After leaving the small theater, Liang Liang went to Shucun again to see if the people from Shucun still had enough money to go home this year.
Compared to last winter, these villagers don't seem to be much better off; they still look miserable.
This year, Liang Liang gave each person more travel expenses than last year, giving each person 200 yuan, which ensures that they will have money left over after deducting their travel expenses to go home for the Spring Festival.
While Liang Liang and the Blue Shark Band were rehearsing in Beijing, Liu Wen was also busy in Lianwan.
Following the phenomenal success of Xu Wei and Hanmei's album, he has just produced a compilation album.
This compilation album is actually just a remix of songs by the Blue Shark Band, Xu Wei, and Hanmei Group.
To put it bluntly, it was launched purely to make a quick buck before the new year.
This platter wasn't heavily promoted; it was released after an order was placed at a trade fair.
The initial results were quite good, reaching over 300,000.
If he didn't have other tasks to complete, Liu Wenhai would have liked to put on another platter.
The copyrights to these songs belong to Haiyun Audio-Visual Company, so he can combine them however he wants.
However, because they needed to make a proper album, the idea was put on hold.
He then began preparations for the third and fourth albums produced by Haiyun Audio-Visual Company.
The album by the Hanchuang Band has been completed and they plan to release it before the end of the year.
"Northeast Rock 2" has entered the intense recording stage.
The album was released by six bands from Songyang, Changchun, and Harbin, and six bands from Lianwan, each contributing a song.
The pressure on Liu Wen was relatively light for these two albums, as they were unlikely to achieve the sales figures of Haiyunyin's previous two albums.
He predicted that a combined sales volume of one million copies for these two albums would be a victory.
With these two albums released, Haiyun Audio-Visual's mission for this year will be complete, and the focus will shift to next year.
Next year, Blue Shark's own album will be the top priority for Haiyun Audio-Visual.
Then we sign some new talents and release new works.
After New Year's Day, small theaters in Changchun and Harbin also started operating, and judging from the initial operation, the situation is relatively optimistic.
The Songyang Small Theater, which was the first to open, is now basically at full capacity every day after a period of adjustment, with a stable daily income of around 3,300 to 3,400 yuan.
In this way, each band performing in the small theater can earn about 200 yuan a day, which basically solves their basic needs.
Liu Wen was busy working on his album at home, while the Blue Shark Band was rehearsing in Beijing.
At this time, Han Chui was dealing with foreigners.
Hannah and Mia, two German girls, were determined to introduce Chinese rock music to Germany. They formally invited the Blue Shark band through a cultural exchange event.
Six invitations were sent out, inviting six Chinese rock bands to perform in Germany in mid-to-late April.
In 1993, during my previous life, six Chinese bands performed at a cultural exchange event in Berlin, Germany. It was probably called the Chinese Avant-garde Arts Week.
Liang Liang said she watched the performance, which lasted nearly two hours, through a documentary.
The documentary was filmed by foreigners, and it's very likely that the order of the performances was disrupted. In any case, the performances of each band had a fragmented feel to them.
From a professional perspective, all the bands at this music week performed poorly.
Old Cui sounded like he'd had too much to drink and sang without much confidence, but fortunately his band was quite solid, which prevented his shortcomings from being magnified.
Wang Yong's approach was to combine Chinese and Western styles, resulting in a rather incongruous and awkward combination.
I'm not very familiar with this musician, Liang Liang. He often plays keyboards in Beijing rock bands, including Lao Cui, Black Panther, and Tang Dynasty.
Actually, his best skill was playing the guzheng, but later he went into crossover music and gradually disappeared from the public eye after 2005.
As for Cobra, it doesn't even have a single finished piece. It's a bit hurtful to say it's completely worthless, but it's really hard to find anything to praise it for.
How would you describe the Tang Dynasty, which appeared last?
Whether others think the Tang Dynasty of 1993 and the Tang Dynasty of Hung Hom in 1994 were two different bands is unknown, but Liang Liang wholeheartedly agrees.
Tang Dynasty in 1993 really didn't sound like a band. Judging from their performance in Berlin, everything they had done before was highly exaggerated.
Their performance in Berlin immediately revealed their true colors; the band's playing was far from synchronized, meaning they typically rehearse very little.
The lead singer still looked timid and trembling, and kept missing the beat.
This is them in 1993, but by the time of the 1994 Hung Hom concert, they had made great progress.
This is the performance of the previous generation of the Chinese band when they participated in the Berlin Chinese Modern Art Exhibition.
As for how the Chinese band will perform at this art exhibition in this lifetime, it remains to be seen.
Liang Liang's main task right now is the Spring Festival Gala, and he has no interest in performing in Germany at the moment.
At 8 p.m. on February 18, 1996, the 1996 Spring Festival Gala officially began.
Unlike last year when the Blue Shark Band's performance was scheduled earlier in the program, this year their performance time is later in the program.
It's right after Lao Zhao's skit "Three Whips".
Behind them were three segments of Peking Opera.
Peking Opera is a strange thing. To put it bluntly, it's only watched by people in the Beijing area, but it takes up a lot of time on the Spring Festival Gala every year. It really takes full advantage of the host city.
If the CCTV Spring Festival Gala were held elsewhere, it might not even make an appearance.
Zhao's skit was once again a resounding success, and he was beginning to show signs of becoming a mainstay of the Spring Festival Gala.
The song that the Blue Shark Band ultimately performed on the Spring Festival Gala was "Chasing Dreams with a Pure Heart".
This was decided upon by the Spring Festival Gala production team after several days of deliberation and discussion.
"The Red Flag Fluttering" is scheduled to be performed again at next year's Spring Festival Gala.
Liang Liang has no objection; whatever you say we sing, we'll sing.
Around 10 o'clock, after Lao Zhao's skit "Three Whips", the Blue Shark Band came on stage.
The Blue Shark band's appearance generated just as much buzz as Lao Zhao's.
All the young people in the venue gave Blue Shark the warmest applause.
There's no time for you to ramble on the CCTV Spring Festival Gala stage, so the applause hadn't even stopped before the music started playing.
To Liang Liang's left is Liu Yuyong, and to her right is the beautiful Xu Mei. Next to her is keyboardist Wang Fan.
After the intro, Liang Liang's singing immediately sparked a sing-along from the entire audience.
This song was featured in a compilation album after it was shown in the documentary, so many people know how to sing it.
…
Keep running! With the pride of a child.
How can one see the brilliance of life without persisting?
It's better to burn brightly than to linger on.
For the beauty in our hearts
Never compromise until you get old!
Liang Liang's powerful and passionate singing transformed his inner fervor into a fiery passion, which, like a raging fire in the darkness and lightning in the clouds, traveled through television screens to countless homes, reaching every corner of the world and touching the hearts of countless Chinese people...
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