent but no morals than a mediocre person who is "a good person, but a waste"...

Demon Lord Chonglou has few scenes, which actually gives him more time to think about the role. He usually practices fighting scenes and often rehearses literary scenes and lines in private.

Other people were not very clear about this, but Yue Yueli, who lived in the same room with him, saw it all and couldn't help but sigh.

There are very few young actors like this who are willing to work so hard in private.

Therefore, Teacher Yue, who had a keen eye for talent, was happy to give Wei Yang some pointers in his spare time.

Teacher Yue’s acting skills are not particularly outstanding, but he has been filming too many movies. Just his decades of experience in the crew can be passed on to Wei Yang, who is still a newcomer, and he has benefited a lot from it.

"The Demon Lord you play is a big shot. I know you want to deepen his majesty, but acting with a stern face is too wooden. Don't be stingy with your expressions, and actively give information to the audience and your opponent.

But being too frivolous can easily make you look frivolous, so you just need to work hard on your manners, and if your every move has that kingly demeanor, then the character will be half alive…”

Yue Yueli and Wei Yang discussed how to grasp the role of the Demon Lord, and placed a major emphasis on demeanor in the performance.

Read the original text at Liu#9@书/吧!

In costume dramas, especially for characters of higher status, it is crucial to get the manners right.

For example, the Di Renjie in "Detective Di Renjie" was brought to life by Liang Guanhua. It was because he had designed the character. His manners were calm and dignified, his speech speed could be controlled freely, and he walked in all directions with a relaxed demeanor. It was as if a living Lord Di was standing in front of you.

After watching for so long, the audience is not used to seeing a thin Di Renjie...

What Wei Yang can do is to design a set of manners and temperament for Demon Lord Chonglou. If he can have even a third of Liang Guanhua and Di Renjie's skills, he will have secured the role.

Wei Yang may not have enough acting experience, but as a screenwriter, he is good at imagination, setting and details.

When Wei Yang sees the script, he will go over the finished play in his mind, and then frantically add relevant details to his own script based on the designed character's demeanor and temperament.

In the script, for a [Chonglou:], he could at least expand the front of [:] by one or two hundred words, or even more.

Some of these were his own inspirations, and some were modeled after details of similar characters in his memory, and then he asked Yue Yueli to help him check them.

In reality, most of these details are never used.

Some of them were forgotten as soon as they started acting, some were not approved by the director, and some were too difficult for Wei Yang's acting skills to show.

But even if only part of it can be used, the character of Demon Lord Zunlou is much more vivid and richer than in the original script.

During this period, Wei Yang's acting skills also improved at a visibly rapid pace, and even Da Mimi and Liu Shishi couldn't help but come to learn from him.

Especially Liu Shishi, who is not a professional actor and has the worst acting skills among this group of people. She will also be filming "Twinkle Twinkle Star" with Wei Yang later. Now seeing Wei Yang making such rapid progress, she feels a lot of pressure.

Wei Yang didn't say a word, but threw out two documents, a "Supplementary Script" with at least twice the word count + a "Biography of the Demon Lord" with more than 30,000 words.

Looking at the densely packed supplementary marks on the script in front of them and the character biographies that were comprehensively analyzed from beginning to end, Liu Shishi and Da Mimi were both silent.

Especially Da Mimi, she has never had a very good impression of Wei Yang. She thinks Wei Yang is smooth-talking, shameless, and a playboy who likes to deceive young girls.

But this time, she also looked at Wei Yang with a new eye. Although this man was a scumbag, he was really decisive when it came to his work…

(End of this chapter)


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