Latest History Novel

Background: [Already completed: [Tang] Li Shimin spanked his son today?]

[Already completed: [Qing] When the Crown Prince has a technological system]

[Planned future work: [Qin] Gongzi Fusu]

[Planned future work: [Ming]еру preserves Zhu Biao]

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Storyline:

Young Liu Ju recovers from a serious illness and gains the 'Divine Technique', which gradually reveals numerous pieces of information.

Liu Che pampers him, plays Cuju with him, and pushes him on a swing. How spoiled!

But history tells that Liu Che's late life favored sycophants, and Liu Ju was forced to commit suicide. A true tragedy unfolds.

Madam Li appears, the renowned beauty who captivates the nation.

Liu Ju's rival family. They ally with Liu Qu and trigger the significant event of the witchcraft disaster.

Liu Ju is forced to take his own life; the Li family plays a crucial role.

Liu Ju is distrustful and curious about his newfound abilities and knowledge. With his newfound wisdom, he observes and experiments. He researches and discovers compasses, crops cultivation techniques, papermaking, gunpowder, etc.

Finally: When Liu Ju realizes the truth of the events and prepares to fight with his 40-meter sword, he finds his father completely indulgent.

Liu Che praises Liu Ju as his intelligent and capable son, the hope of the Han Dynasty. The officials echo these sentiments, considering Liu Ju the savior of the nation.

Liu Ju, however, remains vigilant, ready to defend himself against any threat, vowing to protect his cousins and change their fate.

Jiang Sheng was reborn. He was reborn two months before his family's downfall.

In his previous life, his meridians were severed, and he lingered on for decades, finally seeing the truth behind his family's destruction. Yet, with imperial power supreme, he was powerless to seek revenge and died filled with resentment.

Opening his eyes again, he was reborn on the eve of his coming-of-age ceremony. With a mysterious space in hand, his father and elder brothers had not yet been harmed by villains and trapped to die on the battlefield. Everything was still salvageable.

In this life, he would kill gods if they blocked him and Buddhas if they stood in his way. His only wish was for his family to live in peace and joy, even if his own hands were stained with blood.

The emperor was foolish, persecuting loyal officials, and an era of chaos was about to begin. Since the loyal Jiang family met no good end, he would overthrow the imperial power and establish a new dynasty.

In the third year of Jingyou, during Emperor Renzong's reign of the Song Dynasty, an unruly young man fell into the back garden of the Great Song Imperial Palace, thus beginning a life that would send the Great Song Empire on a wild, accelerating ride.

Zhu Shuang transmigrated into the body of the second son of the Old Zhu family in the Great Ming Dynasty. Right from the start, he was expelled from the capital for stealing something from Xu Miaoyun.

Old Zhu originally thought this lesson would make his good-for-nothing son improve.

Who knew that the things Zhu Shuang did next were more outrageous each time.

...

One day, the capital of Great Ming was besieged, and the person leading the army was none other than Zhu Shuang.

Old Zhu: "Rebellious son, are you trying to rebel?"

Zhu Shuang: "Father Emperor, aren't I just training troops? I accidentally trained them all the way to our own doorstep..."

So-called Expert: I report the Yong'an Museum for disrupting the antique circle.

Netizen: How did it disrupt it?

Expert: The items displayed in its museum are all fakes.

Tourist: Yes, we know. Even the owner's surname is "Jia" (a pun on 'fake').

Expert: "You know they're fake, and you still go? How can modern replicas possibly convey the charm of history?"

Netizen: "But I think their knock-offs look more real."

Local: "Exactly, so what if it's a knock-off? They never said their things were real."

Expert: ...

Museum's Inner Monologue: It's just a model maker, why are you getting so worked up?

Knock-off Museum's Inner Monologue: As long as you don't demand authenticity, in the world of cultural relics, what others have, we have; what others don't have, we also have.