Mou Xuan's fingertips on his tactical gloves were numbed by the burns from the glass cup, and the aroma of tea mixed with the smell of pine smoke and ink from the "Four Records of the Study" penetrated into his nostrils.
He was looking at the flickering movable type of "Kao Gong Ji" in the reserve warehouse, when he suddenly heard a single cultural enthusiast holding a model of "Zi Ren Yi Zhi" and knocking open the carved door.
"Alliance leader!
Fragments of "Jingdezhen Pottery Records" were found in a cellar in the southeast area! "The young man who always pinned the Yinliuzhai Talking about Porcelain on his waistband had bright eyes, and the ink from the bamboo tube of Yangxian Minghu Series in his hand was spilled all over his body," Lu scholars said there were at least twenty boxes..."
Chen Yao's silver scissors flew past Mou Xuan's ear and accurately pinned the wooden box of "Changwuzhi" that was about to fall behind the single cultural enthusiast.
Mou Xuan looked at the tea leaves in the glass cup that had stretched out to the angle of "Construction Method" and suddenly poured the tea towards the rockery projected in "Yuan Ye".
"Three hours." He stared at the Taihu stone that had been corroded by acid rain into a honeycomb shape, "Ask Lao Lu to prepare thirty Qi Min Yao Shu preservation capsules."
As the light from the bronze mirror of "Gezhi Jingyuan" swept across the troops ready to go, old artist Xing was using the silver needle from "Xiu Pu" to embroider the thunder pattern from "髹饰录" on the tactical cloak of propagandist Qu.
Wu Ernr stood on tiptoe to stuff the clay from "Jingdezhen Pottery Song" into his backpack of "The Exploitation of the Works of Nature" and was gently tapped on the head by Chen Yao using the "Bamboo Lady" recorded in "Records of Superfluous Things".
"Alliance leader, can you find the complete copy of Lu Ban's Classic this time?" The single culture enthusiast wrapped Kaopan Yu Shi around his submachine gun, and the porcelain pieces of Tao Shuo in his backpack clinked against each other.
Mou Xuan caught a glimpse of the phoenix tail pattern behind Chen Yao's ear swallowing up the gunpowder from the Wu Bei Zhi, and suddenly wrapped the vines of the Fan Sheng Zhi Shu around the library navigator.
When the explosion sounded for the seventh time in the northwest corner, they slid out of the base by stepping on the "sounding clogs corridor" mechanism recorded in "The Legacy of the Carpenters".
Acid rain corroded the "ice cracks" recorded in "Changwuzhi" between the pavilions and towers projected in "Yuan Ye". Mou Xuan suddenly held down Chen Yao's hand as she was about to touch the gold thread of "Zhuanghuangzhi".
"Save it for repairing the Lacquer Record."
When the refugees emerged from the bottom of the "Qushui Liushang" canal recorded in "Changwuzhi", Wu Ernr was scraping off the ink marks of "Yangxian Minghu Xi" with the fragments of "Jingdezhen Taolu".
Thirty-seven dishevelled shadows were wrapped in the "fire-proof cloth" recorded in "The Exploitation of the Works of Nature", and their rotten tactical belts were equipped with short crossbows modified from "Illustrated Explanation of Military Equipment".
"The grain bag of "Yinshi Zhengyao"!" The leader's eyes bulged, and the hemp rope of "Nongzheng Quanshu" was tightened around his neck. "That shoulder bag... "Herbal Medicine for Famine Relief"!"
Mou Xuan's pupils reflected the refugees' modified arm armor based on the "Wu Bei Zhi", and his time ability was activated with the crisp sound of the movable type of the "Kao Gong Ji" melting.
He saw Chen Yao's silver scissors drawing the "gold-inlaid" trajectory from the "髹饰录", and a single cultural enthusiast was using the bamboo tube from the "Yangxian Minghu Series" to sprinkle the "Jinghong Powder" recorded in the "Xiangpu".
The bronze pocket watch shattered into the tactical gloves into the "earthworm pattern" recorded in "Ge Gu Yao Lun", and the reverse hourglass turned the bracket projected in "Yingzaofashi" into the rockery in "Changwuzhi".
When the refugees' crossbow arrows from "Illustrated Explanation of Military Equipment" were about to pierce the pottery jar from "Records of Jingdezhen Pottery", everyone suddenly saw the Qilin beast recorded in "Public Records of Xuande Ding and Yi" swooping down from the acid rain clouds.
"It's the strange beast from the Classic of Mountains and Seas!" The hemp rope of the refugee leader's Complete Book of Agricultural Administration broke, and they smashed the moon-shaped door projected by Gardening and fled.
The single culture enthusiast stared blankly at the shadow of the mortise and tenon joints in the "Kaogong Ji" disappearing in the air, and the bamboo tube of the "Yangxian Minghu Tie" in his hand fell into the crack of the "gold brick" recorded in the "Changwuzhi".
The phoenix tail pattern behind Chen Yao's ear was filled with gunpowder smoke and was moving towards the tactical gloves along the painted lines of "The Record of Lacquerware".
She suddenly grabbed Mou Xuan's hand that was about to pick up the fragments of "Gezhi Jingyuan", and the dew on her fingertips condensed into the seal character "three" on the battle formation diagram of "Wubeizhi".
"League leader!" The scholar from Lu panted and raised the preservation bag of "Jingdezhen Taolu", "These ink marks of "Yangxian Minghu Series"... are swallowing up the adhesive of "Yinliuzhai Shuoci"!"
When the "Spring Outing" screen recorded in "Changwuzhi" turned into golden thread of "Zhuanghuangzhi" in the acid rain, Mou Xuan suddenly heard the crisp sound of movable type of "Kaogongji" breaking from the direction of the library.
The vines of "The Book of Fan Sheng" on the tactical belt grew wildly, swallowing the gargoyles projected by "Construction Methods" into the "Mustard Seed Garden" recorded in "Yuan Ye".
Wu Ernst pulled at Chen Yao's cloak of the Embroidery Manual: "Sister Yao, the catalog of the Tianlu Linlang book in the library... will it eat people?"
The acid rain suddenly changed direction in the rhythm of "Jingdezhen Pottery Song", corroding the crossbow projected in "Illustrated Explanation of Military Equipment" into the shape of "Boshan Furnace" recorded in "Records of Superfluous Things".
Mou Xuan watched the mechanism diagram of "The Legacy of Carpenters" on the navigation system begin to rotate in the opposite direction, and suddenly pressed the "Lacquer Record" repaired by Chen Yao on the center of the ink mark of "Yangxian Teapot Series".
"Leader!" A single culture enthusiast screamed and held up "Yinliuzhai Shuo Ci". The porcelain pieces on the cover "Tao Shuo" were oozing with the "barley tears" recorded in "Jiuhuang Bencao".
When the outline of the library emerged from the "borrowed scenery" projected by "Yuan Ye", thirty-seven "Wu Bei Zhi" movable type crossbows suddenly automatically wound themselves in the acid rain.
Mou Xuan watched the mortise and tenon joints from Kaogong Ji piece together to form an upside-down Chiwen on the navigation system, and suddenly discovered that all the preservation capsules from Jingdezhen Taolu were resonating.
The phoenix tail pattern behind Chen Yao's ear suddenly became hot, condensing the gunpowder smoke in the "髹饰录" painting into the "加南香" recorded in the "長物志".
When the authentication light of "Ge Gu Yao Lun" swept across the broken eaves of the library, behind a carved window pasted with gold thread from "Zhuang Huang Zhi", half of a "Sesame Cake" recorded in "Yin Shi Zheng Yao" was stuck in the fold of "Yingzao Fa Shi" on the window lattice.
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