Chapter 138 Cultural Gold Mine: Exploring a New Journey



The lightning pattern from the "Record of Lacquer Decorations" wrapped around the bronze door knocker of the library suddenly burst open. As soon as Mou Xuan's tactical gloves touched the "seventy-two door nails" recorded in the "Construction Methods", he heard the broken tones of the "Jingdezhen Pottery Song" coming from the crack in the door.

Librarian Yu's withered fingers poked out from the cracks in the "Tianlu Linlang" catalog, and golden threads from the "Zhuangzhuang Zhi" were embedded in the gaps between his fingernails.

"Water marks on the third volume of The Classic of Tea." The old man's cloudy eyes were pressed against the lens of Ge Gu Yao Lun, and he suddenly knocked on the door knocker with the bamboo tube of Yangxian Minghu Xi, "The copy of Yin Shan Zheng Yao that the leader borrowed that year... should be returned."

Chen Yao's silver scissors rubbed sparks on the crossbow arrow of "Wu Bei Zhi" and sprinkled the medicinal powder of "Jiu Huang Ben Cao" into the acid mist seeping out of the crack of the door.

Wu Ernr stood on tiptoe to hand the sewing bag of "Embroidery Manual" to the old artist Xing, but the vines of "Fan Sheng Book" suddenly expanded and entangled the bag of "The Exploitation of the Works of Nature".

"Be careful!" Chen Yao's tactical cloak wrapped around the child, and the phoenix tail pattern behind the ear suddenly lit up with the "carved red" luster of "The Book of Lacquerware".

Mou Xuan watched as the movable type of Kaogongji spelled out the word "Wuxu" on the door knocker, and suddenly stuffed the model of Zirenyizhi into the gap of Yinliuzhaishuoci in Administrator Yu's hand.

The entire bronze door suddenly turned into the "ice crack" glazed wall recorded in "Yuan Ye", and the "sacrificial red glaze" spider recorded in "Jingdezhen Tao Lu" emerged from Administrator Yu's messy hair.

The old man used the "Bamboo Lady" recorded in "Changwuzhi" to break the glazed wall, revealing a dark room supported by brackets in "Yingzaofashi" behind it.

"The Xuande Dingyi Catalogue is hidden in the interlayer of the Luban Classics." His skinny fingers ran over the Gezhi Jingyuan bound in the gold thread of the Decoration Records, and suddenly grabbed Mou Xuan's tactical belt, "But the water marks of the Tea Classics... did you bring the dragon blood lacquer from the Lacquer Records?"

The single culture enthusiast was about to take out the "Yangxian Minghu Series" bamboo tube when he was suddenly held by Chen Yao's wrist.

The phoenix tail behind her ear moved to her fingertips, and she dripped the "Dendrobium Dew" recorded in the "Jiuhuang Bencao" on the movable type of "Kaogong Ji": "Senior, the fish bladder glue you used to repair the illustrations of "Tiangong Kaiwu" back then...was it mixed with the ambergris from "Xiangpu"? "

Acid rain corroded the library's dome, leaving holes in the shape of "stars in the sky" as recorded in the "Records of Superfluous Things". Wu Ernst suddenly pointed at the floor tiles made of pottery fragments from "Jingdezhen Pottery Songs" and shouted, "Sister Yao!

The "inlaid gold" pattern in this "髹饰录" is moving! "

Mou Xuan's pupils suddenly contracted.

The time power was activated with the clicking sound of the crossbow mechanism of "Wu Bei Zhi" turning, and he saw that the thirty-seven volumes of "Jun Qi Tu Shuo" were devouring the herbal atlas of "Jiu Huang Ben Cao".

Chen Yao's silver scissors had already cut through the tactical gloves, and she used the "Panjin Embroidery" technique recorded in the "Embroidery Manual" on the hemostatic bandage.

"Five breaths." He threw out the vines of the Book of Fan Sheng to entangle the wood carving of Yuan Ye that was about to fall. "Old Lu led the people to move the porcelain jar of Tao Shuo, and Old Xing was responsible for the loom of Xiu Pu - Chen Yao!"

When the woman leaped into the air, the phoenix tail pattern behind her ear glowed with the "gilded" light of "髹饰录".

Her silver scissors drew the trajectory of "a meteor chasing the moon" recorded in "Wubeizhi" in the acid rain, and cut off the poisonous vines from "Jiuhuang Bencao" that seeped out of the screen of "Changwuzhi".

Wu Ernr took the opportunity to paste the clay from "Jingdezhen Pottery Records" in his "Heavenly Creations" bag into the cracks.

"Leader!" A single culture enthusiast suddenly held up "Yinliuzhai Shuoci". The porcelain pieces of "Tao Shuo" inlaid on the cover were absorbing the patina of the movable type of "Kaogong Ji". "These ink marks...are reconstructing the mechanism diagram of "Lu Ban Jing"!"

Administrator Yu slammed his skinny palm on the column base of "Yingzaofashi", and the ancient melody of "Jingdezhen Pottery Song" suddenly rang out throughout the library.

The old man pulled out a half-volume of "Xuan De Ding Yi Pu" from the gold-threaded braid of "Zhuang Huang Zhi", and the wall of the dark room cracked in response, revealing the "foot-wide window" recorded in "Yuan Ye".

"When the water marks in the Classic of Tea meet the dragon blood in the Record of Lacquerware, the true meaning of the Tianlu Linlang will appear." His cloudy eyes suddenly reflected the appraisal light of the Gegu Yaolun, "Leader, take it quickly!"

The moment Mou Xuan's tactical gloves touched the "Changwuzhi" antique display shelf in the dark room, thirty-six "Wubeizhi" crossbows suddenly automatically cocked in the acid rain.

Chen Yao's phoenix tail pattern has spread to her collarbone, dyeing the silver needle of "Embroidery Manual" into the "Dian Snail" luster of "Lacquer Record".

She threw out the medicinal powder of "Herbal Medicine for Famine Relief" with her backhand, and built a rockery of "Gardening" in front of the crossbow projected by "Illustrated Explanation of Military Equipment".

"Three seconds." Mou Xuan's voice was mixed with the scent of ink from the Yangxian Teapot Series, "Wu Ernr, use the clay from the Jingdezhen Pottery Record to seal the mortise and tenon joints from the Kaogongji!"

When the vines of "Fan Sheng's Book" wrapped in the last batch of "Lu Ban Jing" mechanism diagrams rushed out of the library, the acid rain suddenly condensed into the "Golden Millet Paper" recorded in "Chang Wu Zhi" in the melody of "Tao Ge".

Chen Yao gently wiped off the flour on Mou Xuan's tactical mask, and the dew on her fingertips left a pattern of "eight treasures gray" on his wrist guard.

"Your phoenix tail wrinkles..." Mou Xuan suddenly grabbed her hand before she could take it back.

"The gold-plating technique in the Embroidery Manual can lock up the nitrate poison." Chen Yao lowered his head and stuffed the herbs in the Famine Relief Materia Medica into his tactical pocket. "Alliance leader, next time you splash the ink of the Yangxian Teapot Series, remember to avoid the southeast."

At the moment when the "Ziren Legacy" mechanical corridor bridge was activated on the return journey, the old artist Xing suddenly broke the silver thread of the "Embroidery Book".

The old man threw the thread ends dyed with the "髹饰录" paintings into the acid rain cloud, and thirty-seven "武备志" crossbow arrows automatically assembled in the air into the "Liubeiqu" recorded in "Yuanye".

"There is a tail." Chen Yao's silver scissors tapped out the rhythm of "Jingdezhen Tao Ge" on the tactical gloves, "Seven o'clock direction, the tracking crossbow modified from "Military Illustrated Explanation"."

Mou Xuan's pupils reflected the flickering reflections of the mortise and tenon joints of "Kaogong Ji" in the "Changwuzhi" rockery group behind him, and suddenly the vines of "Fan Sheng Zhi Shu" were wrapped around Wu Ernr's "Tiangong Kaiwu" shoulder bag.

When the child screamed and took out the "Tao Shuo" porcelain piece, the "Wu Bei Zhi" arm armors of all the pursuers suddenly began to resonate.

"Show them the cover of Yinliuzhai Shuoci." He brushed his fingers over the Lacquer Record that Chen Yao had just repaired. "It's time to let the 'old friend' see the real Xuande Ding Yi Catalogue."

The acid rain suddenly turned at the high note of "Jingdezhen Pottery Song", corroding the pursuers' "Famine Relief Herbal" camouflage cloaks into the "Ice Plum Pattern" recorded in "Yuan Ye".

Mou Xuan watched as the Lu Ban Jing mechanism diagram on the navigator began to rotate in the opposite direction, and his tactical gloves quietly gripped the silver scissors of the Embroidery Manual that Chen Yao had just stuffed in.

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